The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
A man's wife is under the care of an eccentric and unconventional psychologist who uses innovative and theatrical techniques to breach the psychological blocks in his patients. When their daughter comes back from a visit with her mother and is covered with bruises and welts, the father attempts to bar his wife from seeing the daughter but faces resistance from the secretive psychologist. Meanwhile, the wife's mother and father are attacked by strangely deformed children, and the man begins to suspect a connection with the psychologist's methods. Written by
Ed Sutton <firstname.lastname@example.org>
When Candy is sent away from preschool by "the creatures", she is wearing her pink snowsuit. However, when Frank drops by their home, desperately searching for his daughter, the pink snowsuit is hanging on the cloak hook at the front door. Then again, a few moments later, Candy is wearing it walking down the street with two of "the creatures". See more »
The law believes in motherhood. If Candy doesn't show up at Somafree next weekend your wife can take legal action immediately.
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One of Cronenberg's best films! It has some moments that will stick with you for a while. When the brood first appears and the beatings begin, I was not only disturbed by them, but the way that their faces look was burned onto my brain. I once read that Cronenberg calls this film his KRAMER VS. KRAMER. I think that's very interesting. He's taken the pain that he went through in his own life and manifested it in the physical form of these creatures. I find this kind of creativity to be associated only with some of the more visionary contemporary filmmakers. Cronenberg is that, there is no question. Performances by the late great Oliver Reed, Samantha Eggar and Art Hindle are perfect for the film. It is scary and disturbing and should be seen by all horror film fans. I find it to be a sadly neglected classic.
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