The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
The younger son of a working-class Jewish family in Montreal, Duddy Kravitz yearns to make a name for himself in society. This film chronicles his short and dubious rise to power, as well ... See full summary »
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
At the instigation of the filmmakers, the young men of the Ile-aux-Coudres in the middle of the St-Lawrence River try as a memorial to their ancestors to revive the fishing of the belugas ... See full summary »
Set in a small rural town in the Quebec Laurentians, Michelle lives in an isolated house with her mentally-challenged brother Guy and her 13 year old daughter Manon. Together the three of them survive by running a small firewood business and performing other odd jobs. Michelle is frustrated with living in poverty and being the center of several people who demand her affection; her brother is like a second child who lives in his own world, his romantic obsession with their wealthy client Madame Viau-Vachon being an exercise in futility. Maurice, the local police chief, is her lover and Gaetan, a mechanic and family friend, would like to be. Most demanding of all is her daughter, who has an unhealthy emotional dependence on her. Precocious and uninterested in school, Manon is jealous of her Mother's suitors and angry at being left home to do chores and care for Guy. When an event occurs that threatens the emotional dynamic between Manon and her mother, she becomes obsessed with removing... Written by
For those of you who don't know Rejean Ducharme, he is an enigmatic writer from Québec (no one has ever seen him publicly), and LES BONS DÉBARRAS is his only official screenplay (notice that LÉOLO, another great Quebec film, by the late Jean-Claude Lauzon, was freely inspired by the first book of Ducharme).
Rarely have we seen dialogues so powerfull and a cast so truely touch by the emotions they play. Marie Tifo and a young Charlotte Laurier are brilliant. After seeing this film, you will compare every child actor with Charlotte who delivers nothing less that the best performance from a child, period. Gilbert Sicotte is also excellent.
And less not forget the discreet but touching direction by Francis Mankiewicz.
This is the best Québécois movie because it is the most human and poetic one of all.
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