In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, ... See full summary »
Sam Roffe, president of a multi-national pharmaceutical corporation, is killed while mountain-climbing. It is first determined to be an accident, but Inspector Max Hormung later deduces that Roffe was murdered. Sam's daughter Elizabeth assumes control of the company, and while traveling through Europe she immediately becomes a target as well. Suspicion falls on the Roffe cousins, all of whom want to go public with the company and sell their stock at a huge profit. Since this would be against her father's wishes, Elizabeth rejects their advice and decides to keep the company within the family. As Inspector Hormung investigates the background of the cousins, more attempts are made on Elizabeth's life. Hoping to reveal the guilty party, Hormung is able to connect these attempts to a series of murders on prostitutes, which are recorded on snuff films. Written by
Audrey Hepburn was aged about 50 when this movie was made and released. The character she plays was much younger and in her 30s. Writer Sidney Sheldon revised his "Bloodline" novel to accommodate the literary age of the film version's lead actress. Hepburn had been in semi-retirement when she agreed to do this picture. The DVD sleeve notes declare that this movie was one of the final films of actress Audrey Hepburn. Hepburn's salary on this movie was $1,000,000 plus a percentage of the gross. See more »
When Elizabeth Roffe and Rhys Williams are in the hotel room, she left the bathroom in a nightgown after a night of love, but he is in jacket-and-tie with a overcoat in the arm. See more »
Compared to some of the Harold Robbins or Jackie Susann movies, this is not much better but its not much worse either. At least there is an international cast of talented actors at work. Granted, some of them are along only as ornaments..anyway, I saw this the weekend it opened in Times Square and have fond memories of it.
Seen now, it does not offer much to the serious moviegoer and is not campy enough to laugh at (unless the thought of Michelle Phillips getting her knees nailed to the floor is your idea of fun) but some of the reviews make it sound downright offensive, which it isn't.
It is probably assumed this is the worse movie Audrey Hepburn ever appeared in and I am sorry that it was a contractual obligation for her that she did not want to fulfill.
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