| Paul Sorvino | ... | Chubby De Coco | |
| Tony Lo Bianco | ... | Tommy De Coco | |
| Richard Gere | ... | Stony De Coco | |
| Lelia Goldoni | ... | Maria | |
| Yvonne Wilder | ... | Phyllis | |
| Kenneth McMillan | ... | Banion | |
| Floyd Levine | ... | Dr. Harris | |
| Marilu Henner | ... | Annette | |
| Michael Hershewe | ... | Albert | |
| Kristine DeBell | ... | Cheri | |
| Paulene Myers | ... | Mrs. Pitt | |
| Gloria LeRoy | ... | Sylvia | |
| Bruce French | ... | Paulie | |
| Peter Iacangelo | ... | Malfie | |
| Kim Milford | ... | Butler | |
| Robert Englund | ... | Mott | |
| Raymond Singer | ... | Jackie | |
| Lila Teigh | ... | Jackie's Mother | |
| Eddie Jones | ... | Blackie | |
| Danny Aiello | ... | Artie | |
| E. Brian Dean | ... | Brian (as Brian Dean) | |
| Randy Jurgensen | ... | Randy | |
| Ron McLarty | ... | Mac | |
| David Berman | ... | Dave | |
| Robert Costanzo | ... | Vic (as Bob Costanzo) | |
| Edwin Owens | ... | Stan (as Ed Owens) | |
| Tom Signorelli | ... | Sig | |
| Rockwell | ... | Tyrone (as Kennedy Gordy) | |
| Jeffrey Jacquet | ... | Derek | |
| Damu King | ... | Chili Mac | |
| Jon Cutler | ... | Mott's Buddy #1 | |
| James Lashly | ... | Mott's Buddy #2 | |
| Donald Schettino | ... | Constrution Man #1 | |
| Vaughn Dimoff | ... | Construction Man #2 | |
| Koko Tani | ... | Chick | |
| Frank Bongiorno | ... | Guy in Men's Room | |
| Carl Dubliclay | ... | Taxi Driver | |
| Karen Ciral | ... | Teen Chick #1 | |
| Tamara Barkley | ... | Teen Chick #2 | |
| Pamela Bebermeyer | ... | Teen Chick #3 (as Pam Bebermeyer) | |
| Janet Coleman | ... | Motel Clerk | |
| John Finnegan | ... | Bartender (as J.P. Finnegan) | |
| Bob Harcum | ... | Cop | |
| David Dozer | ... | Banion's Bar Man #1 | |
| Charles Guardino | ... | Banion's Bar Man #2 | |
| John Furlong | ... | Banion's Bar Man #3 | |
| Chuck Bergansky | ... | Banion's Bar Man #4 | |
| Shay Duffin | ... | Banion's Bar Man #5 | |
| Edward Levy | ... | Banion's Bar Man #6 |
Directed by | |||
| Robert Mulligan | |||
Writing credits | ||
| Richard Price | (based on the novel by) | |
| Walter Newman | (screenplay) | |
Produced by | |||
| Stephen J. Friedman | .... | producer (as Stephen Friedman) | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Robert Surtees | |||
Film Editing by | |||
| Sheldon Kahn | |||
Production Design by | |||
| Gene Callahan | |||
Set Decoration by | |||
| Lee Poll | |||
Makeup Department | |||
| Ruby Ford | .... | hair stylist | |
| Ben Nye Jr. | .... | makeup artist | |
Production Management | |||
| Tony Cerbone | .... | unit production manager: New York | |
| John R. Coonan | .... | unit production manager (as John Coonan) | |
Second Unit Director or Assistant Director | |||
| Robert Hargrove | .... | second assistant director | |
| Howard Roessel | .... | assistant director | |
Art Department | |||
| Robert Boettcher | .... | assistant property master (as Bob Boettcher) | |
| Peter Landsdown Smith | .... | assistant art director (as Peter John Smith) | |
| John Zemansky | .... | property master | |
Sound Department | |||
| David E. Campbell | .... | sound re-recording mixer | |
| Gordon Davidson | .... | sound editor | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Charles T. Knight | .... | sound mixer (as Charles Knight) | |
| Marvin I. Kosberg | .... | sound editor (as Marvin Kosberg) | |
| Michael Minkler | .... | sound re-recording mixer | |
| Robert R. Rutledge | .... | sound editor | |
| Josef von Stroheim | .... | sound editor (as Joe von Stroheim) | |
| Roy Bean | .... | sound (uncredited) | |
| Jerry Jacobson | .... | adr editor (uncredited) | |
Camera and Electrical Department | |||
| Richard Barth | .... | first assistant camera (as Dick Barth) | |
| Thomas Laughridge | .... | camera operator (as Tom Laughridge) | |
| David L. Quaid | .... | special photographer (as David Quaid) | |
| Vinnie Gerardo | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Joanne Haas | .... | costumer: women | |
| Robert Harris Jr. | .... | costumer: men | |
Editorial Department | |||
| Marilyn Madderom | .... | assistant editor | |
| Saul Saladow | .... | assistant editor (as Saul R. Saladow) | |
Music Department | |||
| Donald Harris | .... | music editor | |
| David Spear | .... | orchestrator (uncredited) | |
| Dan Wallin | .... | music scoring mixer (uncredited) | |
Other crew | |||
| Julie Pitkanen | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
******SPOILERS****** Hard hitting yet sensitive story about a blue collar family living in a working class neighborhood in the Bronx NY and the ups and downs that they go through in the movie. The movie has to do with an Italian/American family, the De Coco's. The De Coco's have a son that's torn between being a construction worker and working as a recreational assistant at a local hospital. In hospital Stony want's to work with and help young children who have severe emotional problems like his little brother Albert, Michael Hershewe.
Powerhouse performances by Tony Lo Bianco, Tommy De Coco, Paul Sorvino, Chubby De Coco and a very young and electrifying Richard Gere as Stony De Coco in one of his first major movie roles that showed the great talent that he had long before he became a top Hollywood super-star. Stony at first trying to live and work like his father Tommy and uncle Chubby wanted him to he then begins to slowly lose his interest. Being the sensitive type Stony finds it hard to live up to his father Tommy macho image and how that mindset effects his little brother Albert who's suffering from emotional problems due to having sever eating disorders.
There's also Tommy's womanizing that leads his wife Marie, Lelia Goldoni, to try to have an affair with that weirdo Jackie, Raymond Singer, who lives in her apartment building who always had eyes for her. When Tommy finds out about this supposed affair ,from a phone call from Jackie's mother, he goes haywire and almost kills Marie and ends up himself in the hospital with what seemed like an emotional breakdown. Stony seeing what this type of lifestyle was doing to his parents leaves his job as a construction worker, that his father Tommy broke his back to get him, and decides to leave with his younger brother Albert for good. Stony in an attempt to say goodbye has an emotionally packed confrontation with his father, Tommy, and uncle, Chubby, that was the best of so many great scenes in the movie.
Simple yet powerful movies about people that Hollywood doesn't make too many movies about these days. Another great scene in "Bloodbrothers" was a talk between Chubby and his friend and bar owner Banion, Kenneth McMillan, on how he threw his son Paulie, Bruce French, out of the house when he found out that he was gay. Chubby tried to get both father and son back together later by going to Buccellati jewelry on Fifth Avenue where Paulie worked to get him to attend his fathers birthday party. Chubby loses it when Paulie not only refused to show up at the party but didn't even want to sign a birthday card for his father that Chubby gave him. You could see the two different worlds that both Chubby and Paulie lived in and how they just couldn't come to any common ground on just a simple matter like that.
And there was also a moving story by Chubby that he told Banion in regard to his son Paulie, that Banion felt he lost because of his gay lifestyle, about his own son ,the son that Chubby lost who tragically died in infancy. Almost in tears Chubby tells how he loved and looked after his nephew Stony as that son who he lost and never lived to see grow up. Also very good in the movie are Stony's two girlfriends Cherie and Annette, Kristine De Bell & Marilu Henner, who more then anything exemplified the two worlds that Stony was torn between.
"Bloodbrothers" is a forgotten movie until you see it and realize that it was one of the most underrated motion pictures of the 1970's. A touching moving and tragic film with a great and stirring musical score that shows that there is nothing uninteresting about working people when it's a movie about working people as good as "Bloodbrothers".