| Photos (See all 23 | slideshow) |
| Mario Adorf | ... | Alfred Matzerath | |
| Angela Winkler | ... | Agnes Matzerath | |
| David Bennent | ... | Oskar Matzerath | |
| Katharina Thalbach | ... | Maria Matzerath | |
| Daniel Olbrychski | ... | Jan Bronski | |
| Tina Engel | ... | Anna Koljaiczek (jung) | |
| Berta Drews | ... | Anna Koljaiczek | |
| Roland Teubner | ... | Joseph Koljaiczek | |
| Tadeusz Kunikowski | ... | Onkel Vinzenz | |
| Andréa Ferréol | ... | Lina Greff (as Andréa Ferreol) | |
| Heinz Bennent | ... | Greff | |
| Ilse Pagé | ... | Gretchen Scheffler | |
| Werner Rehm | ... | Scheffler | |
| Käte Jaenicke | ... | Mutter Truczinski | |
| Helmut Brasch | ... | Der Alte Heilandt (as Helmuth Brasch) | |
| Otto Sander | ... | Musiker Meyn | |
| Wigand Witting | ... | Herbert Truczinski | |
| Mariella Oliveri | ... | Roswitha | |
| Fritz Hakl | ... | Bebra | |
| Emil Feist | ... | 1.Clown | |
| Herbert Behrendt | ... | 2.Clown | |
| Karl Heinz Tittelbach | ... | Felix | |
| Charles Aznavour | ... | Sigismund Markus | |
| Marek Walczewski | ... | Schugger-Leo | |
| Ernst Jacobi | ... | Löbsack | |
| Wojciech Pszoniak | ... | Fajngold | |
| Gerda Blisse | ... | Frl. Spollenhauer | |
| Joachim Hackethal | ... | Hochwürden Wiehnke | |
| Henning Schlüter | ... | Dr. Hollatz | |
| Zygmunt Hubner | ... | Dr. Michon (as Zygmunt Huebner) | |
| Mieczyslaw Czechowicz | ... | Kobyella | |
| Bruno Thost | ... | Obergefreiter Lankes | |
| Alexander von Richthofen | ... | Pvt. Herzog | |
| Lech Grzmocinski | ... | Stauer (as L. Grzmocinski) | |
| Stanislaw Michalski | ... | 1.Gendarme (as S. Michalski) | |
| J. Kapinski | ... | 2.Gendarme | |
| Dietrich Frauboes | ... | Oberartz - Medical Chief | |
| rest of cast listed alphabetically: | |||
| Horst Gentzen | ... | Felix (voice) (uncredited) | |
| Adolf Hitler | ... | Himself (voice) (archive footage) (uncredited) | |
| Reinhard Kolldehoff | ... | Eel Catcher (voice) (uncredited) | |
| Günter Meisner | ... | Gesundheitspolizist (uncredited) | |
| Beata Pozniak | ... | Extra (uncredited) | |
| Lutz Riedel | ... | Soldier (voice) (uncredited) | |
| Raphaël Vogt | ... | Peter (uncredited) | |
| Herbert Weissbach | ... | Fajngold (voice) (uncredited) | |
Directed by | |||
| Volker Schlöndorff | |||
Writing credits(in alphabetical order) | ||
| Jean-Claude Carrière | writer | |
| Günter Grass | additional dialogue | |
| Günter Grass | novel | |
| Volker Schlöndorff | writer | |
| Franz Seitz | writer | |
Produced by | |||
| Eberhard Junkersdorf | .... | executive producer | |
| Hans Prescher | .... | producer: HR | |
| Franz Seitz | .... | producer | |
| Anatole Dauman | .... | producer (uncredited) | |
| Volker Schlöndorff | .... | producer (uncredited) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Igor Luther | |||
Film Editing by | |||
| Suzanne Baron | |||
Production Design by | |||
| Piotr Dudzinski | |||
| Zeljko Senecic | |||
Art Direction by | |||
| Nicos Perakis | |||
Set Decoration by | |||
| Marijan Marcius | (as Marijan Marcijus) | ||
| Edouard Pezzoli | |||
| Paul Weber | |||
Costume Design by | |||
| Inge Heer | |||
| Dagmar Niefind | |||
| Yoshio Yabara | (as Yoshy Yabara) | ||
Makeup Department | |||
| Rino Carboni | .... | makeup artist | |
| Albina Mackic | .... | makeup artist | |
| Vitaliana Patacca | .... | hair stylist (as Vitaliana Potacka) | |
| Ingeborg Thiess | .... | hair stylist | |
| Alfredo Tiberi | .... | makeup artist | |
| Teresa Tomaszewska | .... | makeup artist | |
| Ruzica Vidmar | .... | key makeup artist (as Ruza Vidmar) | |
Art Department | |||
| Dominique Antony | .... | set constructor | |
| Pierre Audouard | .... | props | |
| Ivo Baltic | .... | props | |
| Franz Bauer | .... | props | |
| Ewa Kowalska | .... | set constructor | |
| Tadeusz Kunikowski | .... | props | |
| Christian Lenz | .... | props | |
| Bernd Lepel | .... | set designer | |
| Boleslaw Miziolek | .... | props | |
| Barbara Nowak | .... | set designer | |
| Stanislaw Nowak | .... | painter | |
| Tihomir Piletic | .... | set designer | |
| Thomas Schulz | .... | props | |
| Bogdan Serwa | .... | painter | |
| Ivo Stjejan | .... | props | |
Sound Department | |||
| Peter Beil | .... | sound | |
| Walter Grundauer | .... | sound | |
| Peter Kellerhals | .... | sound (as Walter Kellerhals) | |
| Hans-Dieter Schwarz | .... | sound mixer (as Hans Dieter Schwarz) | |
Special Effects by | |||
| Georges Iaconelli | .... | pyrotechnician (as Georges Jaconelli) | |
| Josif Karovski | .... | weapons | |
| Krzysztof Szwed | .... | pyrotechnician | |
| Nikola Vujasinovic | .... | pyrotechnician | |
Costume and Wardrobe Department | |||
| Krystyna Bartosik | .... | wardrobe | |
| Anica Cerovac | .... | wardrobe | |
| Marko Cerovac | .... | costumer | |
| Zofia Jedrzejczak | .... | wardrobe | |
| Renée Miquel | .... | wardrobe | |
| Elzbieta Radke | .... | costumer | |
| Franjo Simek | .... | wardrobe | |
Editorial Department | |||
| Helga Kusterka | .... | assistant editor | |
| Agape von Dorstewitz | .... | assistant editor (as Agape Dorstewitz) | |
| Barbara von Weitershausen | .... | assistant editor (as Barbara v. Weitershausen) | |
Music Department | |||
| Lothar Brühne | .... | composer: song "Kann Denn Liebe Sünde Sein?" (uncredited) | |
| Maurice Jarre | .... | conductor (uncredited) | |
| Jan Latham-Koenig | .... | musician: piano (uncredited) | |
| Carl Loubé | .... | orchestra (uncredited) | |
| Sidney Sax | .... | orchestra contractor (uncredited) | |
| Eric Tomlinson | .... | music engineer (uncredited) | |
Other crew | |||
| Andrzej Dojnik | .... | production assistant | |
| Ute Ehmke | .... | location manager | |
| Paulette Hufnagel | .... | production administrator | |
| Ingrid Höller | .... | production secretary | |
| Louis Mayr | .... | location manager | |
| Jean Claude Mouliére | .... | location manager | |
| Franjo Proscan | .... | production secretary | |
| Lilo Schick | .... | script supervisor | |
| Gabriele Seitz | .... | press relations | |
| Amelia Statkiewicz | .... | production administrator | |
| Ivan Steiger | .... | toys provided by | |
| Günther M. Stocklöv | .... | location manager (as Günter Stocklöv) | |
| Zygmunt Wójcik | .... | location manager | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb West Germany section |
"That day, thinking about the grown-up world and my own future, I decided to call a halt. To stop growing then and there and remain a three-year-old, a gnome, once and for all"
Goodness, what a marvel this film is! It is certainly the greatest film from Germany that I have seen yet. Winner of the 1979 Academy Award for Best Foreign Language Film, "The Tin Drum" follows the life of a boy named Oskar. After seeing how ludicrous adults act, Oskar decides to stop his growth, and stay three years old forever by falling down the stairs. He succeeds, and the fall has stopped his growth. Aside from the hault of growth, the fall eqips him with two special powers that he regularly manifests. The lesser of these two powers, is repeatedly pounding his tin drum, which he absolutely refuses to let go of. Oskar's undeniable power is to let out a high pitched shriek that will shatter any glass he directs it at. Does it sound strange? Well, the film is much stranger, but also much more beautiful than my description.
The film follows our little Oscar over a period of around two decades, through World War II in Germany. We follow Oskar through his many sexual, emotional, tragic, funny, and beautiful exploits. An absolutely important credit must be given to actor David Bennett, who plays young Oskar. He portrays Oskar as an infant, as a three year-old, as a six year-old, as a twelve year-old, as a 16 year-old, as a 21 year-old...well, you get the picture. Bennett was only 11 at the time, and his performance is very impressive.
I haven't seen very many German films from the last thirty years, but most of the ones I have seen (the excellent "Vanishing," and the immensely mediocre "White Rose") haven't had very good scores. "The Tin Drum" has a very slight, but very servicable, score by the famous Maurice Jarre. The score has an emotional theme played in only a few scenes (notably, the ending), it also has an innocent little music box theme, and surprisingly a cool waltz for scenes involving members of the circus (a big part of the second-half of the film). A very good score. To my knowledge, it was released on LP when the film was released, and on a CD pressed in Japan sometime in the 90's. I read that the (sadly out of print) Kino DVD includes the isolated score as an extra.
It's an excellent film that I strongly connected with, but I can see many people not liking it, it is VERY strange, but I am somebody who has always found VERY strange things extremely beautiful, and "The Tin Drum" is no exception. Over-all, I consider this film a classic, and I'll once again state that it is certainly the greatest film from Germany that I have seen yet.