Rita Vogt is a radical West German terrorist who abandons the revolution and settles in East Germany with a new identity provided by the East German secret service. She lives in constant ... See full summary »
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II. So he refuses the society and his tin drum symbolizes his protest against the middle-class mentality of his family and neighborhood, which stand for all passive people in Nazi Germany at that time. However, (almost) nobody listens to him, so the catastrophe goes on... Written by
There are several references (on the English soundtrack/ subtitles) to 'Kashubians'. Jan Bronski is referred as a Kashubian by Alfred Matzerath. Kahsubia is an ethnic group, centred on north-central Poland, with the nominal capital being Gdansk (Danzig). Kashubians were considered by the Nazis as of German stock/ extraction. See more »
When Agnes eats eels, a brown bottle is not visible in one cut, even though other nearby objects on the table can be seen. In the same series of cuts, the position of her empty glass and Alfred's beer glass also change. See more »
Look, if you please, at this extraordinary potato... this swelling, luxuriant flesh, forever conceiving new shapes... and yet so chaste. I love a potato, because it speaks to me.
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It's been a while since I've seen this German film but I am still struck by key images in the film and the overall tone set forth casually against a backdrop of the chaos of Nazi Germany's rise and fall.
I do wonder how much of my love for this film is owed to the Gunter Grass novel on which it's based It's a quirky slab of magic realism to be sure, like the film, but I have no idea how closely it hews to the original.
The performances are nuanced and striking in places. The cinematography is appropriately dreary and the editing crisp and unadorned. The centerpiece though, is the performance by the child actor at the core of the film. How much is owed to his voice-over narrative, I don't know, but the man growing inside of the still-grown little boy was handled just beautifully.
It's a disturbing and strangely uplifting movie at once. I recommend it -- especially for those who have seen only black and white view of World War II and the typically American view of our adversaries in German.
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