| Photos (See all 40 | slideshow) |
| Maximilian Schell | ... | Dr. Hans Reinhardt | |
| Anthony Perkins | ... | Dr. Alex Durant | |
| Robert Forster | ... | Captain Dan Holland | |
| Joseph Bottoms | ... | Lieutenant Charles Pizer | |
| Yvette Mimieux | ... | Dr. Kate McCrae | |
| Ernest Borgnine | ... | Harry Booth | |
| Tom McLoughlin | ... | Captain S.T.A.R. (as Tommy McLoughlin) | |
| rest of cast listed alphabetically: | |||
| Roddy McDowall | ... | V.I.N.CENT. (voice) (uncredited) | |
| Gary Nelson | ... | Drone with Mask Removed (uncredited) | |
| Slim Pickens | ... | B.O.B. (voice) (uncredited) | |
Directed by | |||
| Gary Nelson | |||
Writing credits | ||
| Jeb Rosebrook | (story) and | |
| Bob Barbash | (story) & | |
| Richard H. Landau | (story) (as Richard Landau) | |
| Jeb Rosebrook | (screenplay) and | |
| Gerry Day | (screenplay) | |
Produced by | |||
| Ron Miller | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Frank V. Phillips | (director of photography) (as Frank Phillips) | ||
Film Editing by | |||
| G. Gregg McLaughlin | (as Gregg McLaughlin) | ||
Production Design by | |||
| Peter Ellenshaw | |||
Art Direction by | |||
| John B. Mansbridge | |||
| Robert McCall | (as Robert T. McCall) | ||
| Al Roelofs | |||
Set Decoration by | |||
| Frank R. McKelvy | |||
| Roger M. Shook | |||
Costume Design by | |||
| Bill Thomas | |||
Makeup Department | |||
| Gloria Montemayor | .... | hair stylist | |
| Nadia | .... | makeup artist | |
| Robert J. Schiffer | .... | makeup supervisor | |
Production Management | |||
| John D. Bloss | .... | production manager (as John Bloss) | |
| Christopher N. Seiter | .... | unit production manager (as Christopher Seiter) | |
Second Unit Director or Assistant Director | |||
| Christopher Disney Miller | .... | second assistant director (as Christopher D. Miller) | |
| Tom McCrory | .... | assistant director | |
| Joseph Paul Moore | .... | second assistant director (as Joseph P. Moore) | |
Art Department | |||
| Robert Ayres | .... | production illustrator | |
| Leon Harris | .... | production illustrator (as Leon R. Harris) | |
| Gene Johnson | .... | production illustrator | |
| Fred Lucky | .... | production illustrator | |
| Wilbur L. Russell | .... | property master | |
| Gary Zink | .... | welder/fabricator | |
Sound Department | |||
| Wayne Allwine | .... | sound effects editor (as Wayne A. Allwine) | |
| Nick Alphin | .... | sound re-recording mixer | |
| Barney Cabral | .... | dialogue replacement (as Bernard P. Cabral) | |
| Norman Carlisle | .... | dialogue replacement | |
| George Fredrick | .... | sound effects editor | |
| Robert Hathaway | .... | sound re-recording mixer (as Bob Hathaway) | |
| Ben Hendricks | .... | special sound effects (as Ben F. Hendricks) | |
| John Jolliffe | .... | sound effects editor (as John J. Jolliffe) | |
| Stephen Katz | .... | additional special sound effects | |
| James MacDonald | .... | special sound effects | |
| Bud Maffett | .... | sound mixer (as Henry A. Maffett) | |
| Al Maguire | .... | dialogue replacement | |
| Joe Parker | .... | sound effects editor (as Joseph Parker) | |
| Frank Regula | .... | sound re-recording mixer (as Frank C. Regula) | |
| Herb Taylor | .... | sound supervisor | |
| Louis Terrusa | .... | sound effects editor | |
| John Van Frey | .... | sound re-recording mixer | |
| Bill Wylie | .... | special sound effects (as William J. Wylie) | |
Special Effects by | |||
| Hal Bigger | .... | assistant mechanical effects | |
| Danny Lee | .... | mechanical effects supervisor | |
| Eric Allard | .... | special effects technician (uncredited) | |
| Gary D'Amico | .... | special effects (uncredited) | |
| Allen Hurd | .... | special effects crew (uncredited) | |
| Hans Metz | .... | special effects foreman (uncredited) | |
| Mike Reedy | .... | special effects technician (uncredited) | |
| Ken Speed | .... | special effects (uncredited) | |
Visual Effects by | |||
| Fred E. Branson | .... | optical printer operator | |
| Bob Broughton | .... | optical photography coordinator (as Robert Broughton) | |
| Art Cruickshank | .... | director of miniature photography | |
| Harrison Ellenshaw | .... | matte effects | |
| Peter Ellenshaw | .... | miniature effects creator | |
| Peter Ellenshaw | .... | miniature effects supervisor | |
| Constantine Ganakes | .... | assistant matte artist | |
| Joe Hale | .... | animation special effects | |
| Ray O. Hoar | .... | optical printer operator | |
| Ted Kierscey | .... | animator (as Ted C. Kierscey) | |
| Bill Kilduff | .... | operator: A.C.E.S. | |
| Dorse A. Lanpher | .... | animator | |
| Eustace Lycett | .... | composite optical photography | |
| David Mattingly | .... | assistant matte artist | |
| Stephen McEveety | .... | production assistant: miniatures unit (as Stephen M. McEveety) | |
| Phil Meador | .... | optical printer operator (as Philip L. Meador) | |
| Arthur Miller | .... | matte photography | |
| Roger Redel | .... | gaffer: miniatures unit (as Roger E. Redel) | |
| Forrest Reed | .... | key grip: miniatures unit (as Doc Reed) | |
| Terence Saunders | .... | chief model maker | |
| Terence Saunders | .... | miniature mechanical effects | |
| Ed Sekac | .... | matte photography | |
| Robert R. Wilson | .... | operator: A.C.E.S. | |
| Thomas Baker | .... | main title graphics (uncredited) | |
| Mike Edmonson | .... | special effects miniatures (uncredited) | |
| Barry Seybert | .... | graphic artist: opening titles (uncredited) | |
Stunts | |||
| Bill Couch | .... | stunts | |
| Howard Curtis | .... | stunts | |
| Len Glascow | .... | stunts | |
| Bob Herron | .... | stunts | |
| Billy Bob Jackson | .... | stunts (as Billy Jackson) | |
| Melvin Jones | .... | stunts | |
| Katee McClure | .... | stunts | |
| Stevie Myers | .... | stunts | |
| Terry Nichols | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Ron Oliney | .... | stunts (as Ronald Oliney) | |
| Conrad E. Palmisano | .... | stunts (as Conrad Palmisano) | |
| Regina Parton | .... | stunts | |
| Don Pulford | .... | stunts | |
| Bobby Sargent | .... | stunts | |
| Conrad E. Palmisano | .... | stunt double: Anthony Perkins (uncredited) | |
Camera and Electrical Department | |||
| Lloyd Ahern II | .... | camera operator (as Lloyd N. Ahern) | |
| Bernie Bayless | .... | best boy (as Bernard F. Bayless) | |
| Carl Boles | .... | gaffer | |
| Donald Capel | .... | key grip | |
| Howard Hagadorn | .... | second grip (as Howard L. Hagadorn) | |
| Robert LaBonge | .... | first assistant camera | |
| Sid Lucero | .... | grip | |
| Louis Niemeyer | .... | assistant camera | |
| Cecil Wilson | .... | second assistant camera (as Cecil R. Wilson) | |
| Dan Delgado | .... | lighting technician (uncredited) | |
| Wynn Hammer | .... | still photographer (uncredited) | |
| Brian L. McCarty | .... | video assist operator (uncredited) | |
| Peter McEvoy | .... | set lighting technician (uncredited) | |
Costume and Wardrobe Department | |||
| Mary Dye | .... | costumer | |
| Chuck Keehne | .... | costume supervisor | |
| Jack Sandeen | .... | costumer | |
Editorial Department | |||
| Nicholas Vincent Korda | .... | assistant film editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Evelyn Kennedy | .... | supervising music editor | |
| Helen Sneddon | .... | music editor | |
| James Thatcher | .... | musician: french horn | |
| Dan Wallin | .... | music scoring mixer | |
| Albert Woodbury | .... | orchestrator (as Al Woodbury) | |
Other crew | |||
| George F. McGinnis | .... | creator: robots | |
| Tom McLoughlin | .... | coordinator: sentry robots (as Tommy McLoughlin) | |
| Sandy Nelson | .... | script supervisor | |
| Dana Winseman | .... | video playback services (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Not only is The Black Hole beautifully made from a technical aspect, it has marvelous performances. Robert Forester (Jackie Brown), Anthony Perkins (Psycho), Ernest Borgnine, Maximillian Schell. It does get a little campy but it is a Disney movie after all and it can be forgiven its attempts at comic relief. This is a very unlikely sort of film for Disney, were it made today it would have been made under the Miramax header rather than Disney, and like another unlikely Disney film, Tron, it is tragically underrated. The special effects and set design are breathtaking, but it is the script which is the best part. The ending is one of the most surreal and haunting in any science fiction film (and especially bold for a Disney film) The characterizations are wonderful and the robots, especially Maximillian (in my book the greatest cinematic robotic villain to date), are unforgettable.