Mo Alexander's bad luck is that she misses the plane in Paris carrying her tour group and her luggage. On top of this, she finds that it will take several days for the travel agent to work ... See full summary »
A millionaire, a million-dollar prostitute, a star-maker, a nation-killer, a woman whose lusts are as cold as graveyard snow...Five of the most powerful people in the world, and Maggie ... See full summary »
San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Kristin Scott Thomas,
The Rickenbacker 330 guitars played by Stephen MacKenna as John Lennon are actually Japanese-made copies. The headstocks are longer than a real Rickenbacker and the pickups and tailpieces differ. See more »
At the beginning of the movie when the Beatles audition for a club, John Lennon says they'll be playing Dizzy Miss Lizzy in the key of E, but when they play, its in the key of B flat. See more »
There are a number of things that are not correct, although this is not too important since what happened to whom and when is still in dispute. The most blatant liberty with the facts I think is when they start to play at Bruno Koschmidder's Kaiserkeller, when in fact they played at the Indra and moved to the Kaiserkeller later.
I agree with Semprinni20 that the film was biased in favour of Pete Best's version, but if he is the story consultant then I guess he calls the shots. I also agree with Semprinni that the recordings Pete Best plays on say the last word on the subject of why he was fired.
Although the film is not such a lavish production as the later film "Backbeat", I prefer this film because it is more accurate, and because it has a better script with deeper characterisation.
There is plenty in the film that is quite substantial - such as Brian Epstein trying to hide the fact that he has been "queer-bashed," only to find out that the band knew he was Gay all along. Little touches like the band going into a café and ordering "Corn-Flakes mit Milch." My favourite scene, which does have some bassis in fact, is where at an audition Stuart Sutcliffe has just bought his bass guitar but can't play it, so he stands with his back to the impresario and tries faking it, but gets caught. That's rock 'n' roll.
Well worth watching.
5 of 5 people found this review helpful.
Was this review helpful to you?