An account of The Beatles during the Hamburg years, their signing with Brian Epstein and their inevitable rise during the early sixties.

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Cast

Cast overview, first billed only:
Stephen MacKenna ...
Rod Culbertson ...
John Altman ...
Ray Ashcroft ...
Ryan Michael ...
...
Brian Jameson ...
Wendy Morgan ...
Gary Olsen ...
...
Agent
Eileen Kennally ...
...
Club Boss
Alyson Spiro ...
...
Jackie Fishel ...
Street Girl
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Storyline

An account of The Beatles during the Hamburg years, their signing with Brian Epstein and their inevitable rise during the early sixties.

Plot Summary | Plot Synopsis

Taglines:

The excitement of being there when it first happened!

Genres:

Biography | Drama | Music

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Details

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Release Date:

23 November 1979 (USA)  »

Also Known As:

A Beatles születése  »

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Technical Specs

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Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

John Lennon Paul McCartney Ringo Starr and George Harrison actually wanted this movie to be stopped and never be released. See more »

Goofs

At the beginning of the movie when the Beatles audition for a club, John Lennon says they'll be playing Dizzy Miss Lizzy in the key of E, but when they play, its in the key of B flat. See more »

Connections

Version of Stuart Sutcliffe: The Lost Beatle (2005) See more »

Soundtracks

Ask Me Why
Written by John Lennon & Paul McCartney
Performed by Rain (Eddie Lineberry, Chuck Coffey, Bill Connearney, and Steve Wight)
See more »

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User Reviews

 
Captures the spirit of the Hamburg days nicely
20 November 2009 | by See all my reviews

There are a number of things that are not correct, although this is not too important since what happened to whom and when is still in dispute. The most blatant liberty with the facts I think is when they start to play at Bruno Koschmidder's Kaiserkeller, when in fact they played at the Indra and moved to the Kaiserkeller later.

I agree with Semprinni20 that the film was biased in favour of Pete Best's version, but if he is the story consultant then I guess he calls the shots. I also agree with Semprinni that the recordings Pete Best plays on say the last word on the subject of why he was fired.

Although the film is not such a lavish production as the later film "Backbeat", I prefer this film because it is more accurate, and because it has a better script with deeper characterisation.

There is plenty in the film that is quite substantial - such as Brian Epstein trying to hide the fact that he has been "queer-bashed," only to find out that the band knew he was Gay all along. Little touches like the band going into a café and ordering "Corn-Flakes mit Milch." My favourite scene, which does have some bassis in fact, is where at an audition Stuart Sutcliffe has just bought his bass guitar but can't play it, so he stands with his back to the impresario and tries faking it, but gets caught. That's rock 'n' roll.

Well worth watching.


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