San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
A big fan of The Beatles growing up in the 60s, Seth Swirsky noticed that whenever he heard someone relating a story about themselves and The Beatles, he was "all ears". So, starting in ... See full summary »
Nancy Lee Andrews,
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
When the Beatles are in Hamburg in 1961, George Harrison sings "Don't Bother Me" on stage, the first song he wrote for the group but in actuality Harrison didn't write the song until 1963, and it was included on the Beatles' second album. See more »
I've been a Beatles fan for most of my life. Grew up 30 miles from Liverpool a few years later than the boys did. So I could be mean and point out some of the liberties the filmmakers took here. But all in all this isn't bad. The actors are easily recognisable as their characters and the accents aren't too far off. The major players in the Beatles story are all there, and the settings (Liverpool, Hamburg) evoke the era and are believable. The songs come over really well - sounds like Rain were a decent band in their own right. The larking about on stage is also captured perfectly. But Astrid looks a little too much like Anne Robinson (and not blonde enough) for my liking - she even winks at one point!
The early relationship between Brian Epstein and the Beatles seemed very real. Well, Pete Best was there at the time and, as an adviser, should have helped them to get it right. He obviously believes (to this day) that there was a long-running conspiracy to replace him with Ringo. And I think he's right.
I think my favourite cameo in the film is Nigel Havers as George Martin. The posh tall classically trained English gent, running a comedy label as part of EMI, was the only record executive to recognise the unique talent that changed popular music for ever.
Good job, lads.
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