A cruise ship succumbs to a terrorist act and capsizes on New Year's eve. A rag-tag group of survivors, spearheaded by a priest and a homeland security agent, must journey through the upside down vessel and attempt an escape.
When a big ocean liner's cargo of fertilizer catches fire, it causes an explosion and pretty soon, the whole ship is ablaze. A helpful newlywed passing by in a canoe and a stowaway help try to fight the fire.
After a boiler explosion aboard an aging ocean liner, a man struggles to free his injured wife from the wreckage of their cabin and ensure the safety of their four-year-old daughter as the ship begins to sink.
Andrew L. Stone
American based Federation World Airlines has just acquired a Concorde jet, which will make its inaugural commercial flight from Washington D.C. to Paris and then to Moscow as a goodwill ... See full summary »
After "The Poseidon Adventure", in which the ship got flipped over by a tidal wave, the ship drifts bottom-up in the sea. While the passengers are still on board waiting to be rescued, two rivaling salvage parties enter the ship on search for money, gold and a small amount of plutonium. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
If you liked the original "Poseidon Adventure" then you can not find one redeeming feature of this lamebrained "sequel" that represents exploitation for a quick buck at it's worst. Paul Gallico's novel, while not stellar, at least brought back Rogo, Martin and Manny Rosen while this time out the orignal cast and characters is gone completely apart from an obscure reference to the helicopter that picks them up.
I won't bother dissecting the horrible performances by the actors in their uninteresting roles. I would like to gleefully note the absurdities of the entire plot when compared to it's predecessor. As two others have noted, it is impossible to believe that there could be no other rescue ships out to the scene at this point. And did anyone else notice how the ship seems strangely much more intact than it did in the original? Fred Koenekamp's cinematography in the original was dark, grimy, realistic and effective. This time out, this search crew ends up back in a spotless looking kitchen which in the original was devastated by a flash fire and then submerged only moments later! The photography is much too bright, the settings too spotless, and the story just plain stupid. The bigger mystery is why, after being humiliated in "The Swarm" did Michael Cain ever agree to work with Allen again?
Pretend this film never happened and just stick to the original, which is far more intelligent.
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