As the horrors beneath the idealized 1950's come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.

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, (novel)
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Cast

Credited cast:
Marilyn Hassett ...
...
Mrs. Greenwood
...
Buddy Willard
...
Dr. Nolan
...
Jay Cee
...
Lenny
Donna Mitchell ...
Joan
...
Doreen
...
Marco
Scott McKay ...
Mr. Gilling
Meg Mundy ...
Bea Ramsey
Carole Monferdini ...
Hilda
Rest of cast listed alphabetically:
Ruth Antonofsky ...
Singer
Dick Carballo ...
Frankie
Allan Eisenman ...
Cab driver
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Storyline

Details a young woman's summer in New York working for a Mademoiselle-like magazine, return home to New England, and subsequent breakdown all amidst the horrors of the fifties, from news of the Rosenbergs' execution to sleazy disc jockeys and predatory college boys. Written by Remy <rholzer@ammi.org>

Plot Summary | Plot Synopsis

Taglines:

Sometimes just being a woman is an act of courage.

Genres:

Biography | Drama

Certificate:

R | See all certifications »
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Details

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Release Date:

25 October 1979 (Denmark)  »

Also Known As:

Canção para Uma Louca  »

Company Credits

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Did You Know?

Trivia

Director Larry Peerce and star Marilyn Hassett were married at the time of production. See more »

Goofs

Early in the picture an early-'50s New York cab has a telephone number on it beginning with "555". The all-numeric phone numbers were not put into use for another decade. See more »

Connections

Version of The Bell Jar (2018) See more »

Soundtracks

Here Comes The Night
Written and Performed by Janis Ian
Produced by Janis Ian and Ronald Frangipane
Arranged and Conducted by Ronald Frangipane (uncredited)
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User Reviews

 
no, it's not the book, but...a flawed, intriguing interpretation nonetheless
2 December 1999 | by (United States) – See all my reviews

I saw this movie when it first came out, before I had read the book. It's impossible to capture the immensity of Esther's pain as she staggers toward oblivion, but watching the movie gave me a definite sense of a life in utter chaos. Yes, the film is flawed, but in my mind it stands alone as a separate entity. Marilyn Hassett's portrayal of Esther is terrifying--I haven't empathized so completely with a character on the brink of dementia since Kathleen Quinlan as Deborah in "I Never Promised You A Rose Garden." The supporting cast is equally solid--it's not their fault that there's just too much ground for one little movie to cover. Donna Mitchell stays in my mind as creating, in Joan's character, a young woman as doomed and in as much mental disarray as Esther. Mitchell is an amazingly underrated (and under-used) actress. I'm not sure if our boys would have given it two thumbs up, but it remains one of my closet classics.


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