A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider. Written by
Scott Renshaw <email@example.com>
Life is a state of mind.
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Did You Know?
Originally there was a different last shot planned for the funeral sequence at the end of the film. Director Hal Ashby
was chatting with another director one day about filming when he commented how well everything was going. "It's like walking on air," he said, then suddenly was struck with a thought. He changed the last shot to the one that appears now in the movie. See more
When Chance is watching himself on the large screen in the store window display, he uses his home remote control to try and change the channels on that set, but it controls another TV instead. However the remote is of the earlier "ultrasonic" technology, and these sound waves DO NOT pass through glass at the required strength needed to work. Those of us born before the movie can recall that jiggling your keys would make a remote controlled TV unwittingly change channels, or turn off and on. At about this same time the now common "infrared" RCs were coming out, albeit at outrageous prices. These signals CAN in effect pass through glass, despite some losses due to reflection. For the scene to be technically correct they should have used an IR remote, which would not make those "ringing bell" metallic sounds. See more
Chance the Gardener
Good morning, Louise.
He's dead, Chance. The old man's dead.
Chance the Gardener
[Chance goes back to watching TV
Under the end titles of the theatrical release are outtakes of Peter Sellers as Chance recounting the encounter with Abbaz. Sellers breaks character and laughs during each attempt. The lines do not appear in the movie. Certain versions of the film have credits with white text on a black background without the outtakes. See more
Referenced in Eyes of a Stranger
Symphony No. 8
Written by Franz Schubert See more