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Being There (1979)

 -  Comedy  -  19 December 1979 (USA)
8.0
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Ratings: 8.0/10 from 44,684 users  
Reviews: 270 user | 89 critic

A simple, sheltered gardener becomes an unlikely trusted adviser to a powerful businessman and an insider in Washington politics.

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(novel), (screenplay), 1 more credit »
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Title: Being There (1979)

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Won 1 Oscar. Another 15 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Benjamin Rand
...
President 'Bobby'
...
...
Vladimir Skrapinov
Ruth Attaway ...
Louise
...
Thomas Franklin (as Dave Clennon)
Fran Brill ...
Sally Hayes
...
Johanna Franklin
Oteil Burbridge ...
Lolo
Ravenell Keller III ...
Abbaz
Brian Corrigan ...
Policeman by White House
Alfredine P. Brown ...
Old Woman asked for lunch (as Alfredine Brown)
Don Jacob ...
David (as Donald Jacob)
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Storyline

A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Plot Synopsis

Taglines:

Life is a state of mind. See more »

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

19 December 1979 (USA)  »

Also Known As:

Chance  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Peter Sellers was nominated for the Oscar for Best Actor. Some said the reason Sellers lost was because of the outtakes at the very end of the movie as the credits are rolling. Sellers himself later said the outtakes "broke the spell" of the movie. See more »

Goofs

When Chance is watching himself on the large screen in the store window display, he uses his home remote control to try and change the channels on that set, but it controls another TV instead. However the remote is of the earlier "ultrasonic" technology, and these sound waves DO NOT pass through glass at the required strength needed to work. Those of us born before the movie can recall that jiggling your keys would make a remote controlled TV unwittingly change channels, or turn off and on. At about this same time the now common "infrared" RCs were coming out, albeit at outrageous prices. These signals CAN in effect pass through glass, despite some losses due to reflection. For the scene to be technically correct they should have used an IR remote, which would not make those "ringing bell" metallic sounds. See more »

Quotes

[first lines]
Chance the Gardener: Good morning, Louise.
Louise: He's dead, Chance. The old man's dead.
Chance the Gardener: I see.
[Chance goes back to watching TV]
See more »

Crazy Credits

Under the end titles of the theatrical release are outtakes of Peter Sellers as Chance recounting the encounter with Abbaz. Sellers breaks character and laughs during each attempt. The lines do not appear in the movie. Certain versions of the film have credits with white text on a black background without the outtakes. See more »

Connections

References Cries & Whispers (1972) See more »

Soundtracks

Symphony N°6 in F Major (opus 68)
known as "The Pastoral Symphony"
Composed by Ludwig van Beethoven
(1808)
See more »

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User Reviews

A well-kept secret
5 September 2000 | by (Chicago, USA) – See all my reviews

This film is an absolute jewel. The main character, played by Peter Sellers, is the exact opposite of the film itself. Chauncey/Chance is simple, vapid, unconcerned and utterly unselfconscious, yet he radiates an image of being ponderous, calculating, and complex. The film is deceptively straightforward and uncomplicated on the surface, but is rich and complex upon reflection. The film is very enigmatic (even the title seems to make no sense, even though it seems like it should) and lends itself to interpretation. This is one of those films that you have to talk about after seeing it, and you'll find endless points of view to consider. More than that, however, this film is historically fascinating. Taken as a whole, the movie, the book, the behind the scenes intrigue, the place it holds in the careers of the Stars, the writers and the directors, makes this an exceptionally interesting and enjoyable film.


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