A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider. Written by
Scott Renshaw <firstname.lastname@example.org>
Getting there is half the fun; being there is all of it!
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Did You Know?
In the scene where Chance decides to try kissing Eve, he is watching The Thomas Crown Affair
(1968) from 1968 on television as his example. Hal Ashby
, the director of this film, was the editor of that film. See more
When Chance is watching himself on the large screen in the store window display, he uses his home remote control to try and change the channels on that set, but it controls another TV instead. However the remote is of the earlier "ultrasonic" technology, and these sound waves DO NOT pass through glass at the required strength needed to work. Those of us born before the movie can recall that jiggling your keys would make a remote controlled TV unwittingly change channels, or turn off and on. At about this same time the now common "infrared" RCs were coming out, albeit at outrageous prices. These signals CAN in effect pass through glass, despite some losses due to reflection. For the scene to be technically correct they should have used an IR remote, which would not make those "ringing bell" metallic sounds. See more
Chance the Gardener
Good morning, Louise.
He's dead, Chance. The old man's dead.
Chance the Gardener
[Chance goes back to watching TV
Under the end titles of the theatrical release are outtakes of Peter Sellers as Chance recounting the encounter with Abbaz. Sellers breaks character and laughs during each attempt. The lines do not appear in the movie. Certain versions of the film have credits with white text on a black background without the outtakes. See more
Written by Camille Saint-Saëns See more