Completed two years after _Batalla de Chile: La insurrección de la burguesía, La (1975)_ and _Batalla de Chile: El golpe de estado, La (1977)_, this film deals with the creation of ...
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Taking place during the Chilean Coup d'état in 1973, this film opens with the attempted military coup of June 1973, which is put down by troops loyal to the government. The left is divided ... See full summary »
After decades of fascist rule in Chile, Patricio Guzman returns to his country to screen his documentary, Battle of Chile, which until the time of the filming was banned by authorities. His... See full summary »
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body ... See full summary »
Divided into three segments, namely 1 Neocolonialism, 2 Act for liberation, 3 Violence and liberation, the documentary lasts more than 4 hours this deals with the defense of the revolution ... See full summary »
Fernando E. Solanas
María de la Paz,
Fernando E. Solanas,
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to ... See full summary »
Produced at the height of the Vietnam War, Emile de Antonio's Oscar-nominated 1968 documentary chronicles the war's historical roots. With palpable outrage, De Antonio (Point of Order, ... See full summary »
Emile de Antonio
Harry S. Ashmore,
True story of the saga that was hoped to be the long-awaited justice brought to bear upon Augosto Pinochet, Chilean dictator from 1973 to 1990. In September 1998, Pinochet flew to London on... See full summary »
An agit-prop documentary marking the death of Vietnamese nationalist leader Ho Chí Minh, using found footage to link his work to worldwide political movements including the Cuban revolution and resistance within the USA to the Vietnam war.
Sergio (Sergio Corrieri), through his life following the departure of his wife, parents and friends in the wake of the Bay of Pigs incident. Alone in a brave new world, Sergio observes the ... See full summary »
The day that Pier Paolo Pasolini was killed, Glauber Rocha decided to make this film about the life of Christ in the Third World. Starting from a dialectical synthesis between capitalism ... See full summary »
Maurício do Valle,
Completed two years after _Batalla de Chile: La insurrección de la burguesía, La (1975)_ and _Batalla de Chile: El golpe de estado, La (1977)_, this film deals with the creation of thousands of local groups of "popular power" by ordinary workers and peasants to distribute food; occupy, guard, and run factories and farms; oppose black-market profiteering; and link together neighborhood social service organizations, first as a defense against strikes and lockouts by factory owners, tradesmen, and professional bodies opposed to the Allende government, and then increasingly as Soviet-type bodies demanding more resolute action by the government against the right. Written by
Fiona Kelleghan <email@example.com>
A far less universal message than in the previous two films.
"The Battle of Chile" consists of three films created using footage that was smuggled out of Chile after the ouster of the Allende regime as a result of a coup d'etat in 1973. The three films all tell a different version of events and so they are NOT films that must be seen in sequence. As for the first two, they made a very persuasive argument against the rightist government that replaced it and emphasized the legitimacy of the Socialist Allende presidency. However, in the third film, the ouster of the Allende government isn't even mentioned and the tone is very different. Whereas in the first two, the coup was to circumvent the wishes of the Chilean people, part three is much more a propaganda piece extolling the virtues of a communist/socialist Chile and a takeover by 'the people'. And, in one portion, the film admits that less than the majority of Chileans want this sort of state and so it is up to the followers of Allende to force this change. As for me, listening to comments which seemed right out of Marx about the evil bourgeoisie, class struggle, the frequent use of the term 'comrades' as well as referring to the right as 'mummies' seemed to lose my interest. Had I only seen part three, I would have thought that the Allende government NEEDED overthrowing! What a difference another focus can bring to the same issue. Now I am not saying that it was good that Allende and thousands of his followers were killed or that the Pinochet regime was wonderful--they were monstrous. What I am saying is that for the average non-communist and person who knows little of history, part three is not a persuasive argument--whereas parts one and two are because they avoid the Marxist rhetoric and focus, instead, on the underhanded way the Allende government was toppled as well as the atrocities of the new government--none of which get mentioned in part three. Overall, part three looks like a communist propaganda piece--and not an especially persuasive one. My advice is to definitely see the first two films first--then, if you feel the need, to see the last.
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