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Waste Land, 2014.
Directed by Pieter Van Hees.
A Brussels homicide cop (Jérémie Renier) begins to lose control of his life as he tries to solve a bizarre murder.
A child peacefully sleeps in his bed while a rabbit nightlight glows on the floor creating the impression that you are looking at a painting; he is not alone in the room as his father watches over him with a grim expression. Surreal elements start to creep in as desolate Brussels has the occasional sleeping inhabitant stretched out on benches or dozing in cars while a riverbed which contains a discarded wing back chair encounters a strong wind.
The father leaves his wife who is a teacher and son at school; he turns out to be a police inspector who gets to role play the victim at »
- Trevor Hogg
A Canadian surfer finds himself in the deadliest closeout of his life — on dry land — in “Escobar: Paradise Lost,” which imagines that downfall of Colombian drug kingpin Pablo Escobar (played by Benicio Del Toro) as seen through the eyes of a naive acolyte drawn into his web. The directorial debut of veteran Italian actor Andrea di Stefano (“The Prince of Homburg,” “Eat Pray Love”), “Escobar” offers and Di Stefano’s assured, muscular helming. Pickled up during production by Weinstein Co. subsidiary Radius, this smarter-than-average genre pic (scheduled for a Nov. 26 release) could prove a robust performer in niche theatrical and VOD play, especially if it connects with the large and underserved Latino moviegoing crowd.
It’s fitting that Di Stefano took pause to note the presence of Francis Coppola in the audience for the film’s Telluride world premiere, since one needn’t look too hard to see the lipstick »
- Scott Foundas
On the opening day of the 41st Telluride Film Festival, it was possible to spend several hours immersed in "Apocalypse Now", which received a special tribute, 35 years after its initial release in 1979. The 650-seat Werner Herzog Theatre was sold out. So many were turned away that a request I'd never heard before was made, and obeyed, for City Lights passholders (a special program for high school students and teachers) to vacate their seats, leading one of my seatmates to observe that there went the most likely candidates in the audience who had never seen "Apocalypse Now" on the big screen. I said I'd probably have hidden my pass and scrunched down in my seat. Luckily another screening was already scheduled in the 500-seat Chuck Jones Cinema for the following morning at 8:30 a.m. The movie has never looked better -- nor sounded better, thanks to the amazing Meyer Sound »
- Meredith Brody
Apocalypse Now star Marlon Brando was "like a kid, very irresponsible," said director Francis Ford Coppola at an Aug. 29 Telluride Film Festival panel celebrating the 35th anniversary of his Vietnam War classic, whose $31 million budget — $110 million in 2014 dollars — Coppola had to finance himself at 17 percent interest, which meant that Brando's behavior could have bankrupted him. The panel, hosted by Scott Foundas, featured winners of a dozen Oscars: producer Fred Roos, editor Walter Murch, cinematographer Vittorio Storaro and writer John Milius. Since Brando — like co-star Dennis Hopper, who shunned showers and
- Tim Appelo
Telluride — While press and patrons were hustling into gondolas and over to the Chuck Jones Cinema for the World Premiere of Jean-Marc Vallée's "Wild," the 41st annual Telluride Film Festival was kicking off with a bang at an over-stuffed Werner Herzog Theater for the lead program of this year's schedule: a tribute to Francis Ford Coppola's "Apocalypse Now." The ticket was so hot that well over a hundred pass holders were turned away at the door. In introducing a new Dcp of the original theatrical cut of the film (supervised for Coppola himself), Telluride co-founder Tom Luddy said it was noteworthy the event was unfolding at the Herzog, as "Apocalypse Now" holds a fair share of homages to Herzog's "Aguirre the Wrath of God," which screened at the fest last year to dedicate the new venue. A boat in a tree, a creeping vessel barraged by arrows, the general descent into madness, »
- Kristopher Tapley
The Telluride Film Festival got started with a bang this afternoon — with a special Patrons screening in front of Friday night’s official launch — as Fox Searchlight’s December release Wild had its World Premiere and first-ever public screening. The best-selling nonfiction book by Cheryl Strayed about her hike across the 1,100 miles of the Pacific Crest Trail has been turned into a beautifully crafted cinematic journey by director Jean-Marc Vallee (Dallas Buyers Club). Reese Witherspoon, who also co-produced, delivers her best screen work since her Oscar-winning turn in Walk The Line, and this three-dimensional portrayal of a woman searching for herself — after a disastrous divorce, the death of her beloved mother (perfectly played by Laura Dern), sexual promiscuity, drugs and a stint on the streets — is certain to put her back in the thick of the Best Actress race this year. It’s a whale of a tale and a great role. »
- Pete Hammond
Honorary Oscars 2014: Hayao Miyazaki, Jean-Claude Carrière, and Maureen O’Hara; Jean Hersholt Humanitarian Award goes to Harry Belafonte One good thing about the creation of the Academy of Motion Picture Arts and Sciences’ Governors Awards — an expedient way to remove the time-consuming presentation of the (nearly) annual Honorary Oscar from the TV ratings-obsessed, increasingly youth-oriented Oscar show — is that each year up to four individuals can be named Honorary Oscar recipients, thus giving a better chance for the Academy to honor film industry veterans while they’re still on Planet Earth. (See at the bottom of this post a partial list of those who have gone to the Great Beyond, without having ever received a single Oscar statuette.) In 2014, the Academy’s Board of Governors has selected a formidable trio of honorees: Japanese artist and filmmaker Hayao Miyazaki, 73; French screenwriter Jean-Claude Carrière, 82; and Irish-born Hollywood actress Maureen O’Hara, »
- Andre Soares
The Telluride Film Festival (Aug 29 - Sept 1) has revealed the line-up for its 41st edition, packed with films tipped for awards season.
The festival will include 85 features, short films and revivals representing 28 countries, along with special artist tributes, conversations, panels and education programmes.
There are also several titles that picked up prizes in Cannes earlier this year including Foxcatcher, which won Bennett Miller best director; Russian drama Leviathan, winner of best screenplay; Mike Leigh’s Mr. Turner, which saw Timothy Spall win best actor; and jury prize winner Mommy from Xavier Dolan.
The 50 Year Argument (d. Martin Scorsese, [link »
- firstname.lastname@example.org (Michael Rosser)
41st edition plays host to 25 new feature films in its main program Tribute programs honoring Volker Schlöndorff, Hilary Swank and the 35th Anniversary of Apocalypse Now Telluride, Co (August 28, 2014) – Telluride Film Festival, »
- Ryan Adams
Mixing high-profile star power with offbeat titles, the 41st Telluride Film Festival is offering an impressive glimpse at an array of awards contenders over Labor Day weekend.
The four-day fest, which starts Friday with a tribute to Francis Ford Coppola’s “Apocalypse Now,” includes the first showings of Reese Witherspoon’s “Wild,” Benedict Cumberbatch’s “The Imitation Game,” Jon Stewart’s “Rosewater” and Mia Wasikowska’s “Madame Bovary” — the 10th film adaptation of the French novel.
The Venice Film Festival opener “Birdman,” which has vaulted Michael Keaton into awards contention, will also screen at Telluride. Ramin Bahrani’s housing crisis drama “99 Homes” is screening at both festivals as is Joshua Oppenheimer’s documentary “The Look of Silence.”
Several Cannes titles are coming to Telluride: Mike Leigh’s “Mr. Turner,” Bennett Miller’s “Foxcatcher,” Xavier Dolan’s “Mommy,” the Dardenne Brothers’ workplace drama “Two Days, One Night,” Andrei Zvyagintsev’s “Leviathan »
- Dave McNary
Telluride — With all the reindeer games going on in the fall festival world, a lot of the drama and mystery surrounding Telluride's perennially on-the-lowdown program began to seep out like a steadily deflating balloon this year. Toronto, Venice and New York notations of "World Premiere," "Canada Premiere," "New York Premiere" or "International Premiere" and the like made it all rather obvious which films were heading to the San Juans for the 41st edition of the tiny mining village's cinephile gathering, and which were not. But the fact is, if you're in it just for the surprises — or certainly, for the awards-baiting heavies — you're never going to be fully satisfied by the Telluride experience. That having been said, this year's program might just be the most exciting one in my six years of attending. Starting with all of the stuff we were expecting, indeed, Cannes players "Foxcatcher," "Mr. Turner" and "Leviathan »
- Kristopher Tapley
Over the past few years, anti-Western sentiment has spread through portions of Russian society. In fact, there.s currently a bill being debated that would ban foreign films that portray Russia or its citizens in a negative manner. Fortunately, that doesn.t mean the country has adopted a completely negative attitude toward Hollywood. In fact, the Ministry of Culture just released a list of movies it recommends all Russians watch, and it is filled with some of the greatest flicks Americans have ever produced. Of the 100 entries chosen, a good percentage of them come from Hollywood, and many of them are exactly the ones you would expect. It.s A Wonderful Life, Titanic, One Flew Over The Cuckoo.s Nest, Star Wars, E.T. and The Wizard Of Oz. Others, however, you probably wouldn.t have guessed immediately. They include Bambi, Amadeus, Apocalypse Now and Crouching Tiger, Hidden Dragon. You »
It’s the third day of shooting the low budget horror ‘Tonight They Come’ on location in the wilds of New Zealand. The director is already beside himself having to work with a self-obsessed leading man and a bimbo actress when into his line of fire comes a new runner, wannabe screenwriter Wesley Pennington. An accident-prone nerd, Wesley tries his best to fit in with the crazed cast and demented crew while falling head over heels for Susan, the set caterer. But something nasty has entered the local water supply and suddenly the zombie extras start acting like genuine members of the living dead, gore stunts looks even more authentic and actual severed limbs fly. “Reel life” turns real life as Wesley attempts »
- Phil Wheat
It turns out it is all about who you know, after all – as Academy Award winner Stephen Gaghan is about to demonstrate, by bringing new drama White City to AMC. He will direct the pilot and serve as co-executive producer on the geo-political drama about Western diplomats and journalists in Afghanistan.
The central character will be Jon Liston, described as a ‘war junkie’ who has spent most of a decade in Kabul, up close and personal to the violence and destruction. The notable thing about this new series is that it comes from individuals who have done just that – and have spent time living in the same situation as their leading character.
Co-writers and co-executive producers Nick McDonell and John Dempsey have, it seems, pooled their collective experiences to create a thrilling new drama for the network. McDonell is a novelist and journalist with experience in Iraq and Afghanistan for Time Magazine, »
- Sarah Myles
A weekly feature in which we spotlight shining stars
The Performer | Rick Hoffman
The Show | Suits
The Episode | “This Is Rome”
The Airdate | August 20, 2014
The Performance | It’s fitting that Louis Litt’s catchphrase is “Litt Up” because on Wednesday’s season finale of Suits, his portrayer, Rick Hoffman, set our televisions ablaze with his fiery passion.
After learning that his colleagues had been lying to him about Mike’s non-existent Harvard degree, Louis confronted the one person who he thought was his close friend. “You »
The drama, which comes from former Middle East correspondent for Time magazine Nick McDonell and former senior Afghanistan adviser to Richard C. Holbrooke John Dempsey, centers on Western diplomats and journalists living in Afghanistan. The lead character is Jon Liston, a war junkie who has spent the better part of the last decade in Kabul with a front-row seat to the carnage. In the pilot, Jon ignores the advice of everyone and overreaches in an attempt to talk with insurgent leaders. It does not go well.
McDonell and Dempsey are co-writers and co-executive producers. Executive producers are Chris Mundy, a long-time journalist for Rolling Stone and showrunner on “Criminal Minds” and “Low Winter Sun,” and Tom Freston, the former CEO of Viacom and a former resident of Afghanistan. »
- Whitney Friedlander
Even though scripts play an incredibly important part of the movie making process, sometimes a little improvisation is just what a movie scene needs to take it from good to great. CineFix has put together a fantastic video that highlights the 10 greatest improvised scenes in film history. I think they did a great job putting this together, and I can't think of anything that I would add to it. Check it out! I've included the list of films mentioned in the video below.
Apocalypse Now (1979)
Marlon Brando’s performance as Col Kurtz was largely made up on the spot. And while we don’t endorse actors not learning their lines, we can’t fault what came of it in this instance… »
- Joey Paur
Edited by Adam Cook
Above: a sneak peak of Paul Thomas Anderson's Inherent Vice, via our Tumblr. A wealth of content from the Melbourne International Film Festival's newly launched Critics Campus has been published here and here. For Rolling Stone, filmmaker James Gray writes on Francis Ford Coppola's Apocalypse Now on the occasion of its 35th anniversary:
"The film is indeed self-consciously mythic, and with its transcendent imagery, it enters the cosmic realm. Captain Willard is an enigmatic hero, and we need the narration (written by Dispatches author Michael Herr) to help us know him. Surely the man has his dark side: he kills a wounded Vietnamese woman and hacks Colonel Kurtz to death. But by the end, Willard retains enough of his soul to protect the innocent, childlike Lance (Sam Bottoms), and here we see that the human connection endures. The film's experience expands in this moment, »
Life is full of difficult choices: Soup or salad? Paper or plastic? Ice water or donation? But with only four days until True Blood‘s series finale, TVLine is asking you to make the hardest choice of all: Bill Compton or Eric Northman?
Though Sunday’s finale appears to be all about Bill, it’s entirely possible Sookie could end up with Eric — or no one at all — by the end of the hour. (Before you disagree, just remember: She suddenly got back together with Alcide at the end of the Season 6 finale. »
The Universal Soldier films are a strange case of life imitating art. Much like how series protagonist Luc Deveraux is killed in action then resurrected into something post-human, Universal was a pretty standard 90s action film which crashed and burned when it came to sequels, but became something unique and beautiful when it was reanimated for the straight to DVD market.
It’s a hushed secret among genre fans, but Universal Solder 3 and 4 (or possibly 5 and 6, it’s complicated) are some of the most remarkable action sci-fi films of the 21st century so far. Yes, really. I actually watched the series backwards when I first saw them, after being blown away by Universal Solder Day Of Reckoning and deciding to work my way back, and Roland Emmerich’s perfectly acceptable 1992 blockbuster »
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