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Directed by | |||
| Francis Ford Coppola | (as Francis Coppola) | ||
Writing credits | ||
| Joseph Conrad | (novel "Heart of Darkness") uncredited | |
| John Milius | (screenplay) and | |
| Francis Ford Coppola | (screenplay) | |
| Michael Herr | (narration) | |
Produced by | |||
| John Ashley | .... | associate producer | |
| Kim Aubry | .... | producer (version "Apocalypse Now Redux (2001)") | |
| Francis Ford Coppola | .... | producer (as Francis Coppola) | |
| Gray Frederickson | .... | co-producer | |
| Shannon Lail | .... | co-producer (version "Apocalypse Now Redux (2001)") | |
| Eddie Romero | .... | associate producer | |
| Fred Roos | .... | co-producer | |
| Mona Skager | .... | associate producer | |
| Tom Sternberg | .... | co-producer | |
Original Music by | |||
| Carmine Coppola | |||
| Francis Ford Coppola | (as Francis Coppola) | ||
Cinematography by | |||
| Vittorio Storaro | |||
Film Editing by | |||
| Lisa Fruchtman | |||
| Gerald B. Greenberg | |||
| Walter Murch | |||
Casting by | |||
| Terry Liebling | |||
| Vic Ramos | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Angelo P. Graham | (as Angelo Graham) | ||
Set Decoration by | |||
| George R. Nelson | |||
Makeup Department | |||
| Fred C. Blau Jr. | .... | makeup artist | |
| Jack H. Young | .... | makeup artist (as Jack Young) | |
Production Management | |||
| Leon Chooluck | .... | production manager | |
| Barrie M. Osborne | .... | production manager (as Barrie Osborne) | |
Second Unit Director or Assistant Director | |||
| Tony Brandt | .... | additional assistant director | |
| Larry J. Franco | .... | second assistant director | |
| Jerry Ziesmer | .... | assistant director | |
Art Department | |||
| James B. Casey | .... | sculptor (as James Casey) | |
| Roger Dietz | .... | set artist | |
| Gary Fettis | .... | leadman | |
| Willie E. Hunter | .... | assistant property master | |
| John La Salandra | .... | construction coordinator (as John LaSalandra) | |
| Douglas E. Madison | .... | property master (as Doug Madison) | |
| James J. Murakami | .... | assistant art director (as James Murakami) | |
| Thomas L. Roysden | .... | assistant property master (as Tom Roysden) | |
| Robert Scaife | .... | construction foreman (as Bob Scaife) | |
| Tom Shaw Jr. | .... | assistant property master (as Tom Shaw) | |
| Alex Tavoularis | .... | production illustrator | |
| Matt Tomich | .... | assistant property master | |
| Thomas Wright | .... | production illustrator (as Thomas A. Wright) | |
Special Effects by | |||
| Eddie Ayay | .... | special effects | |
| Mario Carmona | .... | special effects | |
| Lawrence J. Cavanaugh | .... | special effects (as Larry Cavanaugh) | |
| Gerald Endler | .... | special effects (as Jerry Endler) | |
| A.D. Flowers | .... | special effects coordinator | |
| John Fraser | .... | special effects | |
| Richard O. Helmer | .... | special effects (as Richard Helmer) | |
| Rudy Liszczak | .... | special effects | |
| Joe Lombardi | .... | special effects coordinator (as Joseph Lombardi) | |
| Ted Martin | .... | special effects | |
| David St. Ana | .... | special effects | |
Stunts | |||
| Steve Boyum | .... | stunts | |
| Joe Finnegan | .... | stunts | |
| Terry Leonard | .... | stunt coordinator (as Terry J. Leonard) | |
| Kerry Rossall | .... | stunts (as Kerry Rossal) | |
| Chuck Waters | .... | stunts | |
| Steven Burnett | .... | stunts (uncredited) | |
| Terry Leonard | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Giuseppe Alberti | .... | assistant camera | |
| Luigi Bernardini | .... | assistant camera (as Rino Bernardini) | |
| Stephen H. Burum | .... | director of photography: second unit | |
| David L. Butler | .... | aerial camera operator (as David Butler) | |
| Rogilio De La Rama | .... | assistant camera | |
| Caleb Deschanel | .... | director of photography: insert | |
| Luciano Galli | .... | gaffer | |
| Chas Gerretsen | .... | still photographer | |
| Efren Lapid | .... | assistant camera | |
| Alfredo Marchetti | .... | key grip | |
| Mauro Marchetti | .... | assistant camera | |
| Hiro Narita | .... | camera operator: insert | |
| David B. Nowell | .... | assistant camera (as David Nowell) | |
| Piero Servo | .... | camera operator: second unit | |
| Enrico Umetelli | .... | camera operator | |
| Josh Weiner | .... | still photographer | |
Casting Department | |||
| Sue Bastian | .... | casting assistant | |
| Heig Beck | .... | casting assistant | |
| Randy Carter | .... | casting: Philippines | |
| Marc Coppola | .... | casting assistant | |
| Éva Gárdos | .... | casting: Montagnard tribesmen (as Eva Gardos) | |
| Ken Metcalfe | .... | casting assistant | |
| Lou Whitehill | .... | casting: Philippines | |
Costume and Wardrobe Department | |||
| Luster Bayless | .... | costumer | |
| Norman A. Burza | .... | costumer (as Norman Burza) | |
| Dennis Fill | .... | costumer (as Dennis M. Fill) | |
| Charles E. James | .... | costume supervisor | |
| George L. Little | .... | costumer (as George Little) | |
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Music Department | |||
| Jordan Amarantha | .... | musician | |
| Richard Beggs | .... | musician: synthesizer | |
| Greg Errico | .... | musician | |
| Patrick Gleeson | .... | musician: master synthesizer | |
| Ed Goldfarb | .... | music arranger (Redux version) | |
| Randy Hansen | .... | musician: guitar | |
| Mickey Hart | .... | musician | |
| Michael Hinton | .... | music production assistance | |
| Zakir Hussain | .... | musician | |
| Bernard Krause | .... | musician: synthesizer (as Bernard L. Krause) | |
| Bill Kreutzmann | .... | musician (as Billy Kreutzmann) | |
| Phil Lesh | .... | musician | |
| Jim Loveless | .... | musician | |
| Airto Moreira | .... | music production assistance | |
| Don Preston | .... | musician: synthesizer | |
| David Rubinson | .... | music producer | |
| Nyle Steiner | .... | musician: synthesizer | |
| Shirley Walker | .... | musician: synthesizer | |
| Stan Witt | .... | music editor | |
| Randy Hansen | .... | composer: additional music (uncredited) | |
| Mickey Hart | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Dennis Hollis | .... | transportation coordinator | |
| John Reade | .... | transportation coordinator (as John C. Reade) | |
Other crew | |||
| John Addington | .... | fixed wing pilot | |
| Marisa Alcaraz | .... | production coordinator | |
| Jean A. Autrey | .... | production controller | |
| Lee Beaupre | .... | marketing director | |
| John Calvert | .... | choreographer: playmate show | |
| Robert Carroll | .... | production assistant | |
| John Chapman | .... | production assistant | |
| Doug Claybourne | .... | special assistant to producers | |
| Patti Claybourne | .... | production assistant | |
| Pete Cooper | .... | marine coordinator | |
| Eleanor Coppola | .... | documentary supervisor | |
| Francis Ford Coppola | .... | presenter | |
| Russ Corin | .... | production assistant | |
| Catherine Craig | .... | archivist (Redux version) | |
| Loolee DeLeon | .... | production coordinator (as Loolee De Leon) | |
| Brett Dicker | .... | foreign publicity coordinator | |
| Tony Dingman | .... | production assistant | |
| Richard Dioguardi | .... | military advisor | |
| Shane Edwards | .... | marine coordinator | |
| Jack English | .... | location coordinator | |
| Deborah Fine | .... | production liaison and research: USA | |
| Wayne Fitzgerald | .... | title designer | |
| Jack Fritz | .... | executive assistant | |
| Ernst Goldschmidt | .... | representative: foreign producer | |
| Paul Gregory | .... | military advisor | |
| Paul G. Hensler | .... | military advisor (as Paul Hensler) | |
| Nancy Hopton | .... | script supervisor (as Nancy Tonery) | |
| Kevin Hughes | .... | production assistant | |
| Linda Ignacio | .... | department of tourism: Philippines | |
| Dennis Jakob | .... | creative consultant | |
| J. David Jones | .... | aerial coordinator (as David Jones) | |
| Dennis Juban | .... | military liaison: Philippines | |
| Peter Kama | .... | military advisor (as Lt. Colonel Peter Kama) | |
| Lloyd Kind | .... | production assistant (as Lloyd Kino) | |
| John La Salandra | .... | production executive (as John LaSalandra) | |
| Gwen M. Lucas | .... | assistant production controller | |
| Melissa Mathison | .... | executive assistant | |
| Dennis Murphy | .... | marine coordinator | |
| Anahid Nazarian | .... | archivist (Redux version) | |
| Ernesto Novelli | .... | supervising color technician | |
| Barbara Parker | .... | production assistant | |
| Ray Quiroz | .... | script supervisor (as Raymond Quiroz) | |
| Phil Radcliffe | .... | production assistant | |
| Fred Rexer | .... | military advisor (as Fred Rexer Jr.) | |
| Francesca Rivieri | .... | production secretary: USA (as Francesca Riviere) | |
| Larry Rovetti | .... | supervising color technician | |
| Doug Ryan | .... | military advisor | |
| Frank Simeone | .... | additional crew | |
| Gabe Sumner | .... | campaign coordinator | |
| Matt Tomich | .... | production assistant | |
| Norman Webster | .... | production accountant | |
| Dick White | .... | aerial coordinator | |
| Dick White | .... | military advisor | |
| Irwin Yablans | .... | producer's representative: USA and Canadian | |
| Susan Leslie Battles | .... | secretary to the producers (uncredited) | |
| Joe Benoit | .... | opticals: Modern Film Effects (uncredited) | |
| Dan DiPaola | .... | production assistant (uncredited) | |
| R. Lee Ermey | .... | military advisor (uncredited) | |
| Joe Estevez | .... | stand-in/voice-over: Willard (uncredited) | |
| Nancy Jencks | .... | film chain operator (uncredited) | |
| Oli Laperal Jr. | .... | production assistant (uncredited) | |
| Michael E. Uslan | .... | production attorney (uncredited) | |
| Skip Watt | .... | opticals: Modern Film Effects (uncredited) | |
| Wynne Wicker | .... | technical advisor: Vietnam (uncredited) | |
Thanks | |||
| Flora Purim | .... | special thanks | |
| Jeff Scheftel | .... | special thanks | |
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| Edge | La battaglia di Algeri | In the Year of the Pig | Rambo | Cross of Iron |
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Somewhere on IMDb there is a discussion about the greatest director of all times (Spielberg, Copolla and others are named there). The greatest argument was around Spielberg and whether he is or isn't a great director. The problem with Spielberg is that while he is a master technician, most of his films lack depth.Saving Ryan is really outstanding from a technical point of view, but its message is dull and while its very entertaining, it doesn't make you think about anything. AN is the best movie I ever saw because it combines great shooting with a deep philosophical perspective on so many things, starting from war in general, the clash of civilizations, the condition of soldier in wartimes (is a soldier a hero or an assassin? Brando says he is neither, the french lady says he is both ...) and many others. The problem with some people is that they try to argue about whether these points are true or false. But a great movie, and a great piece of art in general is supposed to spark arguments, not to solve them ... Maybe Coppola is right, or maybe he isn't, nobody holds the truth anyway. You can watch this movie for its outer beauty, amazing scenes, great acting and memorable quotes and you will be entirely satisfied. But what really make this movie a masterpiece is its inner quality. You can't help but make a comparison with the recent Fahrenheit documentary.Both Copolla and Moore tackle similar issues, but while Copolla presents matters from an outside , objective point of view, Moore takes a very partisan position that really compromises the whole point of a documentary ... It is really a shame that a film like Fahrenheit 9/11 won a prestigious award like Cannes. But anyway, if you want to start to understand a little of the Vietnam war, the Iraq war, the second World War and any war in general, you should definitely see this movie, and not the other one ...