A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In future Britain, Alex DeLarge, a charismatic and psycopath delinquent, who likes to practice crimes and ultra-violence with his gang, is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source moon finds one of the crew attacked by a mysterious lifeform. Continuing their journey back to Earth with the attacked crew having recovered and the critter deceased, they soon realize that its life cycle has merely begun.
It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will... Written by
During some sequences, the sound of the helicopters was created on a synthesizer to blend in with the music. See more »
In the scene the morning after the Do Long bridge incident, following Lance's popping smoke ("purple haze," he calls it), Clean is shown about to listen to his tape and an M-60 is shown on the left with linked ammo dangling and draped over the boat's side panel. However, the ammo rounds are clearly blanks with the characteristic blunt bottle-nose tips, not real rounds. See more »
Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
When I was home after my first tour, it was worse.
[grabs at flying insect]
I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay ...
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There are no opening credits in the film. The title can be seen as graffiti in the Kurtz compound late in the film. See more »
From all of the Vietnam war movies this is probably the most frightening and disturbing and that is really saying a lot with so many spectacular ones that have come out. It has this freakish feel to it. Everything is so chaotic in the movie it scares you. It is not like it shows a lot of different things compared to the other Vietnam war movies. What does push to such a high level is the:
The directing was spectacular here. Francis Ford Coppola shows of his talent in his last epic movie. Unlike other directors he makes you feel as if you are in the war. Most others just display and show you the horrors of war. Coppola though makes you feel confused, shocked and scared. These feelings of war are usually told to us from a movie or story. This is something that I have only experienced very few times while watching a film. The writing was of course amazing too. It brought you write into the middle of the movie. It never made me bored and this movie is three hours. The cinematography goes hand in hand with the directing which very much added to the freakish experience of watching this film showing all the chaos around you even when everything seems calm.
The acting was bone-chilling. Just look at Marlon Brando also giving his last great performance playing a deluded, out of whack colonel. When ever I think of a crazy gone made soldier I think Marlon Brando in Apocalpyse Now. With Brando n this film you don't want to look into his eyes. Like the movie he was freakish. To me this performance is as memorable as the one he gave in The Godfather. Martin Sheen gave a very deep performance and probably the best one of his career making you see everything through his eyes all the craziness he is experiencing and yet wanting him to get to his goal. It is just a wonder why these two did not get Oscar nominations. Robert Duvall was able to show part of that craziness with his ludicrous battle strategies, among those playing music to tell the enemy he is coming. Also Duvall's character asking one of the soldiers to surf in the middle of a battle was just shocking but believable. Other great supporting performances were given by a young Laurence Fishburne, Sam Bottoms and Frederic Forest who all summed up the attitudes of many of the soldiers at that time without becoming a cliché. Also for once cameos were put into good use having Dennis Hopper and Harrison Ford who I both love.
I would definitely recommend people to watch this movie. It has a message and everyone involved in the making of it is at their best. There is nothing more I could ask of this movie with its great acting, directing, writing, cinematography and great ending. Watch and you will see why it lives up to its title Apocalpyse Now.
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