A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will... Written by
There are three different treatments of the opening and end credits. In the 35mm version, the credits roll over surrealistic explosions and burning jungle. The 70mm version has none of this, no credits, nothing but a one-line copyright notice at the end. Both versions are available on video. The 70mm version has been letterboxed. A third version has the credits rolling over a black background. See more »
Much of the rockets and arms fire are represented by firecrackers. This can be most clearly seen by the highly curved paths they make. See more »
Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
When I was home after my first tour, it was worse.
[grabs at flying insect]
I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay ...
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There are four different treatments of the end credits, all four are available in different VHS, laserdisc, DVD and TV prints of the film...... When the film premiered in a limited 70mm format, it had no beginning or end credits, nothing but a one-line Omni Zoetrope copyright notice at the end. Programs were passed out to theater goers in lieu of any credits. When the film went into its wide release its format was 35mm. This version included end credits rolling over surrealistic explosions and burning jungle, showing the Kurtz compound being destroyed. When Coppola heard that people were assuming that the explosions during the end credits of the 35mm version meant that an air strike had been called in on the Kurtz compound (which is not what he wanted audiences to think) he quickly re-edited the 35mm version to have the end credits rolling over a simple black background and a slightly altered musical score. The "Redux" version also has the end credits over a black background but in different screen fonts and including additional "Redux" inserted cast members. See more »
I first saw APOCALYPSE NOW in 1985 when it was broadcast on British television for the first time . I was shell shocked after seeing this masterpiece and despite some close competition from the likes of FELLOWSHIP OF THE RING this movie still remains my all time favourite nearly 20 years after I first saw it
This leads to the problem of how I can even begin to comment on the movie . I could praise the technical aspects especially the sound , editing and cinematography but everyone else seems to have praised ( Rightly too ) these achievements to high heaven while the performances in general and Robert Duvall in particular have also been noted , and everyone else has mentioned the stark imagery of the Dou Long bridge and the montage of the boat traveling upriver after passing through the border
How about the script ? Francis Ford Coppola is best known as a director but he's everyway a genius as a screenwriter as he was as a director , I said " was " in the past tense because making this movie seems to have burned out every creative brain cell in his head , but his sacrifice was worth it . In John Milius original solo draft we have a script that's just as insane and disturbing as the one on screen , but Coppola's involvement in the screenplay has injected a narrative that exactly mirrors that of war . Check how the screenplay starts off all jingoistic and macho with a star turn by Bill Kilgore who wouldn't have looked out of place in THE GREEN BERETS but the more the story progresses the more shocking and insane everything becomes , so much so that by the time reaches Kurtz outpost the audience are watching another film in much the same way as the characters have sailed into another dimension . When Coppola states " This movie isn't about Vietnam - It is Vietnam " he's right . What started off as a patriotic war to defeat communist aggression in the mid 1960s had by the film's setting ( The Manson trial suggests it's 1970 ) had changed America's view of both the world and itself and of the world's view of America
It's the insane beauty of APOCALYPSE NOW that makes it a masterwork of cinema and says more in its running time about the brutality of conflict and the hypocrisy of politicians ( What did you do in the Vietnam War Mr President ? ) than Michael Moore could hope to say in a lifetime . I've not seen the REDUX version but watching the original print I didn't feel there was anything missing from the story which like all truly great films is very basic . In fact the premise can lend itself to many other genres like a western where an army officer has to track down and kill a renegade colonel who's leading an injun war party , or a sci-fi movie where a UN assassin is to eliminate a fellow UN soldier who's leading a resistance movement on Mars , though this is probably down to Joseph Conrad's original source novel
My all time favourite movie and it's very fitting that I chose this movie to be my one thousandth review at the IMDb
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