A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will... Written by
In the Redux version, there is a scene where Capt Willard is walking through a heavy downpour at the Playmate/Medevac helicopter site. His M16 is slung over his shoulder with the muzzle pointing upward. This allows rain to enter the rifle's mechanism, resulting in rust and and eventual jamming. Real combat troops carry their rifles with the muzzles down while in the rain to prevent this from happening. See more »
Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
When I was home after my first tour, it was worse.
[grabs at flying insect]
I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay ...
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There are four different treatments of the end credits, all four are available in different VHS, laserdisc, DVD and TV prints of the film...... When the film premiered in a limited 70mm format, it had no beginning or end credits, nothing but a one-line Omni Zoetrope copyright notice at the end. Programs were passed out to theater goers in lieu of any credits. When the film went into its wide release its format was 35mm. This version included end credits rolling over surrealistic explosions and burning jungle, showing the Kurtz compound being destroyed. When Coppola heard that people were assuming that the explosions during the end credits of the 35mm version meant that an air strike had been called in on the Kurtz compound (which is not what he wanted audiences to think) he quickly re-edited the 35mm version to have the end credits rolling over a simple black background and a slightly altered musical score. The "Redux" version also has the end credits over a black background but in different screen fonts and including additional "Redux" inserted cast members. See more »
derserving of it's status as one of the all time greatest films
i have lost count as to how many times i have watched this movie. i've never grown tired of it since this is a movie that can be enjoyed and interpreted on so many levels. they just don't make movies like this anymore.
after recently finally watching the riveting documentary on the making of this film (Hearts of Darkness:a filmmakers journey into madness), i'm even more amazed that this film even got finished, yet alone turn out so great.
the fact that they actually filmed this movie in the jungles of the Phillipines is the film's greatest asset. you actually FEEL like your in Vietnam.
all of the actors are fantastic with my favorites still being Robert Duvall ("I love the smell of napalm in the morning!!") martin sheen, and the great Marlon Brando.
a lot of people complain that the film gets too murky, weird and cerebral near the end. well, remeber what Coppolla said about this movie, "This film is not about vietnam, it IS vietnam!" what he means is that this film is about MADNESS and not the war.
this movie is based on the short story "Heart of darkness" by Joseph Conrad and is set against the vietnam war instead of the civil war as in the book. i think that was a brilliant combination in my opinion.
this is perfect, challenging film that is dark, violent, humorous at times and well done in every single possible way.
a true classic
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