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Love on the Run (1979)
"L'amour en fuite" (original title)

PG  |   |  Comedy, Drama, Romance  |  6 April 1979 (USA)
7.1
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Ratings: 7.1/10 from 4,004 users  
Reviews: 12 user | 32 critic

Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »

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(scenario), (scenario), 2 more credits »
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Cast

Cast overview, first billed only:
...
...
Claude Jade ...
Dani ...
Dorothée ...
Sabine Barnerias
Daniel Mesguich ...
Xavier Barnerias
Julien Bertheau ...
Monsieur Lucien
Jean-Pierre Ducos ...
L'avocat de Christine
Marie Henriau ...
La juge du divorce
Rosy Varte ...
Pierre Dios ...
Maître Renard
Alain Ollivier ...
Le juge d' Aix en Provence
Julien Dubois ...
Alphonse Doinel
Monique Dury ...
Madame Ida
Emmanuel Clot ...
Emmanuel
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Storyline

Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys Antoine's first published autobiographical novel. They meet again in a station... Written by Yepok

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

6 April 1979 (USA)  »

Also Known As:

Love on the Run  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The flashback of Liliane and Antoine arguing is in fact a clip from Day for Night (1973), in which both also played lovers despite the film is not part of Antoine Doinel saga. See more »

Goofs

Antoine Doinel runs towards the cab and enters in the left side while in the following scene he's on the right side. See more »

Crazy Credits

During the opening credits, when the "Screenplay" ("Scenario de") credit appears on the screen, in the background you can see a faded white "X" appear for a frame and the clapper on the left hand side of the screen (for several seconds) before being pulled off screen. See more »

Connections

Features Bed & Board (1970) See more »

Soundtracks

L'Amour en fuite
Lyrics by Alain Souchon
Composed by Laurent Voulzy
Performed by Alain Souchon
Editions RCA/Sidonie
See more »

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User Reviews

A cut and paste soap opera; and a disappointing final to the saga of Antoine Doinel
25 March 2008 | by (United Kingdom) – See all my reviews

Love on the Run (1979), the closing chapter in François Truffaut's celebrated series of films focusing on the character of Antoine Doinel; a near-iconic figure in French cinema brought vividly to life by the always great Jean-Pierre Léaud. Here, the actors injects the part with his usual nervous charm and cocky likability, though it is clear that character of Antoine is , still as uncertain about life, love and fidelity as ever before. On a Structural level, the film is built around Antoine's divorce from his wife Christine - with the reappearance of Claude Jade from Stolen Kisses (1968) and Bed and Board (1970) - inter-cut with flashbacks to early escapades from Antoine's presented in the style of a clip show.

This particular stylistic device does set up a sense of familiarity for new viewers, however; with such a slight plot, the flashbacks end up becoming the most interesting part of the movie, with what little new footage there is so repetitive that it feels like you're watching the same scene over and over again. In fact, the film is so hastily put together that it looks like Truffaut is desperate to get the series finished and out of the way, so that he can finally move on with the more progressive work that he was attempting with films like The Green Room (1979) and The Last Metro (1980).

Still, the film can sometimes be charming and the actors are all on fine form, but the whole thing seems lacking somewhat; with the use of repeated imagery and scenes cut and pasted from the previous films making this feel too much like a retread rather than a radical re-interpretation. For me, the film just seems empty, deflated and somehow lacking the allure, beauty and sophistication that was always synonymous with Truffaut's work or at least the films of his that I am familiar with. For me, Love on the Run was something of a slight, disappointing and unimaginative film that failed to inspire me in the way I had initially hoped.


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