Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen... See full summary »

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(scenario), (dialogue) | 1 more credit »
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Cast

Cast overview, first billed only:
...
Filip Mosz
Malgorzata Zabkowska ...
Irka Mosz
Ewa Pokas ...
Anna Wlodarczyk
Stefan Czyzewski ...
Director
...
Stanislaw Osuch
...
Witek Jachowicz
Marek Litewka ...
Piotrek Krawczyk
Boguslaw Sobczuk ...
Kedzierski
...
Himself
Andrzej Jurga ...
Himself
Alicja Bienicewicz ...
Jaska
Tadeusz Rzepka ...
Wawrzyniec
Aleksandra Kisielewska ...
Hania, secretary
Wlodzimierz Maciudzinski ...
Stelmaszczyk
Roman Stankiewicz ...
Czeslaw
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Storyline

Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie-making also leads to domestic strife and philosophical dilemmas. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

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Details

Country:

Language:

Release Date:

14 February 1980 (Netherlands)  »

Also Known As:

Camera Buff  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Quotes

Witek Jachowicz: What are you filming?
Filip Mosz: Anything that moves.
See more »

Connections

Referenced in Lekcja polskiego kina (2002) See more »

Soundtracks

Staropolskim obyczajem
Lyrics by J. Odrowaz
Music by A. Skorupka & W. Kruszynski
Performed by Zofia & Zbigniew Framer with band
See more »

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User Reviews

 
The Turning Point Of A Simple Man
23 April 2010 | by (São Paulo, Brazil) – See all my reviews

There are times in our lives that a minor event becomes a biggest event, something that change your life for good or bad, but it's something that makes what you are and defines your whole journey through life. To me this thing was movies. Since I was kid I watched movies but I didn't have a greater perception of what movies were and their meaning, all I know is that I liked for some reason. When I grow older I noticed that is something very important to me and it was something that I couldn't live without, to remember good cinematic moments and to see a different look through our reality, to have different and pleasant experiences.

Since I'm talking about movies and turning points in someone's life, Krzysztof Kieslowski's "Amator" is a brilliant and deep look into the life of a man who accidentally became a filmmaker. Here, Filip Mosz (Jerzy Stuhr) is a happy man that awaits the birth of his first child and he buys a camera to film the event. After that he realizes that he created a magical world through what he filmed, he notices that everything is different, beautiful behind the lens of a camera and starts to make simple documentaries, filming his friends, his neighborhood and everything he finds interesting to film.

But one day someone told to his boss that he has a camera and he needs the camera because the Comunist Party wants to film a celebration of a great event in the town. Since Filip is a State civil servant (working in a factory) he's almost forced to film the event (he's the only person in the whole city to have a 8mm camera). What is interesting here is that Filip enjoyed filming the celebration, doing a great job that caught the attention of his bosses and his friends and that led his film to be registered into a film festival for amateur filmmakers. Filip sudden success makes him moving forward in the making of all sorts of documentaries, one of this documentaries features an midget hard working colleague of Filip in the leading role, something that his bosses doesn't want to be filmed, after all Filip's films are sponsored by the Comunist Party and they don't want to get involved with supposed controversial subjects. Here starts Filip's problems, because now he has a conscience about the power of movies, the influence that his documentaries has in people's lives, in the government, and what it's images may cause to his family and his friends. Is it possible that people can respect and accept what you do even if what you do it's something that pushes away from all the people you love and care? Is Filip a responsible filmmaker or he's just pretending to be someone he's not to get attention? What is best: to be truthful to yourself and lie to others to have good relations or be truthful to everyone and be hated for it? Many questions to be answered by the viewers in this exciting and wonderful film.

Kieslowski knows exactly what's he doing here. This story hands perfectly well to him not only because he's a great artist that deal with many obstacles to make his movies. No, he started filming documentaries,pretty much in what Filip does, filming for the Comunist Party in Poland. In one of the documentaries he accidentally filmed an killing, then his bosses were told and started to control all of his films since then. His first films were censored during the 1970's and beginning of 1980's so in "Amator" we know what he's saying about the control of what filmmakers can do or not. If you are familiar with his first films you can notice that in almost all of it he criticizes the government in one way or another, his attacks are very sharp, very subtle in films like "Bez Konca". With the Trilogy of Colors, "A Short Film About Love" and the "Dekalog" you'll see that he's a more artistic creator. But as in all of his films he's got the partnership of the writer Krzysztof Piesiwicz, a great collaborator.

The acting here is great: Jerzy Sthur in the leading role is awesome. His quietness and strange manners put him in the same type of a Carlitos the Chaplin character, sometimes he's funny, other times he's very impulsive. Malgorzata Zabkowska plays Filip's conflicted wife, a woman that wants the attention of his husband that seems to care more about his movies than to health of his child. In the role of Witek, Filip's best friend and supporter, Tadeusz Bradecki gives a very good performance, showing the limits of what a man can do to a friend and what he won't do. When the movie becomes too slow and sometimes depressive Witek appears to show a little bit of humor.

Another great and reflective work from the fantastic director Kryzsztof Kieslowski, a must see film for those who admires his films, and for those who love movies as I do. 10/10


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