Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen... See full summary »

Writers:

(scenario), (dialogue) | 1 more credit »
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Cast

Cast overview, first billed only:
...
Filip Mosz
Malgorzata Zabkowska ...
Irka Mosz
Ewa Pokas ...
Anna Wlodarczyk
Stefan Czyzewski ...
Director
...
Stanislaw Osuch
...
Witek Jachowicz
Marek Litewka ...
Piotrek Krawczyk
Boguslaw Sobczuk ...
Kedzierski
...
Himself
Andrzej Jurga ...
Himself
Alicja Bienicewicz ...
Jaska
Tadeusz Rzepka ...
Wawrzyniec
Aleksandra Kisielewska ...
Hania, secretary
Wlodzimierz Maciudzinski ...
Stelmaszczyk
Roman Stankiewicz ...
Czeslaw
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Storyline

Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie-making also leads to domestic strife and philosophical dilemmas. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

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Details

Country:

Language:

Release Date:

14 February 1980 (Netherlands)  »

Also Known As:

Camera Buff  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Quotes

Witek Jachowicz: What are you filming?
Filip Mosz: Anything that moves.
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Connections

References Kes (1969) See more »

Soundtracks

Staropolskim obyczajem
Lyrics by J. Odrowaz
Music by A. Skorupka & W. Kruszynski
Performed by Zofia & Zbigniew Framer with band
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User Reviews

 
Life through a lens
20 June 2008 | by (United Kingdom) – See all my reviews

I think there are only two truly great films about film making. One is Fellini's "eight and a half" and the other is this. We witness the transformation of a man from factory worker into artist. All achieved through the use of his camera and more specifically, the things he sees through the camera's lens. Kieslowski is clearly telling a story close to his heart here and shows the audience both the joy and freedom art can bring but also more tellingly, the obsession that can overtake ones life.

The performances are great and the film, in my opinion, is given further impact due to the political undertones that are unavoidable.

Kieslowski even seems to be condoning censorship by pointing out that when it occurs, it forces film makers to find ways around it and produce superior work as a consequence.

Not a perfect film by far but a film that points the way to a career that would continue to rise


3 of 3 people found this review helpful.  Was this review helpful to you?

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