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An Almost Perfect Affair (1979)

PG | | Comedy, Romance | 27 April 1979 (USA)
A smalltime US filmmaker goes to Cannes to try to get his movie in the limelight. A wife of one of the producers there gets interested in his story and they begin an affair.

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Cast

Cast overview:
...
Hal Raymond
...
Maria Barone
...
Federico 'Freddie' Barone
...
Carlo Barone
...
...
Amy Zon
Katya Berger ...
Maria & Freddie's Daughter
Andy Ho
Henri Garcin ...
Lt. Montand
Sady Rebbot
Luang Ham Chau
François Viaur
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Storyline

A smalltime US filmmaker goes to Cannes to try to get his movie in the limelight. A wife of one of the producers there gets interested in his story and they begin an affair.

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

PG | See all certifications »
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Details

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Release Date:

27 April 1979 (USA)  »

Also Known As:

Cannesissa tapahtuu  »

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Did You Know?

Goofs

Was shot under the name of "Cannes Game" See more »

Quotes

Federico 'Freddie' Barone: When the producer and director fight each other, the loser is always the picture.
See more »

Crazy Credits

Miss Vitti dressed by Valentino Mr. Valone's wardrobe by Gucci Mr. Carradine's wardrobe IS HIS OWN See more »

Connections

References The Stud (1978) See more »

Soundtracks

Screening
Written and Performed by Georges Delerue Et Son Orchestre
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User Reviews

 
When the subplot's more interesting than the story...
4 November 2000 | by (Dunwoody, GA, USA) – See all my reviews

It's usually not a good sign when the supposed subplot of a movie is far more engrossing than the main storyline. Such is the case with "An Almost Perfect Affair," a romantic comedy about the brief encounter of a struggling young independent filmmaker from America (Keith Carradine) and a successful Italian producer's wife (Monica Vitti), set against the backdrop of the Cannes Film Festival. Although Carradine and Vitti do make an appealing couple, their romance is never as interesting as the scenes regarding Carradine's efforts to get his film shown.

Fortunately, those scenes are entertaining enough to make the movie worth seeing in its own right. Dick Anthony Williams is a scene-stealer as an enthusiastic blaxploitation filmmaker who appoints himself as Carradine's partner and shows him the ropes of marketing, hype, and self-promotion.

And speaking of self-promotion, another highlight of the film is a brief quasi-documentary interlude (filmed at the Cannes Festival itself as it happened) with notorious sex kitten Edy Williams pitching a self-scripted vehicle for herself. I wonder why that picture never got made...?


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