7.8/10
20,974
150 user 87 critic

All That Jazz (1979)

Director/choreographer Bob Fosse tells his own life story as he details the sordid life of Joe Gideon, a womanizing, drug-using dancer.

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From $5.99 (SD) on Amazon Video

ON DISC
Won 4 Oscars. Another 6 wins & 14 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Erzsebet Foldi ...
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Dr. Ballinger
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Joshua Penn
William LeMassena ...
Jonesy Hecht
Irene Kane ...
Leslie Perry (as Chris Chase)
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Victoria
Kathryn Doby ...
Kathryn
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Paul Dann
Robert Hitt ...
Ted Christopher

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Storyline

Choreographing and picking dancers for his current show whilst editing his feature film about a stand-up comedian is getting to Joe Gideon. Without the chemical substances, he would not have the energy to keep up with his girlfriend, his ex-wife, and his special dancing daughter. They attempt to bring him back from the brink, but it's too late for his exhausted body and stress-ravaged heart. He chain-smokes, uses drugs, sleeps with his dancers and overworks himself into open-heart surgery. Scenes from his past life start to encroach on the present and he becomes increasingly aware of his mortality. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Taglines:

Prepare yourself for all that acclaim... See more »

Genres:

Comedy | Drama | Music | Musical

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

20 December 1979 (USA)  »

Also Known As:

Hinter dem Rampenlicht  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jon Voight read for the role of Joe Gideon, but Bob Fosse had already recommended Roy Scheider. See more »

Goofs

In a closeup of back of Joe's head during Bye Bye Love number, a large strip of Scotch tape is inexplicably running across back of his head. See more »

Quotes

Joe Gideon: Stop smiling! Lay back. Lay back. Hold it, hold it, hold it. Candy, Casey very good. You're gonna do it again Victoria. Gary, Danny, let's go. Stop smiling, its not the high school play. Count! Hold it. Stand on your right foot. Point your left toe. Drop that shoulder. Now, that's not too hard is it? Again!
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Crazy Credits

There are no opening credits, only the company credits and the title, which resembles revolving Broadway lights. See more »

Connections

Featured in The 100 Greatest Musicals (2003) See more »

Soundtracks

After You've Gone
(1918) (uncredited)
Music by Turner Layton
Lyrics by Henry Creamer
Performed by Leland Palmer with Ann Reinking and Erzsebet Foldi
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User Reviews

 
On The Wire
15 August 2000 | by (Lexington, Kentucky) – See all my reviews

One of the most gleefully indulgent, self-loathing films ever made- yet watchable as a train wreck, thanks to its bravery, wit and overall excellence.

Scheider is unexpectedly effective as the director's mirror image, a talented louse who deserves what he gets. I can only imagine the smirk that must have been on Fosse's face throughout this production. He doesn't ask for forgiveness, he doesn't try to justify Gideon's behavior, and he certainly didn't encourage Scheider to be sympathetic. "You're right, I'm a bastard," he seems to be saying.

While catchy and professional, the musical numbers (particularly the art direction and costumes) range from tasteless to bombastic- as they were intended, I think. The choreography is precise, the editing masterful, and the performances in sharp focus. These elements, plus the acerbically mournful script, make for a fascinating deconstruction of self to an extent rarely, if ever, seen in the movies.

Not every artist should think himself so interesting, but thankfully, both Fosse's professional and personal life merited such honest examination. I can't think of any of our more iconic filmmakers today who have been turned the camera back on themselves in such unflinching fashion.

Note: Among the direct parallels to Fosse's actual career are "The Stand-Up" to "Lenny", and Lithgow's snooty Lucas Sergeant to theatre's estimable Harold Prince.


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