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All That Jazz (1979)

7.8
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Ratings: 7.8/10 from 16,446 users  
Reviews: 142 user | 73 critic

Director/choreographer Bob Fosse tells his own life story as he details the sordid life of Joe Gideon (Roy Scheider), a womanizing, drug-using dancer.

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Title: All That Jazz (1979)

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Won 4 Oscars. Another 7 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Erzsebet Foldi ...
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Dr. Ballinger
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Joshua Penn
William LeMassena ...
Jonesy Hecht
Irene Kane ...
Leslie Perry (as Chris Chase)
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Victoria
Kathryn Doby ...
Kathryn
Anthony Holland ...
Paul Dann
Robert Hitt ...
Ted Christopher
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Storyline

Choreographing and picking dancers for his current show whilst editing his feature film about a stand-up comedian is getting to Joe Gideon. Without the chemical substances, he would not have the energy to keep up with his girlfriend, his ex-wife, and his special dancing daughter. They attempt to bring him back from the brink, but it's too late for his exhausted body and stress-ravaged heart. He chain-smokes, uses drugs, sleeps with his dancers and overworks himself into open-heart surgery. Scenes from his past life start to encroach on the present and he becomes increasingly aware of his mortality. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

All that work. All that glitter. All that pain. All that love. All that crazy rhythm. All that jazz.

Genres:

Drama | Music | Musical

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

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Release Date:

20 December 1979 (USA)  »

Also Known As:

All That Jazz: O Espectáculo Vai Começar  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The budget for this film blew-out from US $6.5 million to US $10 million. Director Bob Fosse went over-budget before filming the famous "Bye, Bye Life" finale. The Columbia studio refused to give him any more money. At an impasse, Columbia execs privately showcased much of what was in the can of the film for the president of Twentieth Century-Fox. Impressed, the president agreed that Fox would finance the remainder of the shoot; he also asked for and received distribution and cable rights. Profits from the picture were split according to the contract between the two studios, although Fox received top billing over Columbia in the credits. See more »

Goofs

Close-up of "Young Joe" with hazel eyes is shortly followed by a close-up of adult Joe with blue eyes. See more »

Quotes

Joe Gideon: To be on the wire is life. The rest is waiting.
[Generally attributed to Karl Wallenda, who had died in a fall the year before the film came out]
See more »

Crazy Credits

There are no opening credits, only the company credits and the title, which resembles revolving Broadway lights. See more »

Connections

Referenced in Whether You Like It or Not: The Story of Hedwig (2003) See more »

Soundtracks

Take Off With Us
Music by Stanley Lebowsky
Lyrics by Fred Tobias
Performed by Anthony Holland (uncredited)
See more »

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User Reviews

 
Self-congratulatory, but, without a doubt, brilliant
13 December 2002 | by (Saint Paul, MN) – See all my reviews

A brilliant movie from a brilliant artist, and you'll be reminded of that constantly as you sit through All That Jazz, both in positive and negative ways. This, Fosse's fourth and also penultimate film, is his version of 8½. But the great success of Fellini's semi-autobiographical masterpiece, easily one of the five or ten best films ever made, is that its author depicts himself with the greatest humility. And not only great humility but, most importantly, honest humility (or at least believable humility). Fellini's constant self-deprecation felt like honest self-criticism, and it felt as if he was truly exposing his inner self to his audience. In All That Jazz, Fosse tries to do the same, but the self-deprecation comes off almost as back-patting. Fosse presents his alter ego, Joe Gideon (well played by Roy Scheider), as a lovable cad. Oh, he might bang every chick in sight, but it's very much applauded.

I can complain about these more arrogant aspects of All That Jazz, but what is undeniable is how great a filmmaker Fosse really is. It may be extremely self-congratulatory, but, judging from this film itself and its three predecessors, it can be argued that Fosse deserved the adulation that he supplies himself. As a fan, I loved the way he incorporates semi-fictionalized versions of his previous films into this one. 1974's Lenny plays a major part, as Gideon is going through the process of editing his new film The Stand-Up throughout the film. He brings his daughter to its premier, and, it being her first R-rated movie, she thanks her dad and then asks him why that guy wanted to sleep with two women at the same time. The reference to Cabaret is less pronounced but clear, when, stemming off from the daughter's question about threesomes, Gideon flashes back briefly to himself recreating the "Two Ladies" number. This number, of course, was famously created for the film version of Cabaret by Fosse. I'm not 100% sure if there is a reference to Sweet Charity (which would make sense, since it bombed horribly and almost ruined Fosse's filmmaking career), but the musical number with Gideon's girlfriend and daughter begins sort of like the "If They Could See Me Now" number, with Shirley MacLaine in Ricardo Montelbahn's bedroom.

The musical numbers are something to behold. I think this is a given in a Bob Fosse film, but every single one is breathtaking. The sexy rehearsal number, which leads into the even sexier "Airplane" number, would be pilfered by singer/choreographer Paula Abdul in her video "Cold Hearted Snake." More silly trivia, John Lithgow was so goofy looking in his relative youth, that guy who was the captain of the Love Boat and also the dad in ALF has an important part, and Wallace Shawn, of Manhattan, My Dinner with André and The Princess Bride fame appears in the most poorly calculated scene in the movie (Fosse wasn't scrutinizing his film enough if he left it in), has one line, and it is the worst line in the entire film. Damn, I wish I could remember it! 9/10.


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