Fleeing persecution and torture in northern Iraq, three young Kurds, Mahmoud, Rezghar and Saman, smuggle themselves into Britain aboard a freight train. Arriving in London they register for... See full summary »
A troubled veteran of World War I named Joe Delaney struggles to write a history of the Marine company in which he served. In the nightmare of war, each man is defined by a singular moment ... See full summary »
Paul Baumer is a young German who, along with his graduating high school classmates, enlist in the German Imperial Army during the First World War. Originally thinking war would be a great adventure, Paul and his friends discover exactly the opposite as the war drags on and one by one the members of the class are killed in action until only Paul remains. Written by
Anthony Hughes <email@example.com>
In the scene of Kaiser Wilhelm pinning medals on the soldiers, the Kaiser uses only his right arm and hand, while an aide holds the soldiers' tunics - a nice historically accurate detail, since the real Kaiser Wilhelm had a stunted and withered left arm that was virtually useless. See more »
Although the film takes place during World War I, in one sequence the soldiers are shown riding in trucks that weren't made until the 1930s. See more »
Himmelstoss...there's a latrine down the road. Why don't you go take a jump?
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It is difficult to go wrong with such a magnificent story, one of the most affecting literary anatomisations of the tragedy of young men destroyed by war. And yet, this 1979 television remake of the Lewis Milestone original adds many elements to cherish of its own. Most notably, the casting of Richard Thomas, best known for being John-Boy Walton, in the role of Richard Baume. His characterisation is wonderfully profound, and poignant, and the scene in the trench with the French soldier is a virtual masterclass of compassionate acting. Thomas has never become a superstar; and for this reason he is one of an evergrowing army of neglected romantic leading men. The battle scenes are breathlessly exciting; and yet they do not dwell on carnage, and it is to their credit...and yet still they elicit pity and horror from the viewer. The music is magnificent, the structure craftmanlike, the acting (by Thomas, Borgnine, Holm) superlative, and the work itself suffused through with compassion.......
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