| Photos (See all 15 | slideshow) |
| Alain Delon | ... | Capt. Paul Metrand | |
| Susan Blakely | ... | Maggie Whelan | |
| Robert Wagner | ... | Dr. Kevin Harrison | |
| Sylvia Kristel | ... | Isabelle | |
| George Kennedy | ... | Capt. Joe Patroni | |
| Eddie Albert | ... | Eli Sands | |
| Bibi Andersson | ... | Francine | |
| Charo | ... | Margarita | |
| John Davidson | ... | Robert Palmer | |
| Andrea Marcovicci | ... | Alicia Rogov | |
| Martha Raye | ... | Loretta | |
| Cicely Tyson | ... | Elaine | |
| Jimmie Walker | ... | Boisie | |
| David Warner | ... | Peter O'Neill | |
| Mercedes McCambridge | ... | Nelli | |
| Avery Schreiber | ... | Coach Markov | |
| Sybil Danning | ... | Amy | |
| Monica Lewis | ... | Gretchen | |
| Nicolas Coster | ... | Dr. Stone | |
| Robin Gammell | ... | William Halpern | |
| Ed Begley Jr. | ... | Rescuer #1 | |
| Jon Cedar | ... | Froelich | |
| Sheila Wills | ... | Young Girl (as Sheila DeWindt) | |
| Pierre Jalbert | ... | Henri | |
| Kathleen Maguire | ... | Mary Parker | |
| Macon McCalman | ... | Carl Parker | |
| Stacy Heather Tolkin | ... | Irina | |
| Selma Archerd | ... | Passenger | |
| Brian Cutler | ... | Rescue Worker | |
| Michèle Lesser | ... | Carla (as Michele Lesser) | |
| Conrad E. Palmisano | ... | Cooper (as Conrad Palmisano) | |
| Jerry Prell | ... | Passenger Agent (as Jerry M. Prell) | |
| Gus Rethwisch | ... | Gregori (as Bernard 'Gus' Rethwisch) | |
| Dick McGarvin | ... | Newscaster | |
| George Sawaya | ... | Girard | |
| Leonora Wolpe | ... | Ground Hostess | |
| David Matthau | ... | Technician #1 | |
| Frank Parker | ... | Technician #2 | |
| Mario Machado | ... | Reporter #1 | |
| Hettie Lynne Hurtes | ... | Reporter #2 (as Hettie Lynn Hurtes) | |
| Gabrielle Rossillon | ... | Reporter #3 | |
| Aharon Ipalé | ... | French Reporter | |
| Isobel Estorick | ... | Stewardess #1 | |
| Laurie Hagen | ... | Stewardess #2 | |
| James R. Parkes | ... | Stewart #1 (as James Parkes) | |
| James Leigh | ... | Stewart #2 | |
| Jean Turlier | ... | Robelle | |
| Jean-Philippe Ancelle | ... | French Security Guard #1 (as Jean P. Ancelle) | |
| Uta Taeger | ... | French Security Guard #2 | |
| Robert Kerman | ... | Dulles Controller | |
| Doug Christenson | ... | Ski Patrol Leader | |
| Harold 'Happy' Hairston | ... | American Olympic Team Coach | |
| Bob Courts | ... | American Olympic Athlete (as Robert Courts) | |
| Margolyn Curtis | ... | American Olympic Athlete | |
| Stoney Jackson | ... | American Olympic Athlete | |
| Glenn-Michael Jones | ... | American Olympic Athlete (as Glenn Michael Jones) | |
| Ken Medlock | ... | American Olympic Athlete | |
| Patti Pivaar | ... | American Olympic Athlete | |
| Dwan Smith | ... | American Olympic Athlete | |
| Alex Rodine | ... | Russian Olympic Team Coach | |
| Anna Rodzianko | ... | Russian Olympic Athlete | |
| Daryl Lynn Wood | ... | Russian Olympic Athlete | |
| Victoria Woodbeck | ... | Russian Olympic Athlete | |
| rest of cast listed alphabetically: | |||
| Patrick Gorman | ... | TV Announcer (uncredited) | |
| Norm Keefer | ... | Mikhail (uncredited) | |
| Rick Sawaya | ... | Russian Olympic Athelete (uncredited) | |
| Harry Shearer | ... | Jeffrey Marx (voice) (uncredited) | |
Directed by | |||
| David Lowell Rich | |||
Writing credits(in alphabetical order) | ||
| Arthur Hailey | novel "Airport" | |
| Jennings Lang | story | |
| Eric Roth | writer | |
Produced by | |||
| Jennings Lang | .... | producer | |
Original Music by | |||
| Lalo Schifrin | |||
Cinematography by | |||
| Philip H. Lathrop | (director of photography) (as Philip Lathrop) | ||
Film Editing by | |||
| Dorothy Spencer | |||
Casting by | |||
| William Batliner | |||
| Robert J. LaSanka | |||
Production Design by | |||
| Henry Bumstead | |||
Set Decoration by | |||
| Mary Ann Biddle | |||
| Mickey S. Michaels | |||
Costume Design by | |||
| Burton Miller | |||
Makeup Department | |||
| Connie Nichols | .... | hair stylist | |
| Rick Sharp | .... | makeup artist | |
| Hallie Smith-Simmons | .... | makeup artist | |
Production Management | |||
| Robert Latham Brown | .... | unit production manager (as Bob Brown) | |
| Wilbur Mosier | .... | production manager | |
| Suzanne Wiesenfeld | .... | production manager: Paris (as Suzanne Weisenfeld) | |
| Patrick Gordon | .... | unit production manager: France (uncredited) | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director (as Newton Arnold) | |
| Katy Emde | .... | second assistant director | |
| Bruce Hanson | .... | third assistant director (uncredited) | |
Art Department | |||
| Bill Dietz | .... | property master | |
| Charles Breen | .... | set designer (uncredited) | |
Sound Department | |||
| James R. Alexander | .... | sound (as Jim Alexander) | |
| Robert L. Hoyt | .... | sound re-recordist | |
| John Stacy | .... | sound effects editor | |
| Roger Heman Jr. | .... | sound re-recordist (uncredited) | |
| Earl Madery | .... | sound re-recordist (uncredited) | |
| Roger Sword | .... | sound editor (uncredited) | |
Special Effects by | |||
| Peter Albiez | .... | special effects | |
| Joe Goss | .... | special effects | |
| Gary D. Bierend | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Cleo E. Baker | .... | miniature sequences | |
| Peter Gibbons-Fly | .... | special visual photography | |
| Abe Milrad | .... | special visual effects | |
| Clifford Stine | .... | special photography (as Cliff Stine) | |
| Wes Thompson | .... | special aerial backgrounds | |
| Alan G. Markowitz | .... | visual effects artist (uncredited) | |
Camera and Electrical Department | |||
| Bill Johnson | .... | camera operator (as William Johnson) | |
| Wilbur Kinnett | .... | gaffer | |
| Carl Manoogian | .... | key grip | |
| Stan McClain | .... | assistant camera: aerial unit | |
| Norman Parker | .... | assistant camera | |
| Robert A. Torres | .... | assistant camera (as Robert Torres) | |
| Stephen Vaughan | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Lambert Marks | .... | costume supervisor | |
| Sheila Mason | .... | costume supervisor | |
Editorial Department | |||
| Rick Weaver | .... | assistant film editor | |
Music Department | |||
| Robert Mayer | .... | music editor | |
Transportation Department | |||
| Chris Haynes | .... | driver (uncredited) | |
| Frank Khoury | .... | transportation (uncredited) | |
Other crew | |||
| Louis Odell Burton | .... | pilot | |
| Jean Franchi | .... | pilot | |
| Jean Franchi | .... | technical advisor (as Captain Jean Franchi) | |
| James W. Gavin | .... | helicopter pilot | |
| Betty A. Griffin | .... | script supervisor (as Betty Abbott Griffin) | |
| Clay Lacy | .... | pilot | |
| Frank L. Pine | .... | pilot | |
| Ross Reynolds | .... | helicopter pilot | |
| Art Scholl | .... | pilot | |
| Dennis Williams | .... | second location manager | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Some slack might be cut this movie due to the fact that it was made in 1979. That much said, it really is pretty dire.
Never mind the laughable back-projection or the awful, awful camera-tracking of supposed "in-flight" objects, it's the stunts that the Concorde pulls off that will have you blinking in disbelief at the absurdity. Barrel-rolls, loop-the-loops and violent "evasive" maneuvers left me wondering why the Air-Forces of the world didn't just fly Concordes as their main fighters.
So, here are the important lessons I learned from this celluloid cheese-fest:
1. The Concorde is at least as agile as a Phantom 4 jet-fighter.
2. You can fire a flare gun at Mach 2 simply by opening the cockpit window and sticking your arm out.
3. If the flare gun fails to discharge, do not drop it, as it may then go off.
4. The Concorde can dodge up to two Sidewinder missiles fired at it at once.
5. A flare will distract a heat-seeking missile every time.
6. Switching off your jet-engines is a sure-fire way of throwing heat-seeking missiles off track if 5 (above) fails.
7. When performing a crash-landing in the Concorde, it is apparently impossible to jettison your fuel beforehand.
8. Concorde pilots are all combat-trained veterans.
As you might imagine, this film is not very realistic. The effects are primitive by today's standards and that, coupled with the nonsense acrobatics the Concorde performs, makes this a movie deserving of little but scorn.
Not recommended. Not recommended at all!