Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which he is told will only be his if he marries Susan. He does not love Susan, but she ... See full summary »
Follows the tale of a young woman's sexual awakening and subsequent journey around the world in pursuit of her ideal lover. Encounters include an Arabian sheik and a Spanish bullfighter. ... See full summary »
The Tarzan story from Jane's point of view. Jane Parker visits her father in Africa where she joins him on an expedition. A couple of brief encounters with Tarzan establish a (sexual) bond ... See full summary »
This is the tale of a sculptor named David who has a major womanizing problem. He goes to seek help from a psychiatrist, Marianna, to cure him of his obsession with women. His story of ... See full summary »
Forty-two year old famed composer/playwright George Webber is going through a midlife crisis. He is seriously dating thirty-eight year old actress/singer Samantha Taylor, who he loves, although he admits their connection is more intellectual than it is emotional. She, in turn, loves him, despite barely tolerating his often infantile behavior. This behavior includes spying on a neighbor's sexual encounters with a wide array of women, this spying about which the neighbor knows, as he does it himself. Driving one day, George spots a young woman who he believes is the most beautiful creature he's ever seen - an "eleven" on a scale of ten, tens which he didn't believe existed before her. Beyond the fact that she is probably half his age, a problem with George's infatuation is that she is just off to her own wedding. George and Sam's relationship takes a hit with an argument which is further exacerbated by a series of misunderstandings. As such, George decides to pursue the woman of his ... Written by
When the credits of the cast begins to scroll up and out of the iris of the telescope's view to George and Samantha's inside penthouse, only the members of the cast are seen and not their characters they played. See more »
Though he will probably always be remembered for 1981's ARTHUR, my favorite Dudley Moore performance is still from the 1979 Blake Edwards classic "10". Moore plays George Webber, a man who seemingly has it all: a flourishing career as a songwriter, money, a gorgeous home, an equally gorgeous girlfriend (Julie Andrews), but still feels like something is missing in his life. Then one day, while stopped at a traffic signal, he glances at a girl (Bo Derek)in a limo, on her way to her wedding. George becomes obsessed with this vision, this perfect "10" and forsakes everything in his life, including Andrews, to find and be with this woman. After getting six fillings drilled by the girl's dentist/father (James Noble), in an attempt to learn where the girl went on her honeymoon, George flies to Mexico to find his "10" and eventually learns the lessons you would expect from such a venture. In addition to some great physical comedy offered by Moore, there are moments of great warmth here too. The scenes at the outdoor bar in Mexico where Dudley encounters a lonely woman (Dee Wallace) and plays the piano are lovely. Brian Dennehy is effectiveLY cast against type as the bartender. Also cast against type is Robert Webber as George's gay songwriting partner who tries in vain to make George see what an idiot he is and appreciate the things he has. This IS not just a smarmy sex comedy, but a warm character study of a man chasing something he really doesn't want or need and features one of Dudley Moore's most charming performances.
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