Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which he is told will only be his if he marries Susan. He does not love Susan, but she ... See full summary »
This sexy, teen-comedy is about a freshman, Matthew, at college who meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the ... See full summary »
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
On the night of his 42nd birthday, George Webber, a popular songwriter, begins showing symptoms of "middle-age crisis." Over the succeeding weeks, he finds himself continually staring at young girls on the street, and he begins envying his high-living neighbor, whose life is one endless orgy. George's behavior causes great concern to his lover, singing star Samantha Taylor, and to his partner Hugh, who has seemingly avoided George's dilemma by being gay. While driving home one afternoon, George spots Jenny, a stunning young beauty en route to her marriage ceremony. Regarding her as "the most beautiful girl I've ever seen" (on a scale from one to 10), George follows her to the church. He later learns her name, and discovers that she and her husband are honeymooning in Mexico. Driven by the impulse to see her again, George flies to Mexico and checks into the hotel where Jenny is staying. Later, he sees the couple on the beach, and begins indulging in romantic fantasies about the lovely ... Written by
First appearance in a cinema movie in four years for actress Julie Andrews who was married to director Blake Edwards. Andrews' last part had been in as Judith Farrow in Edwards' The Tamarind Seed (1974). The DVD sleeve notes for this film state that for this picture Andrews "returned to movies after a long absence". See more »
When looking through the telescope the picture moves around as if being moved by George. But when it shows George looking through, his hands are behind his back as if he has made no attempt to move the telescope. See more »
[the dog runs out of the room after Mrs. Kissel farts]
Whenever Mrs. Kissel breaks wind, we beat the dog.
See more »
When the credits of the cast begins to scroll up and out of the iris of the telescope's view to George and Samantha's inside penthouse, only the members of the cast are seen and not their characters they played. See more »
Boy, this was "hot stuff" back when it came out in 1979: I am referring to both the movie AND Bo Derek!
Actually, Dudley Moore was a box-office star, too. Nobody had heard of Derek before this, but this film certainly made her an overnight sensation. She didn't have to say anything in the film, just walk down a beach. Certainly, the number "10" now had a new meaning in the culture.
Basically, the film is about a guy who spots Derek, and then totally makes a fool of himself over her. Most guys would have done the same thing. Moore, making an idiot of himself as "George Webber," provided a lot of laughs and Bo had to just....well....just let herself be photographed. Fortunately, in real life, she turned out to be far more than just some hot- looking bimbo. I've heard her on several talk shows in recent years, and she's no dummy.....and still looks tremendous. Meanwhile, Moore, who had some tough physical ailments, really didn't have a noteworthy career after this film with one exception: Arthur (1981). The poor man died in 2002.
One forgets that a huge big-name actress co-starred with Moore in this movie: Julie Andrews. Perhaps a good part of that reason we forget that is she doesn't play a memorable character. It fact, she's downright unappealing as Moore's girlfriend "Samantha Taylor."
It's also easy to forget about some of the cultural issues songwriter "Webber" dealt with, bemoaning the shallowness of the current generation and its music tastes, and finally realizing his own shallowness won't lead to happiness just by being with a woman half his age. There are some profound things to ponder in this film even though it often concentrates on the slapstick humor angle. As a guy who has gone through the usual "mid- life" crisis, I would to sympathize with Webber's dilemmas but since this idiot is drunk half the time and an extremely self-indulgent person, I found it hard to "root" for him. Drunks have never been funny to me. So, when I watched this film on VHS 15 years later, it wasn't as fun as the fist time.
Speaking of drinks, Brian Dennehy was excellent as a bartender. I wish he had played more "nice guy" roles like this during his career, instead of so many evil and profane villains.
Along with millions of others, I enjoyed the movie 30 years ago, but now it's kind of sad, too slow and even painful to watch at times. For those of us who saw in the theater, the film now appears somewhat dated, but so are all of us, I guess, are dated, too.
22 of 34 people found this review helpful.
Was this review helpful to you?