In what must have been one of the shortest lived series on network television, "Cop Rock" was part "Real Stories of the Highway Patrol" and part "The Sound of Music". After chasing down a ... See full summary »
A multimedia presentation satirizing sex, politics, and everything else, splattered across the screen at blinding speed. One producer called it "A visual, comedic, sensory assault involving... See full summary »
Crowder is a man who will do anything, if the price is right. He is a private detective with a past in the police force. A woman comes to his office one day and asks if he will find her ... See full summary »
Sam Ashley, a graduate of 1965 class of Bret Harte High School, who was now a teacher at the school, served as the narrator describing what had happened to his fellow graduates in the ... See full summary »
Zooming from one end of America to another, "Supertrain" is a vision of railroading of the future. The super-train, equipped with restaurants, pools, spas, theaters, etc., delivers passengers to wherever they're going. In "Love Boat"-type style, each week's guest passengers have their problems to resolve before the end of their trip. Written by
The Production Designer, Ned Parsons, was working with Dan Curtis on a location cowboy film, when Dan was asked by Fred Silverman to produce "The Super Train" 2 hour pilot. Ned called an illustrator friend to quickly "paint up" a concept illustration for a futuristic train racing through the country side! Returning from location, Dan Curtis set up production offices at MGM Studios. Bob Grand, Production Manager, secured five stages for the train's interior sets. Ned Parsons hired Ed McDonald as his Art Director expecting him to organize a drafting room of quick fingers to draw as fast as possible. Twelve roster senior set designers were given rough set plan layouts, expected to develop these flimsy plans into working drawings. Ned Parsons had begun his Hollywood career as a prop-member on a set decorator's swing gang crew. He was promoted by his family connections to a set decorator position. Then he was made an art director. Having some success, Ned was working with Dan Curtis, wrapping a "Western film," when Fred Silverman placed his call for the train film pilot order. This train pilot idea replaced a Fred Silverman approved projected NBC series that was to be about an air plane's passengers experiences on cross country and trans-continental flights. Ned Parsons hired Bruce Kay for his decorator. Into construction, Parsons and McDonald clashed resulting in Ned firing his Art Director. Because Bruce had a long working relationship with Hub Braden, Ned Parsons hired Hub, replacing McDonald. Ned explained the context of the sets with a drafting room set plan review, including stage walk-through of sets under construction. What a mess! And disaster! Ned asked Braden to draw plans for the rear train car, which was to be a swimming pool and rear train observation deck. This drawing was executed in three days and shown to the construction coordinator for him to order materials. Braden had planned to have set designers redraw his plan/elevation schematics for the carpenters. Told by the Coordinator "just give me that drawing and I'll get the set into work." Ironically this was the first set finished prior to filming. See more »
When the train leaves the station, the platform light fixtures are reflected in the train windows. They move along with the train because the train is standing still and the camera is moving. See more »
Let's WOW them with FX, who cares about things like plot, story, characters, lines that the actors say, and so on.
It didn't work, sure the train looked cool and all, the rest was treated as window dressing or an afterthought, like we're spending all this cash on FX we better make sure it looks good, the rest will fall into place afterwords.
It's like let's dress it up and make it look pretty, that doesn't change the fact it's garbage, what they should of done from the get go is it should of been a COMEDY, there was no way to take the premise seriously, so why not ?
There was so much potential there to treat it as a big joke, kinda like Airplane ! Only on rails.
Of course the show could be redone today for a lot less, just CG all the Train shots, save millions right there, heck I made the Train for a video game called Trainz, I could just shoot in game footage and it'd look just like all the shots I remember from the show, and at 10 / 20,000,000th the cost, after all I bought my PC, Software & stuff, but it didn't cost anywhere near the cash they spent on the FX for the show alone.
Sure you'd still have to make the sets of the insides, but they shouldn't cost an arm & leg if you do it right, just build what you need for the first season, if you are ahead cash wise, build more for the second season, in other words just show very little of the train insides during that first season, if it's a hit & your making cash, instead of loosing it, then you add more sets.
That's how i'd do it anyway & I don't even work for NBC or anyone else in the biz.
Then again the average person is smarter then any TV network Execs ;)
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