Arthur Daley, a small-time conman, hires former boxer Terry McCann to be his 'minder', so Terry can protect him (Arthur) from other, small-time, crooks. While Terry is trying his hardest to... See full summary »
An old lag who is a chum of Arthur's is released from prison determined to recover the remains of the loot from a bank robbery. However, the retired policeman who sent him down, a prison warder and ...
Arthur buys a coach from the cash-strapped local police to use for sight-seeing tours but it breaks down, so he takes the tourists to the Winchester Club, where they are thrilled to see a genuine old...
British police series which revolutionised the genre on UK television in the mid 1970s. Jack Regan (see also 'Regan' (1974)) played by John Thaw is a hard edged detective in the Flying ... See full summary »
Cinematic spin-off from the popular TV series. Hard-bitten Flying Squad officer Jack Regan gets embroiled in a deadly political plot when an old friend asks him to investigate the death of ... See full summary »
This series chronicled the lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism ... See full summary »
Ken Boon and Harry Crawford are two middle-aged ex-firemen who start out in business together, initially in Birmingham and later in Nottingham. During the seven series (1986-1992), Ken ... See full summary »
A wartime cottage on a Scottish estate becomes a focus of attention when not only the new tenant but a London evacuee and a downed fighter pilot all move in. The interest may not be ... See full summary »
Jeanne De Casalis
Emily has it all, looks, friends, great job, and a loving boyfriend. But Emily does have her issues. New DI on the job Rose has an interest in Emily's activities, and in trying to expose them must crack a mystery spreading back 200 years.
Arthur Daley, a small-time conman, hires former boxer Terry McCann to be his 'minder', so Terry can protect him (Arthur) from other, small-time, crooks. While Terry is trying his hardest to satisfy his employer's demands, and putting his own life at risk, Arthur is busy exploiting Terry for all he is worth. For, when other people hire Terry's services, through Arthur, Arthur usually keeps most of Terry's share of the money for himself, by misleading the hard-working Terry as to the amount of money, he (as Terry's agent) is receiving on Terry's behalf. Written by
David McAnally <D.McAnally@uq.net.au>
In Seasons 1 and 2, Terry McCann drove a white Mark II Ford Capri, registration SLE 71R; this car also features in the opening titles. However in some episodes he drove a white Mark I Capri (an earlier model which pre-dates the Mark II) which had the same registration number. In a publicity photograph for The Professionals (1977), taken from the book "The Complete Professionals" by Dave Rogers, George Cowley is seen standing beside a Rolls Royce... which also has the registration SLE 71R! According to DVLA records, the registration number officially relates to the Mark II Capri. See more »
In the opening titles for the Terry McCann episodes (Seasons 1-7) a sporty white Ford Escort with a blue stripe down the side is seen in the background. In a close-up shot of Terry looking at the Ford Capri he is about to buy, the Escort's window is up, but in a later shot where Arthur and Terry walk from the back of the Capri to admire it from a distance, the Escort's window is wound down. See more »
I was 8 years old when this started, and when I left home aged 18 it was still on. The theme tune followed me through the 80s - Bagpuss came and went, Dangermouse arrived, a raft of American programmes designed to sell toys (which was a brand new idea then) crashed onto UK shores, the Commodore 64 bleeped and caroused in the corner, acid house music chipped and blooped onto the radio..... and Arthur & Terry were still there. I saw a handful of episodes as child & teenager, and always found the on- screen chemistry pulled me in...... but I did feel that it had become a bit of a dinosaur by 1990. I left home and virtually forgot about it, until ITV4 started re-running it again.
The writing was, and is, simply superb. Secondary characters are strongly developed and given good lines, something non-existent nowadays (see Taggart, Waterloo Road, Monarch Of The Glen) and almost every episode hangs together as a complete thing, ends tied up, viewer satisfaction assured. That takes good writing and good acting. Another, unintentional but wonderful, boon for the programme was that due to 75% of each episode being filmed on location outdoors over 15 years, it captured London in a constant state of flux that is clear and visible, something no other show has. It's fascinating to see London in that era, changing from series to series. And there's that chemistry between Cole and Waterman, which really shines through. That was fairly rare in a TV series back then, but is now like hen's teeth.
Its success with 15-24 year olds today is surprising, yet gratifying. It says, perhaps, that things like story, good acting and love of craft do not age, or lose their brightness.
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