Sloane is a freelance spy. Although he doesn't work for the government, he frequently accepts assignments from The Director, a head of a secret government agency. He's assisted by Torque, a... See full summary »
When Ed Neilson's entire family is viciously murdered, he pleads with retired CIA operative Duke Smith (Robert Conrad) to investigate. He refuses, but relents after Neilson too meets an ... See full summary »
Based on a true story, details the daring 1964 theft of the J.P. Morgan jewel collection from New York's American Museum of Natural History. Called the "Greatest Jewel Heist of the 20th ... See full summary »
Texas billionaire J.J. Starbuck drives around the country in a 1961 Lincoln convertible, with horns on the hood, acting as a private detective solving crimes. He charms the police and ... See full summary »
Sloane is a freelance spy. Although he doesn't work for the government, he frequently accepts assignments from The Director, a head of a secret government agency. He's assisted by Torque, a man with a detachable hand (which can be replaced by a variety of implements drills, guns, and what-not). Written by
Robert Conrad's best depiction of a secret agent was in Wild Wild West, when he was leaner, but not meaner. Playing a modern-day James Bond in this series, Conrad seems miscast. He has none of the charm or the body to make the acrobatics here look credible. Would you believe (Sorry about that, Max!) Conrad fighting karate-crazy girls and ninjas, flying through the air with pulley-aided strong cords, out-of-this-world weaponry, rather than usual fare of fisticuffs against scruffy ruffians (as it was on West)? Sure there were gadgets and explosions in West, but at least they made some sort of sense. He wasn't hip enough to pull this off but to its credit, the show is campy.
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