Crime and Punishment (1979– ) |
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Crime and Punishment (1979– ) |
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| Series cast summary: | |||
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Francesca Gerrard | ... |
Lida
(3 episodes, 1979)
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Fiona Glassbrook | ... |
Polenka
(3 episodes, 1979)
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| John Hurt | ... |
Raskolnikov
(3 episodes, 1979)
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Anne Orwin | ... |
Nastasya
(3 episodes, 1979)
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Christine Ozanne | ... |
St. Petersburg citizen
(3 episodes, 1979)
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| Siân Phillips | ... |
Katerina Ivanovna
(3 episodes, 1979)
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Nicky Stoter | ... |
Kolya
(3 episodes, 1979)
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Anthony Bate | ... |
Svidrigailov
(2 episodes, 1979)
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Yvonne Coulette | ... |
Raskoinikov's Mother
(2 episodes, 1979)
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Gordon Gostelow | ... |
Accuser
(2 episodes, 1979)
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Colin Higgins | ... |
Nicolay
(2 episodes, 1979)
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Gertan Klauber | ... |
Porter at Pawnbroker's Flat
(2 episodes, 1979)
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Beatrix Lehmann | ... |
Pawnbroker
(2 episodes, 1979)
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Julie May | ... |
St. Petersburg citizen
(2 episodes, 1979)
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Frank Middlemass | ... |
Marmeladov
(2 episodes, 1979)
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Yolande Palfrey | ... |
Sonia Marmeladovna
(2 episodes, 1979)
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Frederick Radley | ... |
St. Petersburg citizen
(2 episodes, 1979)
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Prunella Ransome | ... |
Dounia
(2 episodes, 1979)
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| Malcolm Tierney | ... |
Zametov
(2 episodes, 1979)
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David Troughton | ... |
Razumihin
(2 episodes, 1979)
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Carinthia West | ... |
Lizaveta
(2 episodes, 1979)
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| Timothy West | ... |
Porfiry Petrovich
(2 episodes, 1979)
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| Barbara Young | ... |
Mme. Lippevechsel
(2 episodes, 1979)
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Nowadays, many would find this mini-series overly talky, even for a TV drama. For example, in a scene of part one, actor Frank Middlemas grouses and weeps in self-pity for ten whole minutes! However, the sequence is straight out of chapter two of the novel, with most of the dialog included, and all in all, the whole mini-series is a very faithful adaptation. Yes, it may be talky, but the talk is good; few novelists were more philosophically ruminative than Dostoyevsky...
Some of the casting is first-rate. The other versions I've seen portray Raskolnikov as a somewhat demonic though poetical intellect--completely overlooking that, although a murderer, he can be often sensitive, sentimental, and even generous. John Hurt believably portrays all these qualities and he's a exemplary Raskolnikov, even if he is a little too old for the part. Timothy West is a brilliant Porfiry and his three scenes with John Hurt are model examples of nuanced and subtle acting and interacting.
This is a production for those who either love the book, or who want to love it.