This documentary explores the changing faces of the old Polish city of Lodz, and how its modernization, both physically and culturally, affects the older, more conservative residents, many ... See full summary »
A look at the Central Station in Warsaw, the country's most famous building of the 1970s. There's the inevitable clash between delayed trains and chaos at the station, and the propaganda slogans glorifying the site.
Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen... See full summary »
It's 1982: Poland is under martial law, and Solidarity is banned. Ulla, a translator working on Orwell, suddenly loses her husband, Antek, an attorney. She is possessed by her grief, and ... See full summary »
1970. After discussions and dishonest negotiations, a decision is taken as to where a large new chemical factory is to be built and Bednarz, an honest Party man, is put in charge of the ... See full summary »
Until the end of his life, Kieslowski did not agree to broadcast the film on TV, claiming that it could hurt its protagonist. The director thought that the movie, which at the moment of its creation stigmatized a certain negative social phenomenon, could be used against the man who took part it. See more »
At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride.
Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior.
As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile.
A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.
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