Dorothy, a twenty-four-year-old kindergarten teacher, born; raised; and still working in Harlem, is celebrating Thanksgiving with her extended family, but she doesn't seem to be thankful for much in life. She lives a self-imposed sheltered life; she is shy and unfulfilled. Things change for her when she is caught in a snowstorm while chasing after her dog, Toto. They are transported to the mysterious Land of Oz, where she is informed that the only possible way to find her way back home is through the assistance of the powerful wizard in Emerald City. As she goes searching for him, she befriends some creatures who are facing problems in life just as she is. In their quest to find and get help from the wizard, they also face Evillene, the equally evil sister of Evermean, the wicked witch, whom Dorothy inadvertently killed when she arrived in Oz, and who may be their biggest obstacle in achieving their goals. Written by
The name of the wicked witches in this version are Evilene and Evermean; this was the first time they were actually named in any version until "Wicked" the novel came out; which named the witches Elphaba Thropp and Nessarose Thropp. See more »
After Dorothy is awakened by the Tin Man's tears, she sits up and wipes her face with both hands. In the next shot, however, when Toto awakens, Dorothy is still sleeping because her hands and arms are still down. See more »
The genius who created me only took care of my dashing good looks, my razor sharp wit and my irresistible attraction to the wrong women.
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Fitzstephens, Jack ... Music Editor & Guru See more »
The original Broadway production of "The Wiz" was charming and spirited, but this awful movie is an exercise in bloat. For one thing, Diana Ross is horribly miscast as Dorothy, a role played on the stage by teenagers. She's supposed to be 24 in this film but looks every one of her 34 years, and transforming Dorothy from an innocent girl into a neurotic, whiny schoolteacher just to accommodate the too-old Ross was a terrible idea. It's the worst sort of vanity casting.
The musical numbers are too long and way, way over-art-directed, and the choreography is completely pedestrian. The only person who shines in the whole film is the young Michael Jackson, looking cute and normal in his pre-op incarnation. Other than this, the film is a definite misfire, which is unfortunate because the score is good and, of course, the story is very durable.
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