Dorothy, a twenty-four-year-old kindergarten teacher born, raised, and still working in Harlem, is celebrating Thanksgiving with her extended family, but she doesn't seem to be thankful for much in life. She lives a self-imposed sheltered life; she is shy and unfulfilled. Things change for her when she is caught in a snowstorm while chasing after her dog, Toto. They are transported to the mysterious Land of Oz, where she is informed that the only possible way to find her way back home is through the assistance of the powerful wizard in the Emerald City. As she goes searching for him, she befriends some creatures who are facing problems in life just like her. In their quest to find and get help from the wizard, they also face Evillene, the equally evil sister of Evermean, the wicked witch whom Dorothy inadvertently killed when she arrived in Oz, and who may be their biggest obstacle in achieving their goals. Written by
Motown Productions bought the rights to the stage show with the intent of having Stephanie Mills reprise the role of Dorothy. However, Diana Ross lobbied intensely for the role. Despite the fact that everyone (including Motown head and former lover Berry Gordy) believed that she, being 13 years older than Mills, was too old, she insisted that the role of Dorothy was ageless. She also said she would be able to guarantee Michael Jackson as the Scarecrow if she was cast. See more »
The shadow of a boom mic is visible on the door through which Aunt Emma walks as she and Dorothy enter the dining room to collect the dirty dishes from the table. See more »
The genius who created me only took care of my dashing good looks, my razor sharp wit and my irresistible attraction to the wrong women.
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Fitzstephens, Jack ... Music Editor & Guru See more »
Watching The Wiz on cable, I'm reminded how, by the over-powering influence of one person, such a wondrous diamond was transformed into a mere gum-wrapper.
Diana Ross proves to be the wickedest witch in The Wiz by forcing her way into the lead role in what could have been a masterful classic of the ages, where Stephanie Mills could have brought to the silver screen the magical and exuberant star-power she achieved in her Broadway debut.
Without question, Ms. Ross's uncontrollable ego so contaminated the entire production which, aside from the outstanding art direction, choreography, and music, went far beyond the ability of any director to regain the life-giving power of such a legionary story Stephanie Mills could have inspired.
Ironically, it was fate that stepped in and rescued The Wizard of Oz from Shirley Temple, handing the key role to Judy Garland. (Don't get me wrong, we all loved dear Shirley, just not in this.). Whereas, Ms. Ross' intervention chopped fate to shreds, poured gasoline on the pile, and burned it by raging fire into oblivion. Alas, what might have been...
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