Dorothy, a twenty-four-year-old kindergarten teacher, born; raised; and still working in Harlem, is celebrating Thanksgiving with her extended family, but she doesn't seem to be thankful for much in life. She lives a self-imposed sheltered life; she is shy and unfulfilled. Things change for her when she is caught in a snowstorm while chasing after her dog, Toto. They are transported to the mysterious Land of Oz, where she is informed that the only possible way to find her way back home is through the assistance of the powerful wizard in Emerald City. As she goes searching for him, she befriends some creatures who are facing problems in life just as she is. In their quest to find and get help from the wizard, they also face Evillene, the equally evil sister of Evermean, the wicked witch, whom Dorothy inadvertently killed when she arrived in Oz, and who may be their biggest obstacle in achieving their goals. Written by
Simultaneously with the release of the film, Congoleum, the flooring company that designed the look of the Yellow Brick Road for the film, also marketed the same design (also called Yellow Brick Road) for home use. See more »
During the wide shot in "Slide Some Oil to Me" when Nipsy Russell is dancing in front of the mirrors, there's a large hole in the canvas behind him. You can see a camera through the hole, and a couple of times, you can see a reflection of him dancing in the camera lens. See more »
Glinda the Good:
Please, is there a way for me to get back home?
Glinda the Good:
Well, Dorothy, you were wise and good enough to help your friends to come here and find what was inside them all the time. That's true for you, also.
Home? Inside of me? I don't understand.
Glinda the Good:
Home is a place we all must find, child. It's not just a place where you eat or sleep. Home is knowing. Knowing your mind, knowing your heart, knowing your courage. If we know ourselves, we're always home, anywhere.
See more »
Fitzstephens, Jack ... Music Editor & Guru See more »
Okay...I never knew that other people did not love The Wiz until last year, 2004. I first saw this movie in the theater when it was released as a little girl. My mother, sister and I felt like we had been drawn into an urban fairy tale that we could relate to. As African-Americans, this was the first time we had witnessed a fantastical creation that had characters and images that we could relate too.
The singing, costumes, backdrop of New York city and choreography were magical. In fact, TV One just aired an all day marathon of The Wix on Thanksgiving and we watched the loop the entire day.
The Wiz provides the viewer with a sneak peek into the lives of Dorothy, The Scarecrow, The Tin Man, and The Lion--all with some "SOUL." The cast of lesser characters are even more of a jewel...the crows--well, most of us can relate to the "crabs in a barrel" attitude that has plagues the inner city; Miss One--well she was a glitter bedecked "numbers runner"; the citizens of Emerald City remind me of the urban fashionista crowd...and the dance scene reflect the attitude of the bourgeoisie that you can find in any community of color in the United States; the Poppies--what a hilarious nod to the fact that often times, you don't even see women of color in movies unless they are playing the role of prostitute or drug addict; and the workers in Evilene's Sweat Shop...well, they are like so many of us who suddenly discover that there is someone beautiful waiting to come out of us...we just have to be free enough to be comfortable in our own skin.
OK. You get the picture...I love this movie. And so many others that I know do too. I am thankful that I can now share The Wiz with my own children.
65 of 95 people found this review helpful.
Was this review helpful to you?