Dorothy, a twenty-four-year-old kindergarten teacher, born; raised; and still working in Harlem, is celebrating Thanksgiving with her extended family, but she doesn't seem to be thankful for much in life. She lives a self-imposed sheltered life; she is shy and unfulfilled. Things change for her when she is caught in a snowstorm while chasing after her dog, Toto. They are transported to the mysterious Land of Oz, where she is informed that the only possible way to find her way back home is through the assistance of the powerful wizard in Emerald City. As she goes searching for him, she befriends some creatures who are facing problems in life just as she is. In their quest to find and get help from the wizard, they also face Evillene, the equally evil sister of Evermean, the wicked witch, whom Dorothy inadvertently killed when she arrived in Oz, and who may be their biggest obstacle in achieving their goals. Written by
In his book "Making Movies," Sidney Lumet admits that the filming of the Emerald City Sequence on the plaza at the World Trade Center had to be cut short because of wind and scheduling. The Port Authority would not allow more time to fix the mistakes, the red sequence had to be shortened due to a lighting error, and there was no time to re-shoot. See more »
In the scene just after the Cowardly Lion joins the group, all
four of them do a dance that begins with them walking over some taxis, and one of them clearly bounces somewhat, revealing that they're inflatables. See more »
[Attempting to make the Tinman cry]
Quick! Find a really sad saying!
[Reaches into his hair and pulls out a piece of paper]
Uh... showers this morning, clearing by tonight!
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Fitzstephens, Jack ... Music Editor & Guru See more »
Watching The Wiz on cable, I'm reminded how, by the over-powering influence of one person, such a wondrous diamond was transformed into a mere gum-wrapper.
Diana Ross proves to be the wickedest witch in The Wiz by forcing her way into the lead role in what could have been a masterful classic of the ages, where Stephanie Mills could have brought to the silver screen the magical and exuberant star-power she achieved in her Broadway debut.
Without question, Ms. Ross's uncontrollable ego so contaminated the entire production which, aside from the outstanding art direction, choreography, and music, went far beyond the ability of any director to regain the life-giving power of such a legionary story Stephanie Mills could have inspired.
Ironically, it was fate that stepped in and rescued The Wizard of Oz from Shirley Temple, handing the key role to Judy Garland. (Don't get me wrong, we all loved dear Shirley, just not in this.). Whereas, Ms. Ross' intervention chopped fate to shreds, poured gasoline on the pile, and burned it by raging fire into oblivion. Alas, what might have been...
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