After her father's ship is carried off by a sudden storm, the spunky Pippi Longstocking is stranded with her horse, Alfonso, and monkey, Mr. Nilsson, and takes up residence in the old ... See full summary »
Dorothy, a twenty-four-year-old kindergarten teacher born, raised, and still working in Harlem, is celebrating Thanksgiving with her extended family, but she doesn't seem to be thankful for much in life. She lives a self-imposed sheltered life; she is shy and unfulfilled. Things change for her when she is caught in a snowstorm while chasing after her dog, Toto. They are transported to the mysterious Land of Oz, where she is informed that the only possible way to find her way back home is through the assistance of the powerful wizard in the Emerald City. As she goes searching for him, she befriends some creatures who are facing problems in life just like her. In their quest to find and get help from the wizard, they also face Evillene, the equally evil sister of Evermean, the wicked witch whom Dorothy inadvertently killed when she arrived in Oz, and who may be their biggest obstacle in achieving their goals. Written by
In his book "Making Movies," Sidney Lumet admits that the filming of the Emerald City Sequence on the plaza at the World Trade Center had to be cut short because of wind and scheduling. The Port Authority would not allow more time to fix the mistakes, the red sequence had to be shortened due to a lighting error, and there was no time to re-shoot. See more »
In the scene after Evillene, the Wicked Witch of the West, is killed, there is a wide shot of the dancers that starts to dolly. During the camera movement, the shot starts to shake. See more »
Normally, I feel that it is a travesty to remake an older, classic film
(sequels excepted). Profits aside, what is the motive? What is there to
add? "The Wiz," however, is one of the few exceptions to my belief.
Whereas "The Wizard of Oz" is more of a child's film, the intended
audience for "The Wiz" is a few steps above that. Like its predecessor,
"The Wiz" is both visually stunning and musically engaging. It
compliments the seriousness of its themes and situations--both of which
it has in more abundance than its predecessor--with a copious amount of
Seldom have I witnessed a more creative work of adaptation than that
which is presented by "The Wiz," which is, of course, adapted from L.
Frank Baum's "The Wonderful Wizard of Oz." A few others that spring to
mind are "Logan's Run" and "The War of the Worlds." I mention these not
because they were simply a good translation of book to film, but
because they maintained the book's overall story (plot, theme,
characters, etc.) while retailoring the environment and/or situation.
"The Wiz" focuses on the "black situation." It redresses all of the
elements from its source material to meet the needs of its revamped,
modern, social subject matter. From the Scarecrow, who represents a
pitiable, underachieving product of his environment; to the poppies,
which represent drug addiction; to the denizens of Oz, who are ready to
follow the latest trend just to be "in;" the story presents its
audience with a generalized glimpse at the breakdown of "black" culture
Though "The Wiz" does not convey the same childlike wonder, magic, and
fantasy that both the original film and the novel do, it translates
those elements into more of an industrialized, mechanical, inner city
playground. Unfortunately, albeit appropriately, the Oz we witness is
through an older Dorothy's eyes. Interestingly, due to her advanced
age, the circumstances that befall her must be harsher in order to
invoke the necessary change of heart.
Unlike the setting in "The Wizard of Oz," which exists in our dreams,
"somewhere over the rainbow," the setting in "The Wiz" occupies our
nightmares. The contrast between Judy Garland's Oz and her native
Kansas is many times greater than that between Diana Ross' Oz and her
native New York. The incentive to return home is greater for
Diana--even though the colorful lure of a fantasy land is not
present--since her Oz may be merely a preview of things to come (back
home), if she does not start to make a difference.
One of the few things for which I did not care was
all-too-recognizable, yet modified New York as Oz. Though the entire
film's art direction was brilliant, I found New York to be too
distracting and too contemporary to be an adequate Oz. Another subject
of distaste for me was the "end of slavery" segment after Evillene's
liquidation. The song and dance were nice and full of energy, but the
symbolism was too literal and seemed out of place with regards to the
rest of the film. I could have also enjoyed a bit more denouement and
perhaps even an epilogue about Dorothy's reunion with her family.
Three interesting notes: 1) The landscape of Oz in "The Wiz" actually
does change after Dorothy intervenes to make a difference; this does
not happen in "The Wizard of Oz." 2) While Judy's visit to Oz seems to
be concussion-induced, Diana actually appears to visit that fabled
land, which is closer to the book. 3) "The Wiz" contains all four
witches presented in the book; "The Wizard of Oz" only contains three.
Though it seems rather dated today, "The Wiz" is still a fun movie to
view, and it contains a number of known (Motown) celebrities.
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