Dorothy, a twenty-four-year-old kindergarten teacher born, raised, and still working in Harlem, is celebrating Thanksgiving with her extended family, but she doesn't seem to be thankful for much in life. She lives a self-imposed sheltered life; she is shy and unfulfilled. Things change for her when she is caught in a snowstorm while chasing after her dog, Toto. They are transported to the mysterious Land of Oz, where she is informed that the only possible way to find her way back home is through the assistance of the powerful wizard in the Emerald City. As she goes searching for him, she befriends some creatures who are facing problems in life just like her. In their quest to find and get help from the wizard, they also face Evillene, the equally evil sister of Evermean, the wicked witch whom Dorothy inadvertently killed when she arrived in Oz, and who may be their biggest obstacle in achieving their goals. Written by
Simultaneously with the release of the film, Congoleum, the flooring company that designed the look of the Yellow Brick Road for the film, also marketed the same design (also called Yellow Brick Road) for home use. See more »
When the Red people are dancing in front of a camera at the
Emerald City, there is a giant screen that shows the people dancing. A red woman goes in front of the people and does a dance, but her movement on the screen does not match the moves that she makes in front of the camera. See more »
There is nothing amusing about the closing down of an amusement park.
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Fitzstephens, Jack ... Music Editor & Guru See more »
Watching The Wiz on cable, I'm reminded how, by the over-powering influence of one person, such a wondrous diamond was transformed into a mere gum-wrapper.
Diana Ross proves to be the wickedest witch in The Wiz by forcing her way into the lead role in what could have been a masterful classic of the ages, where Stephanie Mills could have brought to the silver screen the magical and exuberant star-power she achieved in her Broadway debut.
Without question, Ms. Ross's uncontrollable ego so contaminated the entire production which, aside from the outstanding art direction, choreography, and music, went far beyond the ability of any director to regain the life-giving power of such a legionary story Stephanie Mills could have inspired.
Ironically, it was fate that stepped in and rescued The Wizard of Oz from Shirley Temple, handing the key role to Judy Garland. (Don't get me wrong, we all loved dear Shirley, just not in this.). Whereas, Ms. Ross' intervention chopped fate to shreds, poured gasoline on the pile, and burned it by raging fire into oblivion. Alas, what might have been...
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