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A British multinational seeks to overthrow a vicious dictator in central Africa. It hires a band of (largely aged) mercenaries in London and sends them in to save the virtuous but imprisoned opposition leader. Written by
Richard Young <email@example.com>
Richard Harris was well known for bringing discord to film sets with his excessive drinking. To get insurance for the actor, producer Euan Lloyd made the Irishman deposit half his salary in escrow, with any costs of bad behavior subtracted, and not delivered until after the film was completed. Harris agreed on the condition the Lloyd did the same for himself, and this is what happened. Despite one lapse, Harris remained totally dry for the film's duration. See more »
During the Medical Orderlys final scene he runs out of ammo for his Uzi.
The weapon, however, doesn't click once but three times which is impossible with a real weapon.
All of the three clicks were added post production to enhance the fact to the audience that Witty ran out of ammo. See more »
The Wild Geese surprised me in the theater back in the late 1970's. As a former U.S. Army Airborne Ranger and Vietnam vet, I had mixed feelings about it. But I keep watching it every couple of years and it has become one of my favorite films.
Yes, it's a fanciful story, romanticizing the boring, grubby, dangerous lives of the very few mercenary soldiers in the world. But its daring small-unit tactics are actually pretty good, and they do illustrate the chaos and devastation a well trained special ops force can cause in an enemy's rear area. It also illustrates the ease with which such a small unit can be wiped out if the enemy can locate it and bring real forces to bear against it.
And, interestingly, it shows very clearly the effectiveness of even a single small, armed airplane against an infantry unit unequipped with anti-aircraft capability. So whoever wrote and advised on this film had some genuine experience. There are many examples of true combat reality in various parts of the film.
However, there are also some of the usual war-movie-making gaffes and there were some really silly, amateurish attempts at special effects in the theatrical release, most of which have been edited out in the cable movie versions. So it's still a mixed bag but overall very effective.
The other aspects of this film are universally wonderful. It has a plausible enough story line once you've decided to accept the premise, and from there it progresses nicely indeed. Several of the subplots are intense and very moving, some are a little comical and some are downright funny. Burton's last line to Emile, "Let's talk about your father." is as fine a line as can be written.
The depth of the cast is remarkable: dozens of very good actors, some speaking only one or two lines, but so well delivered! (There are also some awkward lines that just don't work at all. As I said, this film is a mixed bag.) Even in the small rolls, Jock, Tosh, Esposito, the village priest, Jesse and others, the quality just shines.
The movie doesn't shy away from the unglamorous, gut-wrenching realities of the consequences of mercenary operations, either. There are some very troubling scenes about the responsibilities of leadership in such a unit.
There is not another movie like The Wild Geese.
I couldn't end without saying this one last thing. The theme song "The Wild Geese," sung by Joan Armatrading is simply marvelous. It is worth the price of admission, and is played in its entirety during the closing credits. I recommend that you close your eyes and just listen.
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