A British multinational seeks to overthrow a vicious dictator in central Africa. It hires a band of (largely aged) mercenaries in London and sends them in to save the virtuous but ... See full summary »
Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords ... See full summary »
A British multinational seeks to overthrow a vicious dictator in central Africa. It hires a band of (largely aged) mercenaries in London and sends them in to save the virtuous but imprisoned opposition leader who is also critically ill and due for execution. Just when the team has performed a perfect rescue, the multinational does a deal with the vicious dictator leaving the mercenary band to escape under their own steam and exact revenge. Written by
Richard Young <firstname.lastname@example.org>
The school rugby scenes with Emile (Paul Spurrier), were shot over a period of two days at Marble Hill Park in Twickenham. The schoolboy extras were from Teddington Boys School, a comprehensive school. The badge on the Paul's blazer is that of the school. During the scene several boys were picked to pass ball with Paul. They were picked because they were the shortest and best matched his height. See more »
When the Geese take over the prison command post; the Cuban officer removes the cigar from his mouth when the camera changes angle he removes it again. See more »
The Wild Geese surprised me in the theater back in the late 1970's. As a former U.S. Army Airborne Ranger and Vietnam vet, I had mixed feelings about it. But I keep watching it every couple of years and it has become one of my favorite films.
Yes, it's a fanciful story, romanticizing the boring, grubby, dangerous lives of the very few mercenary soldiers in the world. But its daring small-unit tactics are actually pretty good, and they do illustrate the chaos and devastation a well trained special ops force can cause in an enemy's rear area. It also illustrates the ease with which such a small unit can be wiped out if the enemy can locate it and bring real forces to bear against it.
And, interestingly, it shows very clearly the effectiveness of even a single small, armed airplane against an infantry unit unequipped with anti-aircraft capability. So whoever wrote and advised on this film had some genuine experience. There are many examples of true combat reality in various parts of the film.
However, there are also some of the usual war-movie-making gaffes and there were some really silly, amateurish attempts at special effects in the theatrical release, most of which have been edited out in the cable movie versions. So it's still a mixed bag but overall very effective.
The other aspects of this film are universally wonderful. It has a plausible enough story line once you've decided to accept the premise, and from there it progresses nicely indeed. Several of the subplots are intense and very moving, some are a little comical and some are downright funny. Burton's last line to Emile, "Let's talk about your father." is as fine a line as can be written.
The depth of the cast is remarkable: dozens of very good actors, some speaking only one or two lines, but so well delivered! (There are also some awkward lines that just don't work at all. As I said, this film is a mixed bag.) Even in the small rolls, Jock, Tosh, Esposito, the village priest, Jesse and others, the quality just shines.
The movie doesn't shy away from the unglamorous, gut-wrenching realities of the consequences of mercenary operations, either. There are some very troubling scenes about the responsibilities of leadership in such a unit.
There is not another movie like The Wild Geese.
I couldn't end without saying this one last thing. The theme song "The Wild Geese," sung by Joan Armatrading is simply marvelous. It is worth the price of admission, and is played in its entirety during the closing credits. I recommend that you close your eyes and just listen.
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