Major Charles Rane comes back from the war and is given a number of gifts from his hometown because he is a war hero. Some greedy thugs decide that they want to steal a number of silver ... See full summary »
Tommy Lee Jones,
A seeming good Samaritan (Debra Winger) hires a private detective (Nolte) to prove a teen sitting in prison on a murder charge is innocent. His investigation discovers deep corruption in a ... See full summary »
A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty ... See full summary »
Axel Freed is a literature professor. He has the gambling vice. When he has lost all his money, he borrows from his girlfriend, then his mother and finally some bad guys that chase him. Despite all of this he cannot stop gambling.
Imprisoned Harry Lomart is a vicious, brute of a man and yet he is prepared to do his long jail term as he is confident that on his release his beautiful wife Pat will be waiting for him, but a visit from Pat brings him his worst nightmare.
A timid bank teller anticipates a bank robbery and steals the money himself before the crook arrives. When the sadistic crook realizes he's been fooled, he tracks down the teller and engages him in a cat-and-mouse chase for the cash.
Vietnam veteran Ray Hicks gets conned into helping his buddy John Converse smuggle some heroin, only to wind up on the lam with John's wife when the deal goes sour. Written by
Alan Sepinwall <firstname.lastname@example.org>
The movie's "Who'll Stop the Rain" title refers to the name of a song featured in the film. The song was written by John Fogerty and performed by Creedence Clearwater Revival and was first released in 1970. It was already a well-know contemporary classic. See more »
[about his wife]
If you really want to know, I think she's pretty moral, basically.
"Pretty moral, basically"? Oh, Jesus. What a couple of yo-yo's.
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Maltese Falcon is a better movie than the book, and so is this baby. Good as the books are. Of course there would have been neither without the books, but both books wander all over the place, and are not the better for it. Whereas this one, and Maltese and for that matter, Treasure of Sierra Madre, are the richer experiences on the screen for being tightened down. The casting was perfect here. Even Zerbe is a wonderful surprise. The only cavil I have with the overall effect is the dumb title. Terrible. Dog Soldiers would have been fine. But after that, there is not much amiss here. Starting with the dope deal, quite unlike the start of the novel, it moves relentlessly as a snake from then on to its end, which is also unlike the novel, and the better for it. Robert Stone writes some of the, if not THE finest dialog in modern American literature: I have always had problems with his wandering stories, but if it takes them to produce his characters sparkling talk, what the hell, so be it. And what other movie would even THINK of using Hank Snow's Golden Rocket for the music of a great great shootout. Also not in the book. All hands here can be proud of a work that time is gonna treat with the utmost tenderness. If it has one misstep it is right at the first: the explosions tossing Moriarity around are at distinct odds with the slow buildup of the rest of it. But a minor matter, considering how dead on perfect most of the rest of the film is. So good this one is, it's no wonder that the great masses missed it's perfection.
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