| George Segal | ... | Robby Ross | |
| Jacqueline Bisset | ... | Natasha O'Brien | |
| Robert Morley | ... | Maximillian Vandeveer | |
| Jean-Pierre Cassel | ... | Louis Kohner | |
| Philippe Noiret | ... | Moulineau | |
| Jean Rochefort | ... | Auguste Grandvilliers | |
| Gigi Proietti | ... | Ravello (as Luigi Proietti) | |
| Stefano Satta Flores | ... | Fausto Zoppi | |
| Madge Ryan | ... | Beecham | |
| Frank Windsor | ... | Blodgett | |
| Peter Sallis | ... | St. Claire | |
| Tim Barlow | ... | Doyle | |
| John Le Mesurier | ... | Dr. Deere | |
| Joss Ackland | ... | Cantrell | |
| Jean Gaven | ... | Salpetre | |
| Daniel Emilfork | ... | Saint-Juste | |
| Jacques Marin | ... | Massenet | |
| Jacques Balutin | ... | Chappemain | |
| Jean Parédès | ... | Brissac | |
| Michael Chow | ... | Soong | |
| Anita Graham | ... | Blonde | |
| Nicholas Ball | ... | Skeffington | |
| David Cook | ... | Bussingbill | |
| Nigel Havers | ... | Counterman | |
| John Carlisle | ... | Actor | |
| Sheila Ruskin | ... | Actress | |
| Kenneth Fortescue | ... | Director | |
| Struan Rodger | ... | Asst. Director | |
| Derek Smith | ... | Man In Corridor | |
| Marjorie Smith | ... | Receptionist | |
| Aimée Delamain | ... | Old Woman | |
| Lyall Jones | ... | Robby's Driver | |
| Eddie Tagoe | ... | Mumbala | |
| Caroline Langrishe | ... | Loretta | |
| rest of cast listed alphabetically: | |||
| Sylvia Kay | ... | Reporter | |
| Ronald Leigh-Hunt | ... | Priest marrying Bobby and Natasha (uncredited) | |
Directed by | |||
| Ted Kotcheff | |||
Writing credits(in alphabetical order) | ||
| Ivan Lyons | novel "Someone Is Killing the Great Chefs of Europe" | |
| Nan Lyons | novel "Someone Is Killing the Great Chefs of Europe" | |
| Peter Stone | writer | |
Produced by | |||
| Merv Adelson | .... | executive producer | |
| William Aldrich | .... | producer | |
| Lynn Guthrie | .... | associate producer | |
| Lee Rich | .... | executive producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| John Alcott | |||
Film Editing by | |||
| Thom Noble | |||
Production Design by | |||
| Rolf Zehetbauer | |||
Art Direction by | |||
| Werner Achmann | |||
Costume Design by | |||
| Donfeld | |||
| Anton Eder | (costumes: men) | ||
| Linda Henrikson | (costumes: women) | ||
| Judy Moorcroft | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist: Mr. Segal | |
| Simon Thompson | .... | hair stylist: Miss Bisset | |
| Ago von Sperl | .... | makeup artist | |
| Rüdiger von Sperl | .... | hair stylist (as Rudiger Von Sperl) | |
| Rüdiger von Sperl | .... | makeup artist | |
Production Management | |||
| René Dupont | .... | production manager: England | |
| Paul Lemaire | .... | unit manager: France | |
| Harry R. Sokal | .... | production supervisor (as Henri Sokal) | |
| Juliette Toutain | .... | unit manager: France | |
Art Department | |||
| Milly Burns | .... | art director: England (as Millie Burns) | |
| Harry Freude | .... | property buyer | |
| Friedrich Galla | .... | assistant property master | |
| Horst Grandt | .... | property master | |
| André Labussière | .... | set dresser: France | |
| Ray Traynor | .... | property master: England | |
Sound Department | |||
| Victor Guarnier | .... | sound effects editor | |
| David Hildyard | .... | sound mixer | |
| John Jolliffe | .... | sound effects editor | |
| Richard Kupper | .... | dialogue editor | |
| Tommy Staples | .... | boom operator | |
| James G. Stewart | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Lewis Bogue | .... | electrical gaffer | |
| David James | .... | still photographer | |
| Fred Leitensdorfer | .... | key grip (as Fred Leitenstorfer) | |
| Douglas Milsome | .... | assistant camera (as Doug Milsome) | |
| Karl-Heinz Vogelmann | .... | still photographer (as Karlheinz Vogelmann) | |
| Michael Waldleitner | .... | assistant camera | |
| Eric Williams | .... | camera operator | |
Casting Department | |||
| Irene Lamb | .... | casting: UK | |
| Barbara Miller | .... | casting: Lorimar | |
| Paolo Rolli | .... | casting: Italy | |
Editorial Department | |||
| Pepita Fairfax | .... | assistant film editor | |
| Andrew Gonzales | .... | associate film editor | |
Music Department | |||
| John C. Hammell | .... | music editor | |
Other crew | |||
| Joan Bennett | .... | assistant to producer | |
| Bea Blondell | .... | location auditor | |
| John David | .... | production assistant: England | |
| Wayne Fitzgerald | .... | title designer | |
| Regina Gruss | .... | unit publicist | |
| Georgiana Hamilton | .... | continuity | |
| Lutz Hengst | .... | production executive: Bavaria | |
| Christl Kirchner | .... | production accountant | |
| Carlo Margraf | .... | location manager: Italy | |
| Eddie Saeta | .... | production executive: Lorimar | |
| Ilse Schwarzwald | .... | production assistant | |
| Paul Bocuse | .... | food designer (uncredited) | |
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I dimly remembered this culinary comedy from the late 70s without
much affection, until a friend decided to bring along a video to be
shown after a Thanksgiving dinner last year. It's a great idea. Stuff
yourself and then take a movie break before dessert. Nothing too
heavy--preferably something light and frothy. I'm glad we did. This
is an adorable movie, and I don't know why it didn't strike me that
way the first time around.
Maybe it was the horrible and dated costumes designed for
Jacqueline Bissett. How does one take one of the most beautiful
women in the world, and tart her up in the most ridiculous
fur/leather thingies. She looks like a cheap Vegas dancer here.
George Segal doesn't escape either, wearing jeans looking like he
was poured into them and cowboy hats, he looks like the sweet
Jewish boy he is, playing in Daddy's clothing.
The heart of the movie is the wonderful Robert Morely, who plays a
gleefully glutinous gourmand and food editor who between bites
insults just about anyone coming towards him. Only Jacqueline
Bissett manages to escape his wrathful tongue. I'm not
complaining. Morely is a total delight as the misanthropic
epicurian monster.
The mystery isn't much of a mystery, and the chemistry between
Bissett and Segal doesn't appear to be setting off many sparks.
But you can waste your time on far worse things than this modest
delight, filmed all over Europe. The food looks great, and oh that
nasty Morely!