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A Wedding (1978)

The daughter of a Louisville truck driver marries the scion of a very wealthy family, but reception at the family estate is boycotted by the invited guests.



(screenplay), (screenplay) | 4 more credits »

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Nominated for 1 Golden Globe. Another 1 win & 4 nominations. See more awards »



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Cast overview, first billed only:
Tulip Brenner
Snooks Brenner
Muffin Brenner
Buffy Brenner
Hughie Brenner
Gerald Busby ...
Rev. David Ruteledge
Candice Ruteledge
Mark R. Deming ...
Matthew Ruteledge
Mary Seibel ...
Aunt Marge Spar
Ruby Spar
Lesley Rogers ...
Rosie Bean
Russell Bean (as Timothy Thomerson)
Shelby Munker
David Brand ...
Ruteledge Child
Christian Brand ...
Ruteledge Child (as Chris Brand)


Muffin's wedding to Dino Corelli is to be a big affair. Except the aging priest isn't too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino's grandma expires in bed just as the reception starts. Could be quite an occasion. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis


There is more than one secret at... A Wedding See more »


Comedy | Drama


PG | See all certifications »





Release Date:

22 November 1978 (France)  »

Also Known As:

Un día de boda  »

Filming Locations:


Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(as Dolby Stereo)


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Sissy Spacek was offered the role of Buffy Brenner. She couldn't appear in the film due to a scheduling conflict, so the role went to Mia Farrow. See more »


When Tracy arrives at the reception she apologizes to Toni for "missing the wedding." It was stated earlier that only family members were invited to the actual ceremony. As Dino's ex-girlfriend, Tracy wouldn't have been expected to attend. See more »


Rosie Bean: Oh you shouldn't put tap water on your face, hun, cause it will dry your skin out and give you wrinkles.
Daphne Corelli: Oh, that's ok. I plan to age interestingly.
Rosie Bean: You are cute. I wish you were my sister-in-law.
See more »


References The Godfather (1972) See more »


Love Is a Many-Splendored Thing
(1955) (uncredited)
Music by Sammy Fain
Lyrics by Paul Francis Webster
Sung by Chris La Kome
Mimicked by Viveca Lindfors
See more »

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User Reviews

After a life time of watching films, one that I remember best.
20 November 2009 | by (Australia) – See all my reviews

I like people who approach art in new and unconventional ways. 'A Wedding' is one of the best Altman films for me, because it goes the furthest towards abandoning a unified structure and rational storyline, and presents a loose ensemble of stories and moments.

A review of the time said it well for me. The film has any number of stories, but few are presented completely. For some, you only see the beginning. In others, it is only the middle, or the end. The camera is voyeuristic, often seeming to stumble on fragments of things, looking through plants, people partly out of shot.

For me, first seeing the film at the age of 22, I found it quietly hilarious from almost the very first shot. In that early shot, two boys are unrolling a red carpet. Because it has been sitting unused for so long, the roll has gone flat, and this makes the boy's arm wobble as the carpet unrolls. I laughed out loud. That is an introduction to the understated humour and fine comic irony of the film. I think this is why the film is under-appreciated in America. Americans seem to like to attach a flag to their humour: "Don't be offended. This is intended as a joke." Whereas 'A Wedding' seems to have more in common with the comedic tradition of Tati. I still think 'A Wedding' is one of the funniest films I have ever seen.

For me, this film was years before its time. It reminds me of modern bands such as TV on the Radio or, especially, Animal Collective. There seem to be a lot of loose ends, unconnected bits, things that shouldn't really go together, stuff happening in layers that go in different directions. Yet somehow it all works. It hangs together, although perhaps the only unities are those of time and place. And when you actually try to reproduce the effect (perform the works) you very soon find out that the seeming artlessness conceals a level of skills and professionalism that is actually of the highest standard - something that has strongly impacted on my own approach to art.

William Goldman said in 'Adventures in the Screen Trade' that directors are basically very good storytellers. But here we don't have one story at all, we have a slice through 20th century society. A picture that is a picture, not a picture that tells a story. This film reminds me of a statement by Vonnegut, that he thought perhaps The Novel had corrupted the public mind, because in a novel, there are important and major and unimportant and peripheral characters. In this film everyone is of equal importance. For me one of the failures of this film is Carol Burnett. That's not because she is not an excellent actress, or very funny. But she stands out, and while just about everybody else is playing slightly tongue-in-cheek but straight, she plays this as overt comedy.

I don't know if I agree with those commentators who say this is a blistering satire. I don't believe it is, any more than Boccaccio or Chaucer are blistering satires. It is much more like 'Peasant Wedding' by Bruegel, full of picaresque characters, a canvas of muddled humanity trying to fill their days. It is gentle, and if it turns darker as it continues, there is a great deal of darkness in Chaucer and Boccaccio too. Indeed I wouldn't be surprised to find that Altman had been deliberately trying to create something similar to 'Peasant Wedding' in a modern art form. The absurdist influence is also strong. This is a European film, not an American film.

So I consider 'A Wedding' to be a finer movie than 'Nashville', and in fact one of the great movies of the 20th c. It is more understated, less obvious, without clear stories or points to make. In that is its greatness. It is genuinely subversive. It is a movie that uses a quite different structure and method than almost any other movie you have ever seen. It is a movie that lets its characters all talk for themselves. I think 'A Wedding' is a landmark movie, a reference point that should be part of the training of every filmmaker. I don't think Altman ever bettered it. This, with his own company, was his chance to do what he really wanted to do. It is one of the three or four films that has had the strongest impact on my own life and art. After half a century of filmgoing, I still clearly recall image after image. 'A Wedding' still sticks out in my head as one of the high points of all that time.

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