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A Wedding (1978)

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2:24 | Trailer
The daughter of a Louisville truck driver marries the scion of a very wealthy family, but reception at the family estate is boycotted by the invited guests.

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(screenplay), (screenplay) | 4 more credits »
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Nominated for 1 Golden Globe. Another 1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Tulip Brenner
...
Snooks Brenner
...
Muffin Brenner
...
Buffy Brenner
...
Hughie Brenner
Gerald Busby ...
Rev. David Ruteledge
...
Candice Ruteledge
Mark R. Deming ...
Matthew Ruteledge
Mary Seibel ...
Aunt Marge Spar
...
Ruby Spar
Lesley Rogers ...
Rosie Bean
...
Russell Bean (as Timothy Thomerson)
Marta Heflin ...
Shelby Munker
David Brand ...
Ruteledge Child
Christian Brand ...
Ruteledge Child (as Chris Brand)
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Storyline

Muffin's wedding to Dino Corelli is to be a big affair. Except the aging priest isn't too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino's grandma expires in bed just as the reception starts. Could be quite an occasion. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

There is more than one secret at... A Wedding See more »

Genres:

Comedy | Drama

Certificate:

PG | See all certifications »
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Details

Country:

Language:

|

Release Date:

22 November 1978 (France)  »

Also Known As:

Un día de boda  »

Filming Locations:

 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(as Dolby Stereo)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Actresses Lauren Hutton and Nina Van Pallandt had appeared in earlier Robert Altman films, in Welcome to L.A. (1976) and The Long Goodbye (1973) respectively. See more »

Goofs

The DVD case / movie poster has Howard Duff's name over the photograph of Vittorio Gassman, who portrays "Luigi". Howard Duff portrays "Dr. Jules Meecham". See more »

Quotes

Dr. Jules Meecham: What the hell is that?
Reverend David Ruteledge: That's a glass of milk.
Dr. Jules Meecham: You're kidding?
Reverend David Ruteledge: Dr. Meecham as a physician you should know the body is the temple of the Holy Spirit.
Dr. Jules Meecham: You mean you don't drink?
Reverend David Ruteledge: No.
Dr. Jules Meecham: In other words, when you get up in the morning that's as good as you're gonna feel all day.
See more »

Connections

References The Wizard of Oz (1939) See more »

Soundtracks

Heavenly Sunlight
(1899) (uncredited)
Music by George Harrison Cook
Lyrics by Henry J. Zelley
Played on violin by Ellie Albers and Sung by the guests in the basement
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User Reviews

 
After a life time of watching films, one that I remember best.
20 November 2009 | by (Australia) – See all my reviews

I like people who approach art in new and unconventional ways. 'A Wedding' is one of the best Altman films for me, because it goes the furthest towards abandoning a unified structure and rational storyline, and presents a loose ensemble of stories and moments.

A review of the time said it well for me. The film has any number of stories, but few are presented completely. For some, you only see the beginning. In others, it is only the middle, or the end. The camera is voyeuristic, often seeming to stumble on fragments of things, looking through plants, people partly out of shot.

For me, first seeing the film at the age of 22, I found it quietly hilarious from almost the very first shot. In that early shot, two boys are unrolling a red carpet. Because it has been sitting unused for so long, the roll has gone flat, and this makes the boy's arm wobble as the carpet unrolls. I laughed out loud. That is an introduction to the understated humour and fine comic irony of the film. I think this is why the film is under-appreciated in America. Americans seem to like to attach a flag to their humour: "Don't be offended. This is intended as a joke." Whereas 'A Wedding' seems to have more in common with the comedic tradition of Tati. I still think 'A Wedding' is one of the funniest films I have ever seen.

For me, this film was years before its time. It reminds me of modern bands such as TV on the Radio or, especially, Animal Collective. There seem to be a lot of loose ends, unconnected bits, things that shouldn't really go together, stuff happening in layers that go in different directions. Yet somehow it all works. It hangs together, although perhaps the only unities are those of time and place. And when you actually try to reproduce the effect (perform the works) you very soon find out that the seeming artlessness conceals a level of skills and professionalism that is actually of the highest standard - something that has strongly impacted on my own approach to art.

William Goldman said in 'Adventures in the Screen Trade' that directors are basically very good storytellers. But here we don't have one story at all, we have a slice through 20th century society. A picture that is a picture, not a picture that tells a story. This film reminds me of a statement by Vonnegut, that he thought perhaps The Novel had corrupted the public mind, because in a novel, there are important and major and unimportant and peripheral characters. In this film everyone is of equal importance. For me one of the failures of this film is Carol Burnett. That's not because she is not an excellent actress, or very funny. But she stands out, and while just about everybody else is playing slightly tongue-in-cheek but straight, she plays this as overt comedy.

I don't know if I agree with those commentators who say this is a blistering satire. I don't believe it is, any more than Boccaccio or Chaucer are blistering satires. It is much more like 'Peasant Wedding' by Bruegel, full of picaresque characters, a canvas of muddled humanity trying to fill their days. It is gentle, and if it turns darker as it continues, there is a great deal of darkness in Chaucer and Boccaccio too. Indeed I wouldn't be surprised to find that Altman had been deliberately trying to create something similar to 'Peasant Wedding' in a modern art form. The absurdist influence is also strong. This is a European film, not an American film.

So I consider 'A Wedding' to be a finer movie than 'Nashville', and in fact one of the great movies of the 20th c. It is more understated, less obvious, without clear stories or points to make. In that is its greatness. It is genuinely subversive. It is a movie that uses a quite different structure and method than almost any other movie you have ever seen. It is a movie that lets its characters all talk for themselves. I think 'A Wedding' is a landmark movie, a reference point that should be part of the training of every filmmaker. I don't think Altman ever bettered it. This, with his own company, was his chance to do what he really wanted to do. It is one of the three or four films that has had the strongest impact on my own life and art. After half a century of filmgoing, I still clearly recall image after image. 'A Wedding' still sticks out in my head as one of the high points of all that time.


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