IMDb > La Venere d'Ille (1979) (TV)

La Venere d'Ille (1979) (TV) More at IMDbPro »


Overview

User Rating:
6.6/10   27 votes
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Writers:
Lamberto Bava (screenplay)
Cesare Garboli (screenplay)
(more)
Release Date:
27 May 1981 (Italy) more
Genre:
Plot:
Wealthy landowner Mr. De Peyhorrade uncovers a bronze statue of Venus on his property. Afterwards, De Peyhorrade asks an antique expert... more | full synopsis
User Reviews:
THE VENUS OF ILLE (TV) (Mario and Lamberto Bava, 1978) *** more (2 total)

Cast

  (in credits order)
Daria Nicolodi ... Clara / Venus
Marc Porel ... Matthew
Fausto Di Bella ... Alfonso De Payhorrade
Adriana Innocenti ... Mrs. De Peyhorrade
Diana De Curtis ... Maria
Francesco Di Federico ... Guide
Mario Maranzana ... Mr. De Peyhorrade
rest of cast listed alphabetically:
Massimo Pittarello ... Capo dei giocatori di pelota
Fabrizio Bava ... Little Boy at wedding (uncredited)
Franca Scagnetti ... Wedding breakfast's guest (uncredited)
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Directed by
Lamberto Bava 
Mario Bava 
 
Writing credits
(in alphabetical order)
Lamberto Bava  screenplay
Cesare Garboli  screenplay
Prosper Mérimée  novel

Produced by
Franca Franco .... producer
 
Original Music by
Ubaldo Continiello 
 
Cinematography by
Sebastiano Celeste  (as Nino Celeste)
 
Film Editing by
Fernanda Papa 
 
Production Design by
Alessandro Dell'Orco 
 
Art Direction by
Alessandro Dell'Orco 
 
Set Decoration by
Alessandro Dello'Orco 
 
Costume Design by
Sandro Bellomia 
 
Makeup Department
Corrado Cristofori .... hair stylist
Massimo Giustini .... makeup artist
 
Production Management
Massimo Alberini .... production manager
Gianni Federici .... production manager
Bruno Ricci .... production supervisor
 
Sound Department
Pierangelo Civera .... dubbing director
Raffaele De Luca .... sound
Adriano Taloni .... sound mixer
 
Camera and Electrical Department
Fabio Conversi .... assistant camera
 
Other crew
Nino Lembo .... jewellery
Rossana Rocchi .... continuity
 

Production CompaniesDistributors
  • Rai 2 (1981) (Italy) (TV) (original airing)
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Additional Details

Also Known As:
Venus of Ille
more
Runtime:
61 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.33 : 1 more
Filming Locations:
Company:

Fun Stuff

Trivia:
The film was made as part of a series of movies commissioned by the Italian TV station RaiDue and focusing on the fantastic in 19th century literature. The texts were selected by the Italian author Italo Calvino. Mario Bava and his son Lamberto then chose Merimée's story from this selection, since it seemed to them the one most suited to film adaptation. more
Movie Connections:
Version of Die Venus (1922) more

FAQ

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1 out of 2 people found the following review useful.
THE VENUS OF ILLE (TV) (Mario and Lamberto Bava, 1978) ***, 9 February 2008
7/10
Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta

I came upon this by chance on late-night Italian TV; it was shown unannounced following a screening of the director's HATCHET FOR THE HONEYMOON (1970)! This rarely-seen (and, consequently, legendary) TV production emerges as a more fitting swan-song for Bava than his last disappointing feature film, SHOCK (1977)!

As in that title, the female lead is played by Dario Argento muse Daria Nicolodi – who, while no great beauty, is very well-cast here as the lookalike/reincarnation of a Greek goddess/femme fatale. On the other hand, in the role of the narrative's cultured yet bewildered hero appears Lucio Fulci alumnus Marc Porel – who, interestingly, bears an uncanny resemblance to latter-day Hammer Films star Ralph Bates! Similarly, the compactly-told supernatural tale (from Prosper Merimee' and filmed three more times in 1922, 1962 and 1980!) feels like one of Hammer's TV episodes: it was, in fact, part of a horror series (all of them with a period setting) entitled THE DEVIL'S GAMES – though Bava's involvement here, naturally, guarantees a more subtly artistic approach. While somewhat talky and languidly-paced, the meticulousness of its detail and the inclusion of a couple of classic Bava moments (the sudden appearance of the statue's reflection in a window and the eerie, intense climax) makes the film a more than suitable follow-up to the director's earlier gothics – THE WHIP AND THE BODY (1963) and KILL, BABY…KILL! (1966).

In conclusion, I'd certainly be interested in checking out other episodes in this rather obscure series – not to mention Bava's other made-for-TV effort, the "Polifemo" episode from the mini-series THE ODYSSEY (1968; which was actually broadcast some years back on early Saturday mornings). As for co-director Lamberto (son and former assistant of the Euro-Cult master), I haven't been at all impressed with what little I've caught of his stand-alone work – though, with four more titles from him that I have lined-up, I'll do better to reserve a more objective judgment for a later date...

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