Cheech & Chong are invited to a celebrity party/festival in Amsterdam. When they get there, however, it turns out that the guy who invited them has taken off with all the money, and the ... See full summary »
Hans Man in 't Veld
Cheech and Chong are hired to drive a limo from Chicago to Las Vegas by two shady Arabs - Mr. Slyman (Cheech) and Prince Habib (Chong). Unbeknownst to them, five million dollars of dirty money has been stuffed throughout the car.
A mock documentary filmed mostly in and around LA with interviews of Cheech and Chong interspersed between four videos of songs from their last album. Songs include: Get outta my room and ... See full summary »
Cheech and Chong meet up by chance on the highway somewhere in California. They go in search of some dope and are accidentally deported to Mexico where in their desperation to get home they agree to drive a van back to the States so they can get back in time for a gig they are due to play. Unaware of the properties from which the van is constructed they make their way back having aquired a couple of female hitch-hikers whilst all the time avoiding the cops whom they are not even aware are following them. Written by
Garry 'Gadget' Myles <email@example.com>
The dog that ate the burrito after it was thrown onto the ground was not a trained dog, but a local stray. He simply walked into frame, took the burrito, and walked away. Both Marin and Chong ad-libbed around this, and it was left in the film. See more »
When Chong is playing the drums at the Roxy after being "revived", his drum strokes clearly don't go with the music. See more »
Don't worry, man. Those aren't narcs, they're Las Emigras; you know, the Immigration Service looking for illegal aliens.
What's the Immigration Service doing here, man?
My cousin needed a ride to his brother's wedding in Tijuana; so he called the Emigras, man. They'll deport the entire wedding party, man. They get a free bus ride across the border and lunch. When the wedding is over, man, they'll just come back across the border.
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The opening credits are in the style of spray-painted graffiti, super-imposed over Pedro's low-rider. See more »
You don't have to be a stoner to give this movie high praise
When this first came out in the theaters I passed on seeing it as it seemed like Cheech and Chong's time had come and went. I was a big fan of their comedy albums of the early and mid 70's but the movie version of their act would have been logical then but by 1978 it's time had past. Of those who did see this in the theater I couldn't get a proper read on a critical review since I could find no one who saw it in a theater that wasn't high when they went. A year or two after it came out it showed up on one of the cable movie channels and I was expecting a typical movie that takes a funny five minute skit and stretches it out to a painful non-funny 90 minutes. Director Lou Adler had never directed a movie before. He had produced the documentary rock film Monetery Pop and the cult classic Rocky Horror Picture Show and Robert Altman's quirky Brewster McCloud but he was Pop music entrepreneur as a music producer, publisher, manager and record company founder. He would only direct one other film which is too bad because with his industry connections and reputation and his natural feel for talent and getting the best out of talent being a director worked very well for him as with the help of Cheech and Chong he turned out a very very funny movie with Up in Smoke. The counter-culture stoner comedy duo take a simple theme for a story outline but the great comedic timing and sight gags and fast pacing and an their inventive approach at film making takes what should have been a low budget stoner comedy to the next level of lasting cinematic comedy. Like a Marx Brothers or WC Fields or Charlie Chaplin comedy this movie has lasting power to entertain generations. Cheech Marin and Tommy Chong star in the first of series of funny movies from the duo. A strong character cast includes Strother Martin, Stacy Keetch, Tom Skerritt and Edie Adams. Look for Gary Muledeer and Ellen Barkin too. This movie had such broad appeal that some of the most red neck, anti-counter-culture, anti-hippy/freak/doper people I have ever ever known loved it. I would give this a 9.0 out of 10.
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