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An Unmarried Woman (1978)
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Overview
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Release Date:
26 May 1978 (France) moreTagline:
She laughs, she cries, she feels angry, she feels lonely, she feels guilty, she makes breakfast, she makes love, she makes do, she is strong, she is weak, she is brave, she is scared, she is... an unmarried woman.Plot:
A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman. full summary | add synopsisAwards:
Nominated for 3 Oscars. Another 5 wins & 9 nominations moreNewsDesk:
(2 articles)
Salon Series-Staged Readings Of New Plays Begins Again 3/27 (From BroadwayWorld.com. 5 March 2009, 5:33 PM, PST)
Actor Alan Bates Dies at 69
(From IMDb News. 28 December 2003)
User Comments:
Watershed moment in the history of 'women's films' moreCast
(Cast overview, first billed only)| Jill Clayburgh | ... | Erica | |
| Alan Bates | ... | Saul | |
| Michael Murphy | ... | Martin | |
| Cliff Gorman | ... | Charlie | |
| Patricia Quinn | ... | Sue (as Pat Quinn) | |
| Kelly Bishop | ... | Elaine | |
| Lisa Lucas | ... | Patti | |
| Linda Miller | ... | Jeannette | |
| Andrew Duncan | ... | Bob | |
| Daniel Seltzer | ... | Dr. Jacobs | |
| Matthew Arkin | ... | Phil | |
| Penelope Russianoff | ... | Tanya | |
| Novella Nelson | ... | Jean | |
| Raymond J. Barry | ... | Edward | |
| Ivan Karp | ... | Herb Rowan |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
124 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
StereoCertification:
Norway:16 | Iceland:12 | Argentina:16 | Finland:K-16 | France:U | Sweden:11 | USA:R | Netherlands:16Filming Locations:
New York City, New York, USAFun Stuff
Trivia:
Director Cameo: [Paul Mazursky]attempting to place an order in a restaurant. moreQuotes:
[first lines][Martin and Erica are jogging along the river]
Martin: Jesus Christ! Look at this - my sneaker's ruined!
Erica: They're only thirty-five dollars.
[Erica takes Martin's shoe and cleans it off for him]
Martin: Fucking city's turning into one big pile of DOG SHIT!
[shouting at passing traffic]
Martin: Come on out and take a crap on me - everybody else is. Fuck.
[Martin lights a cigarette]
Erica: ...been jogging for 2 1/2 miles - you're giving yourself lung cancer.
Martin: I'll tell you something Erica - the longer I'm married to you the more you sound like my mother.
Erica: Clean your own sneaker.
[throws shoe at Martin]
Martin: I think you wanted me to step in it.
Erica: [laughing] You're going crazy Martin.
Martin: I am?
Erica: [laughing] Yes.
[Martin tosses his shoe over his shoulder into the river. Erica jogs away, and Martin jogs after]
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Soundtrack:
I'm Yours moreFAQ
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Moving tale of a middle-class Manhattan housewife's struggle for independence after her husband leaves her for another woman.
The wonderful Paul Mazursky created this 1978 landmark slaute to women's liberation and the film wipes the floor with the messy urban horror of 1977's Looking for Mr. Goodbar: Goodbar's makers ultimately had no respect for their female protagonist but Mazursky scores in his depiction of female self-respect and love.
Jill Clayburg's miraculous performance as Erica was snubbed at the Academy Awards in favor of Jane Fonda's more 'tolerable' female in Coming Home but if you look closely you'll see there's no comparison and Clayburg hits all the right notes while displaying Erica's overwhelmingly complex feelings. Perhaps Erica's unique strength was too much for many male Academy members so they rewarded the typical moony-eyed housewife character instead. Regardless of that, Clayburg makes a brilliant lead and her lonely journey through New York-chic (art exhibits, bars, therapists, narcisstic artists) makes for great viewing. (The very brief encounters Erica has with a handsome blonde man at the coatcheck before and after she's been hit with the news from her husband are a nice touch!) There's a rare level of intimacy between the actors in all of the scenes but especially the girl group talks: the words sound surprisingly like they belong to the actors and Mazursky's ear for dialogue is sharp and refreshingly to-the-point.
Michael Murphy as the wayward husband, Alan Bates as the new love interest, and Cliff Gorman -whom I last saw as the bitchy, effeminate in The Boys in the Band!- as a male chauvinist provide exceptional support as the men in Erica's life. The only thing that marres the beauty of this film is its awful, piercingly shrill, '70's saxophone musical score.