A young woman teams up with an adventurer to find her missing sister in the jungles of New Guinea and they stumble upon a religious cult led by a deranged preacher whom has located his commune in an area inhabited by cannibals.
A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.
A plane crashes in the jungle. One of the survivors gets lost and while trying to find a way out of the jungle he gets captured by cannibals. He is humiliated, stripped naked, and thrown in a hole with a bird for a while. Eventually, he escapes with the help of a cannibal girl and tries to find his plane so he can go home. Written by
Josh Pasnak <email@example.com>
Although the UK cinema version was heavily cut, the pre-certification video release on the Derann label featured the uncut print and was regularly seized by police during the video nasty scare. However, it was never listed as an official nasty, and the only prosecution resulted in a verdict of not guilty. See more »
The snake that is milked onto the spearhead is clearly from the cobra family. The men claim that this venom will kill in seconds but in actuality the average death from cobra venom can take place up to thirty minutes later. See more »
Brilliant Italian cannibal film that offers so much more than guts and grue
Director Ruggero Deodato carried on the tradition of the Italian cannibal subgenre by contributing arguably the best entries in the genre, JUNGLE HOLOCAUST and CANNIBAL HOLOCAUST. While CANNIBAL dealt with a very human threat in a cannibal tribe, JUNGLE is almost a more grueling film in that the villain of the film is the setting itself, the jungle surrounding the adventure.
A professor crash-lands in the jungles of the Phillippines and is captured by a tribe of stone age men, who torture him and hold him captive to use as bait for food. He manages to entice a young tribal girl to help him escape. Deodato creates a tense, grimy look at mankind. His cinematography is constantly fluid, never stopping for a second, in endless trucks, dollies, zooms, arcs, and cranes. Amazing visuals! The musical score is excellent, as well, but I still liked CANNIBAL's better. Lead actor Massimo Foschi is unbelievably good as the professor who undergoes mental and physical torture while kept in a cave. He witnesses the horrific punishments of the tribal people, including ants eating a man's arm clean off.
Deodato makes the jungle the real villain in the story. The jungle is filled with harsh conditions and jungle noise that adds to the atmosphere and injects suspense and tension into otherwise normal scenes. The jungle becomes a character and what a character it is. It requires the professor to revert to his primal instincts and abandon all civilized thought, making a harsh comment on human nature in the process. Me Me Lai is excellent as the native girl who helps Foschi escape and Ivan Rassimov appears too briefly, but is good anyway. This film is no picnic in the park, it's a bitch. By the end of the film, the viewer feels like they have been to Hell and back along with the protagonist. But that's what makes this film work so well. To many viewers' chagrin, Deodato, as he would later demonstrate in CANNIBAL, shows too much real-life animal mutilation.An alligator is torn apart while still alive, a snake eats a mouse, and other horrific scenes. It adds to the realism factor, but then again, that is broken anyway by Me Me Lai's breast implants!
JUNGLE HOLOCAUST is obviously not for everyone, but I can't recommend it enough. It is long out of print, but Grindhouse Releasing should consider re-releasing it. After taking on CANNIBAL FEROX and CANNIBAL HOLOCAUST, why not close the infamous "Cannibal Trilogy" with a remastered letterboxed DVD of JUNGLE HOLOCAUST?
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