3 items from 2011
Hammer Horror director Don Sharp has died, aged 90.
The Australia-born moviemaker passed away in Cornwall, England earlier this month, according to Variety. No other details of his death had been released as WENN went to press.
Sharp was best known for being brought in to revive the flagging Hammer Film studio in Britain in the 1960s after the company suffered a drop in popularity. He went on to direct numerous horror pictures for the firm including The Kiss of the Vampire, The Devil-Ship Pirates and Rasputin: The Mad Monk.
His other film work outside of Hammer included directing The Face of Fu Manchu and The Brides of Fu Manchu with Sir Christopher Lee. He was also behind the 1978 remake of The Thirty Nine Steps, starring Robert Powell, a 1974 film version of TV drama Callan with Edward Woodward, and 1979's Bear Island with Donald Sutherland and Vanessa Redgrave. »
According to various online sources, Tasmanian-born director Don Sharp has died. He was 89.
A former small-time actor (The Planter's Wife, The Cruel Sea), Sharp (born April 19, 1922, in Hobart) is best remembered for several low-budget thrillers he directed in the 1960s, such as Hammer's The Kiss of the Vampire (1963), the sci-fier Curse of the Fly (1965), and the The Brides of Fu Manchu (1966), starring Christopher Lee as the East Asian fiend.
Sharp's other notable efforts include The Death Wheelers / Psychomania (1973), about a youth gang terrorizing a small town; the Ira drama Hennessy (1975), with A-listers Rod Steiger and Lee Remick; The Thirty Nine Steps, an underrated remake of Alfred Hitchcock's 1935 classic starring Robert Powell in Robert Donat's old man-on-the-run role; and the slow-moving adventure drama Bear Island, featuring Vanessa Redgrave and Donald Sutherland.
Sharp also worked on British television, directing several episodes from The Avengers. Other notable television efforts were a »
- Andre Soares
Having recently returned from London I was struck by the fact that three new posters on the main page of iTunes Trailers last week all featured that evergreen symbol of Britishness, Big Ben.
Big Ben, or, to be more precise, the Clock Tower that houses the Great Bell that was nicknamed Big Ben, has long been used as a shorthand cliché in movie posters to announce that a film is set in London, or, even more lazily, in England. Usually, as in many of the examples below, it is snuck into the background as a simple tip of the hat. However, two new posters—for The Iron Lady and Garbo: The Spy—feature it much more prominently. Of course, if ever a film had reason to feature of the Houses of Parliament and Big Ben, it would be a biopic of a British Prime Minister. But its useage in »
3 items from 2011
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