| Robert Powell | ... | Hannay | |
| David Warner | ... | Appleton | |
| Eric Porter | ... | Lomas | |
| Karen Dotrice | ... | Alex | |
| John Mills | ... | Scudder | |
| George Baker | ... | Sir Walter Bullivant | |
| Ronald Pickup | ... | Bayliss | |
| Donald Pickering | ... | Marshall | |
| Timothy West | ... | Porton | |
| Miles Anderson | ... | David | |
| Andrew Keir | ... | Lord Rohan | |
| Robert Flemyng | ... | Magistrate | |
| William Squire | ... | Harkness | |
| Paul McDowell | ... | McLean | |
| David Collings | ... | Tillotson | |
| John Normington | ... | Fletcher | |
| John Welsh | ... | Lord Belthane | |
| Edward de Souza | ... | Woodville (as Edward De Souza) | |
| Tony Steedman | ... | Admiral | |
| John Grieve | ... | P.C. Forbes | |
| Andrew Downie | ... | Stewart | |
| Derek Anders | ... | Donald | |
| Oliver Maguire | ... | Martins | |
| Joan Henley | ... | Lady Nettleship | |
| Prentis Hancock | ... | Perryman | |
| Leo Dolan | ... | Milkman | |
| James Garbutt | ... | Miller | |
| Artro Morris | ... | The Scot | |
| Robert Gillespie | ... | Crombie | |
| Raymond Young | ... | Guide | |
| Paul Jerricho | ... | P.C. Scott | |
| Michael Bilton | ... | Vicar | |
| rest of cast listed alphabetically: | |||
| Donald Bisset | ... | Renfrew | |
| Harry Fielder | ... | Policeman (uncredited) | |
Directed by | |||
| Don Sharp | |||
Writing credits | ||
| Michael Robson | (screenplay) | |
| John Buchan | (novel) | |
Produced by | |||
| Frank Bevis | .... | associate producer | |
| James Kenelm Clarke | .... | executive producer | |
| Greg Smith | .... | producer | |
Original Music by | |||
| Ed Welch | |||
Cinematography by | |||
| John Coquillon | (director of photography) (as John Coquillion) | ||
Film Editing by | |||
| Eric Boyd-Perkins | |||
Casting by | |||
| Irene Lamb | |||
Production Design by | |||
| Harry Pottle | |||
Makeup Department | |||
| Jeanette Freeman | .... | hairdressing supervisor | |
| Tom Smith | .... | makeup supervisor | |
Production Management | |||
| Ray Frift | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Mike Higgins | .... | second assistant director (as Michael Higgins) | |
| Barry Langley | .... | first assistant director | |
| Roy P. Stevens | .... | third assistant director | |
Art Department | |||
| Peter Childs | .... | assistant art director | |
| Denise Exshaw | .... | set dresser | |
| Percy Godbold | .... | prop buyer | |
| Jack Notman | .... | assistant art director | |
Sound Department | |||
| Ken Barker | .... | dubbing mixer | |
| Vernon Messenger | .... | dubbing editor | |
| Terry Poulton | .... | dubbing editor | |
| Peter Sutton | .... | sound mixer | |
| Don Wortham | .... | boom operator | |
| Peter Desbois | .... | sound assistant (uncredited) | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Ron Ballanger | .... | special effects supervisor | |
Stunts | |||
| Colin Skeaping | .... | stunt coordinator | |
Camera and Electrical Department | |||
| James Bawden | .... | additional photography (as Jimmy Bawden) | |
| Joe Pearce | .... | stills photographer | |
| Herbert Smith | .... | camera operator | |
| Johnny Swan | .... | gaffer | |
| Harry Waxman | .... | additional photography | |
| Geoff Mulligan | .... | aerial cameraman (uncredited) | |
Costume and Wardrobe Department | |||
| Joyce Stoneman | .... | wardrobe supervisor | |
Music Department | |||
| Ed Welch | .... | conductor | |
Other crew | |||
| David Alexander | .... | location manager | |
| Valerie Chamberlain | .... | production assistant | |
| Geoff Freeman | .... | unit publicist | |
| Jack Hawtree | .... | production accountant | |
| Christine Hoy | .... | producer's assistant | |
| Pamela Mann | .... | continuity | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
I was never really crazy about the Hitchcock version of this story. Hitch too often "fiddled" with an original story, and although so often made a great movie, it was seldom true to the story as it was first written. The later remake with Kenneth Moore, was a little more glossy, but flat. But with this version, we finally get the story as it was written. Superior photography on location, really help to make this a real winner. Evenly paced, with fine acting performances by the entire cast, the whole film just flows. Excellent production values, recreate the period flawlessly. If I had a criticism, it would be of the rather fanciful climax, but it was still fun. This movie is for enjoying over and over again.