| Cast overview, first billed only: | |||
| Robert Powell | ... | ||
| David Warner | ... |
Appleton
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Eric Porter | ... |
Lomas
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| Karen Dotrice | ... |
Alex
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| John Mills | ... |
Scudder
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| George Baker | ... |
Sir Walter Bullivant
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| Ronald Pickup | ... |
Bayliss
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Donald Pickering | ... |
Marshall
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| Timothy West | ... |
Porton
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| Miles Anderson | ... |
David
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| Andrew Keir | ... |
Lord Rohan
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Robert Flemyng | ... |
Magistrate
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| William Squire | ... |
Harkness
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Paul McDowell | ... |
McLean
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| David Collings | ... |
Tillotson
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The year is 1914 and Richard Hannay, Mining Engineer who is visiting Britain for a short time before returning to South Africa, is shocked when one of his neighbours, Colonel Scudder, bursts into his rooms one night and tells him a story that Prussian 'sleeper' agents are planning to pre-start World War I by murdering a visiting foreign minister. However, Scudder is murdered and Hannay is framed for the death by the 'sleepers'. Fleeing to Scotland Hannay attempts to clear his name and to stop the agents with the aid of Alex Mackenzie but not only is he is chased by Chief Supt Lomas for Scudder's death but by the agents who is headed by Appleton who has managed to hide himself in a high-placed position in the British Government... Written by Anonymous
It's hardly fair to compare this to the Hitchcock version (which was made when Buchan was not yet a well-known author). I think the Hitchcock film is the better as a film, although there are a few stodgy moments (with the crofter, for instance), but lots of lovely visual ideas to compensate (the Bridge scene, the missing digit, and the ending). But Hitchcock's is not a filming of Buchan's novel. It's something quite different. The first remake (with Kenneth More) was a remake of the Hitchcock film, not the book. With this version, we were told it would be faithful to the original, but, yes, the ending is stolen from an old Will Hay film (which was very much before its time, with its black humour). So this is not really a remake of the Hitchcock film, but neither is it faithful to Buchan (which I must re-read). But it is enjoyable, the period feel is good, and I personally like Ed Welch's concerto score.