IMDb > Shaolin Mantis (1978)

Shaolin Mantis (1978) More at IMDbPro »Tang lang (original title)


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Release Date:
January 1984 (USA) See more »
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Tagline:
Now that he learned the secret...he was ready to kill!
User Reviews:
SHAOLIN MANTIS - Liu Chia Liang's unsung kung fu masterwork See more (3 total) »

Cast

  (in credits order)
David Chiang ... Wei Fung
Lily Li ... Chi-Chi's Mother
Chia Yung Liu ... Chi-Chi's Grandfather
Cecilia Wong ... Tien Chi-Chi (as Huang Hsing-hsiu)
Norman Chu ... 4th Uncle
rest of cast listed alphabetically:
John Cheung
Wah Cheung ... Guard
Miao Ching
Ping Ha ... Chi-Chi's Great Aunt
Chi Cheng Ho
Hou Hsiao
Hoi Sang Lee ... Mongol Fighter
King Chu Lee
Ke Ming Lin

Chia-Hui Liu ... Monk
Tsun Liu
Hung Lu
Chia Chun Lun
Wilson Tong
Ching Ho Wang
Hung Wei ... The Emperor
Hua Yang
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Directed by
Chia-Liang Liu 
 
Writing credits
(in alphabetical order)
On Szeto 

Produced by
Mona Fong .... producer
Chia-Hsi Huang .... assistant producer
Runme Shaw .... producer
 
Original Music by
Yung-Yu Chen 
 
Cinematography by
Arthur Wong 
 
Film Editing by
Hsing-lung Chiang 
Yen Hai Li  (as Yen-Hai Li)
 
Art Direction by
Johnson Tsao 
 
Costume Design by
Chi-Yu Liu 
 
Makeup Department
Hsu-Ching Wu .... makeup artist
 
Second Unit Director or Assistant Director
Pa-Ching Huang .... assistant director
Yuen Tong .... assistant director
 
Sound Department
Yung-Hua Wang .... sound recordist
 
Stunts
Wah Cheung .... stunts
 
Other crew
Chia-Liang Liu .... fighting instructor
Cheng Peng .... production assistant
Wilson Tong .... fighting instructor (as Wei-Cheng Tang)
 

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Additional Details

Also Known As:
"Tang lang" - Hong Kong (original title)
"Deadly Mantis" - USA (dubbed version)
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Runtime:
96 min
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Aspect Ratio:
2.35 : 1 See more »
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28 out of 28 people found the following review useful.
SHAOLIN MANTIS - Liu Chia Liang's unsung kung fu masterwork, 14 November 2001
Author: Brian Camp from Bronx, NY

SHAOLIN MANTIS (1978, aka THE DEADLY MANTIS) ranks among the best work of premier kung fu director Lau Kar Leung (aka Liu Chia Liang), who's better known for THE 36TH CHAMBER OF SHAOLIN, 8-DIAGRAM POLE FIGHTER, HEROES OF THE EAST, and LEGENDARY WEAPONS OF CHINA. For the first three-quarters of its 102-minute length, MANTIS is more of a drama with kung fu scenes than a traditional martial arts film, as it builds up the tensions among a clan that learns of a traitor in its midst, but one they must tolerate in order to keep the clan patriarch's granddaughter happy. It's a complex story, slowly and deliberately crafted, that, for the most part, avoids casting anyone as good guy or bad guy. Every character has clearly understandable motives and the impending clash of loyalties is inevitable, but no less heartbreaking for being so.

David Chiang plays Wei Fung, a young scholar recruited by the Emperor to infiltrate the Tien Clan in order to get evidence of the clan's connection to Ming loyalists and anti-Ching activities. If Wei fails in his mission, his own well-connected family will be punished. He infiltrates the clan by serving as tutor to Chi-Chi (Huang Hsin-Hsiu), the spoiled teenaged granddaughter of Tien (Lau Kar Wing). When Tien investigates Wei's background and finds out who he really is, lovestruck Chi-Chi saves Wei's life by marrying him and promising Tien that Wei will never leave the village. Eventually, Wei must get the information he has gathered back to the Emperor or his own family will suffer. This puts Chi-Chi in a difficult position and forces her to have to choose between husband and family. Although they are slow in coming, just after the midway point there are a number of intense fight scenes--a mix of straight kung fu and sword- and spear-play--featuring six major kung fu performers: Chiang, Lau, Lily Li, Wilson Tong, Norman Chu and John Chang.

However, at the ¾ point, the film sharply shifts gears into more traditional kung fu territory, sending David's character alone into the wild to observe a praying mantis and develop the mantis style of fighting. He then returns to continue the fight. After some typically furious Lau Kar Leung-staged fights in the last 20 minutes, there is a genuinely surprising twist ending. The problem here is that the dramatic momentum built up by the interplay of moral obligations and family dynamics is somewhat dissipated, replacing intricate and complex character interaction with a final half-hour of more conventional kung fu practice and combat, albeit superbly done.

The film is beautifully crafted and staged on lavish sets at the Shaw Bros. studio. The screenplay is by Szeto An (evidently filling in for regular Shaw Bros. scribe I Kuang and doing a great job). The fights are not quite as intricate as Lau's best fights (see 8-DIAGRAM POLE FIGHTER, HEROES OF THE EAST, and LEGENDARY WEAPONS OF CHINA), but they still rank among the best of the genre, particularly the final fight between David Chiang and Lau Kar Wing. Chiang may not have been as skilled a fighting star as Gordon Liu and Alexander Fu Sheng, but he was a fine actor and, when guided by the best fight directors, could put on a good show amidst better fighters.

The real discovery in this film is actress Huang Hsin-Hsiu (aka Wong Hang Sau), who plays Chi-Chi. She's not only a competent fighter, but a powerful actress, mixing playful moments with strong dramatic scenes. For the first three-quarters, the film is really hers. Also in the cast are the great fighting femme Lily Li (as Chi-Chi's mother), Lau Kar Wing (aka Liu Chia-Yung, the director's brother), Norman Chu, and Wilson Tong (who also served as co-fight choreographer with the director). Gordon Liu makes a cameo appearance as (what else?) a monk who fights David briefly in the opening sequence. Special mention should also be given to the praying mantis that shares a few scenes with David. Either this is an expertly crafted moveable model or an incredibly well-trained mantis! (Truth to tell, it looks real to me.)

While the film's structural flaw is not fatal, it does keep it from being one of the absolute best of the kung fu genre. Still, fans of Shaw Bros. films who don't mind drama and characterization mixed in with martial arts will be amply rewarded.

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