Tang lang (1978)

User Rating:

7.3/10   

Director:

Chia-Liang Liu

Writer:

On Szeto (writer)

Release Date:

January 1984 (USA)

Genre:

Action | Drama

Plot Keywords:

Shotgun Marriage | Fight | Piety | Rites Of Passage | Martial Arts

Cast

David Chiang	...	Wei Fung
Lily Li	...	Chi-Chi's Mother
Chia Yung Liu	...	Chi-Chi's Grandfather
Cecilia Wong	...	Tien Chi-Chi (as Huang Hsing-hsiu)
Norman Chu	...	4th Uncle
rest of cast listed alphabetically:
John Cheung
Miao Ching
Ping Ha	...	Chi-Chi's Great Aunt
Chi Cheng Ho
Hou Hsiao
Hoi San Lee	...	Mongol Fighter
King Chu Lee
Ke Ming Lin
Chia Hui Liu	...	Monk
Hung Lu
Chia Chun Lun
Wilson Tong
Ching Ho Wang
Hung Wei	...	The Emperor
Hua Yang

Also Known As:

Deadly Mantis (USA) (dubbed version)
Shaolin Mantis (Hong Kong: English title)

Runtime:

96 min

Country:

Hong Kong

Language:

Mandarin

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

USA:R

Company:

Shaw Brothers

SHAOLIN MANTIS - Liu Chia Liang's unsung kung fu masterwork

SHAOLIN MANTIS (1978, aka THE DEADLY MANTIS) ranks among the best work of premier kung fu director Lau Kar Leung (aka Liu Chia Liang), who's better known for MASTER KILLER, 8-DIAGRAM POLE FIGHTER, SHAOLIN CHALLENGES NINJA, and LEGENDARY WEAPONS OF KUNG FU. For the first three-quarters of its 102-minute length, MANTIS is more of a drama with kung fu scenes than a traditional martial arts film, as it builds up the tensions among a clan that learns of a traitor in its midst, but one they must tolerate in order to keep the clan patriarch's granddaughter happy. It's a complex story, slowly and deliberately crafted, that, for the most part, avoids casting anyone as good guy or bad guy. Every character has clearly understandable motives and the impending clash of loyalties is inevitable, but no less heartbreaking for being so.

David Chiang plays Wei Fung, a young scholar recruited by the Emperor to infiltrate the Tien Clan in order to get evidence of the clan's connection to Ming loyalists and anti-Ching activities. If Wei fails in his mission, his own well-connected family will be punished. He infiltrates the clan by serving as tutor to Chi-Chi (Huang Hsin-Hsiu), the spoiled teenaged granddaughter of Tien (Lau Kar Wing). When Tien investigates Wei's background and finds out who he really is, lovestruck Chi-Chi saves Wei's life by marrying him and promising Tien that Wei will never leave the village. Eventually, Wei must get the information he has gathered back to the Emperor or his own family will suffer. This puts Chi-Chi in a difficult position and forces her to have to choose between husband and family. Although they are slow in coming, just after the midway point there are a number of intense fight scenes--a mix of straight kung fu and sword- and spear-play-- featuring six major kung fu performers-Chiang, Lau, Lily Li, Wilson Tong, Norman Chu and John Chang.

However, at the ¾ point, the film sharply shifts gears into more traditional kung fu territory, sending David's character alone into the wild to observe a praying mantis and develop the mantis style of fighting. He then returns to continue the fight. After some typically furious Lau Kar Leung-staged fights in the last 20 minutes, there is a genuinely surprising twist ending. The problem here is that the dramatic momentum built up by the interplay of moral obligations and family dynamics is abruptly dissipated, resulting in a somewhat unsatisfying resolution.

The film is beautifully crafted and staged on lavish sets at the Shaw Bros. studio. It includes an original Chinese music score. The screenplay is by Szeto An (evidently filling in for regular Shaw Bros. scribe I Kuang and doing a great job). The fights are not quite as intricate as Lau's best fights (see 8-DIAGRAM POLE FIGHTER, SHAOLIN CHALLENGES NINJA, and LEGENDARY WEAPONS OF KUNG FU), but they still rank among the best of the genre, particularly the final fight between David Chiang and Lau Kar Wing. Chiang was never the most skilled Shaw Bros. fighting star, but he was a fine actor and, when guided by the best fight directors, could put on a good show amidst better fighters.

The real discovery in this film is actress Huang Hsin-Hsiu (aka Wong Hang Sau), who plays Chi-Chi. She's not only a competent fighter, but a powerful actress, mixing playful moments with strong dramatic scenes. For the first three-quarters, the film is really hers. Also in the cast are the great fighting femme Lily Li (as Chi-Chi's mother), Lau Kar Wing (aka Liu Chia-Yung, the director's brother), Norman Chu, and Wilson Tong (who also served as co-fight choreographer with the director). Gordon Liu makes a cameo appearance as (what else?) a monk who fights David briefly in the opening sequence. Special mention should also be given to the praying mantis that shares a few scenes with David. Either this is an expertly crafted moveable model or an incredibly well-trained mantis!

While the film's structural flaw is not fatal, it does keep it from being one of the absolute best of the kung fu genre. Still, fans of Shaw Bros. films who don't mind drama and characterization mixed in with martial arts will be amply rewarded.